The John Coltrane International Jazz & Blues Festival held on September 1st -2nd began with the Coltrane Youth Jazz Workshop. Every year they are always the festival openers. Following them were the 2018 Coltrane Jazz All Stars spearheaded by the director of Jazz Ensemble at North Carolina A&T State University Mondre Moffett. The Dirty Dozen Brass Band from New Orleans had the crowd on their feet with their funky big band grooves. Grammy nominated Jazzmeia Horn blew onlookers away with her incredible jazz vocals. The rain made its way in and even caused a brief break in the performances, but in the end it didn’t stop the music. Renowned guitarist Lee Ritenhour was everything fans expected. Gregory Porter graced the stage with his fabulous band and flawless vocals to end the evening. It was the perfect finale to a day of incredible music. The last day of the festival included vocalist and guitar player Jackie Venson, Michelle and Ravi Coltrane, Diane Reeves, and Pete Escovedo with Sheila E.
Carol Duboc encompasses an impeccable voice. However, she is also a composer, pianist, engineer, and producer. Carol has worked with some of the very best in music and has shown she is quite the force herself. Among peers, in the studio, and on stage, Carol is dynamite. Recently, Duboc released her eighth album titled “OPEN THE CURTAINS”–a title expressing the sentiments shared by her daughter Anna and herself. Why not “OPEN THE CURTAINS,” some may say? Through the music, Carol empowers women to step on out and know that you are important; just another poetic collection of songs stemming from her personal experiences and desire to rise above all circumstances. Carol enlisted girl power like no other to join her on this album. She called on colleagues Patrice Rushen, Sheila E., Bibi McGill, Queen Cora Coleman, Rhonda Smith, Aubrey Logan, and Mindi Abair. Having wrote seven songs on “OPEN THE CURTAINS,” she also wanted to highlight other female musicians that share her love for songwriting. So, she covered Patrice Rushen, of course, Peggy Lee, and Nina Simone. Recording the album was in her words an “enlightening experience.” Unbeknownst to her at the time, when the project was complete, it would become an empowering anthem for women. Carol is very clear about the message she feels and hopes fans can gain by hearing her music and that is: “let go and let God.”
Listen as Carol and I share another enlightening conversation: