Saxophonist Justin Young’s “Blue Soul” powered by “High Definition”

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Saxophonist Justin Young’s “Blue Soul” powered by “High Definition

The November 17 album release reflects his Motor City roots, driven by the set’s new single

SEATTLE (9 October 2017): Justin Young is hungry. The energetic and enthusiastic saxophonist is all about hustle and hard work. For over a decade, he’s put out quality soul-jazz albums, but his forthcoming disc, “Blue Soul,” captures an artist hitting his stride on the cusp of a major breakthrough. Mining his Detroit roots, Young’s fourth album, due November 17 via JustnTime Records, features a dozen new songs recorded live in the studio with premier musicians, producers and songwriting collaborators. Paving the way for the collection is the new single, “High Definition,” a vibrant R&B/pop confection just shipped to radio stations, a tune that Young penned with fellow soul-jazz saxman Jackiem Joyner and keyboardist Matt Godina.  

The release of “Blue Soul” caps a lengthy recording odyssey for Young. His approach for this outing was purposely different and taps into the Motown lore that influenced his musical discoveries while growing up.

“I started work on this album three and a half years ago. There have probably been about 40 different songs written for this album. In the past, I would write twelve songs, and then enter the studio quickly and put out an album. But for ‘Blue Soul,’ I wanted to take a different approach and put the absolute best songs out, really push myself to elevate the standard this time around,” said Young, who had a hand in writing all but one song on the album. “‘Blue Soul’ goes back to my roots in music, Detroit, the home of Motown. I loved the creativity of musicians recording together in the studio, creating an amazing vibe. The opportunity to put high-quality musicians together along with amazing producers has always been my dream. I watched this growing up and listened to the Motown stories. ‘Blue Soul’ goes back to my love of jazz and soul music. It’s organic, it’s played by consummate musicians and it truly is soul music with saxophone at its beating heart.

Throughout “Blue Soul,” Young’s alto, tenor and soprano sax is embedded amidst rhythms and grooves constructed by the likes of bassists Alex Al and Hussain Jiffry, and the late drummer to the stars, Ricky Lawson. Former Earth, Wind & Fire guitarist-vocalist Sheldon Reynolds is another notable player who fortified Young’s lilting harmonies and undeniable melodies. The first single, “Always There,” one of four cuts written and produced by Joyner – a Billboard chart-topper in his own right – hit the Billboard Top 25 and the Smooth Jazz Top 20 Countdown. “Jazz Along The 101,” one of three tracks shepherded by gospel producer Noel Hall (Kirk Franklin, Fred Hammond), kept Young’s momentum motoring along with both singles garnering daily spins on SiriusXM’s Watercolors. In response to Hurricane Harvey, he released the hopeful “Song For A Better Tomorrow” (https://youtu.be/PoL8NtcUwFw), donating the track’s proceeds to the American Red Cross. “High Definition” promises to take him into 2018 on a high note with a wealth of potential singles in the offing.

Young began in music as a drummer and was introduced to a wide array of styles – from R&B and pop to jazz and gospel – by his father, Jim Young, who led and played in a variety of bands, encouraging his scion to play sax. Landing his first professional concert at age sixteen, Young put himself through Michigan State University by playing weekend gigs. He issued his debut album, “Rendezvous,” in 2003. After winning a competition at the famed Capital Jazz Fest in 2007, he released “On The Way.” A move to Southern California helped his following multiply quickly when he booked a year-long residency at Spaghettini, a hot spot for the contemporary jazz crowd south of Los Angeles. Gigs on the national festival circuit ensued as did subsequent recordings, “Home for the Holidays” and “Nothin’ But Love.” Young previewed music from “Blue Soul” at a Detroit show held at Chene Park last July with 5,000 people in attendance and at a sold-out date in August when he returned to Spaghettini. Now based near Seattle, he will support the new record with a series of local concerts at nearby wineries this fall. Resourceful and brand savvy, Young produces and plies his effervescent personality as the host of “The Justin Young Audio Experience,” a podcast that teaches musicians about the business of music. For more information, please visit www.JustinYoungSax.com.

“Blue Soul” contains the following songs:

 “Always There”

“Nothin’ But Love”

“Razzmajazz”

“Jazz Along The 101”

“Paradise Found”

“New Life”

“Blue Soul”

“Sorento”

“Sweet Release”

“India”

“Song For A Better Tomorrow”

“High Definition”

Vocalist Clint Holmes has an intimate “Rendezvous” with a star-studded jazz collective

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Vocalist Clint Holmes has an intimate “Rendezvous” with a star-studded jazz collective

Dee Dee Bridgewater, Jane Monheit, Ledisi, Joey DeFrancesco, Dave Koz, Patti Austin and The Count Basie Orchestra help bring the veteran crooner’s story to life on the album due February 24.

LAS VEGAS (26 January 2017): A song that singer-songwriter Clint Holmes wrote fondly recalling the Sunday afternoons he used to spend with his father at the historic Colored Musicians Club of Buffalo in upstate New York where he was first exposed to jazz serves as the centerpiece of “Rendezvous,” his new album slated for release on February 24 from LL Music.

“I was twelve and it was a true coming of age moment for me. I had never seen my dad in his world. He worked three jobs and never seemed happy until I saw him in this element. I fell in love with jazz and how cool it felt to interact with the ‘cats’ the way my dad did,” said Holmes, the son of an African-American father and a white British mother who was a classically-trained opera singer.

With jazz timing and phrasing informing his velvety tenor croon on eleven cuts, including three new songs that he co-wrote, Holmes surrounded himself with a royal herd of jazz “cats” on the collection that was produced by two-time Grammy winner Gregg Field. The sophisticated session offers a diverse play list that reinterprets modern day and classic pop hits, soulful R&B, theatrical tunes and numbers culled from the Great American Songbook. Field placed Holmes’ voice front and center amidst live instrumentation, sweeping strings and orchestra accompaniment, and sparse piano and vocal settings. The first single shipped to radio stations for airplay is “Say Something,” a duet between Holmes and multi-time Grammy nominee Ledisi. Grammy winner Patti Austin sang, conducted and arranged the background vocals on the track that will also be remixed for dance floors and serviced to club DJs.

Class and elegance reign on a cunning big band mashup of “I Loves You Porgy”/”There’s A Boat That’s Leavin’ Soon For New York” pairing Holmes and Grammy-winning chanteuse Dee Dee Bridgewater backed by The Count Basie Orchestra. Holmes will join Bridgewater and the famed orchestra on stage at the legendary Blue Note in New York City on February 4 and 5 to perform the showstopper arranged by four-time Grammy winner Gordon Goodwin.

Stellar contributions proliferate “Rendezvous.” Holmes and Grammy winner Jane Monheit break hearts on a sublime rendition of Cole Porter’s “Every Time We Say Goodbye.” Swinging jazz and blues mingle “At The Rendezvous,” which is illuminated by a storming Hammond B-3 solo from Grammy-nominated organist Joey DeFrancesco. Closing the record with poignancy, Holmes penned lyrics to the sweetly melodic “What You Leave Behind,” composed by contemporary jazz luminary Dave Koz, who embellished the acoustic guitar and vocal track with a gracefully emoting sax solo.

“Every track does come from a personal place for me and this CD is a ‘rendezvous’ in every sense of the word – a coming together of great and generous artists. The material I selected for the album is specific and biographical while being universal at the same time,” Holmes concluded.

Holmes burst onto the pop landscape nearly 45 years ago with the million-selling smash “Playground in My Mind.” His enduring and accomplished career as a recording artist, multidimensional showman and consummate entertainer includes tenure as Joan Rivers’ sidekick on her late night television program, a stint as musical feature and event correspondent on “Entertainment Tonight,” and his own Emmy-winning talk/variety show. Along with appearing in marquee musicals across the country, he has written the book, music and lyrics to original shows and cabaret acts. A critically-acclaimed draw in Las Vegas and New York City in recent decades, Holmes concluded an extended run at the Palazzo a short time ago and soon expects to announce a new Vegas residency with a production inspired by “Rendezvous.” For more information, please visit www.ClintHolmes.com.

“Rendezvous” contains the following songs:

“Stop This Train”

“At The Rendezvous” featuring Joey DeFrancesco

“I Loves You Porgy”/”There’s A Boat That’s Leavin’ Soon For New York” featuring Dee Dee Bridgewater and The Count Basie Orchestra

“Every Time We Say Goodbye” featuring Jane Monheit

“All Of Me”

“Say Something” featuring Ledisi

“Maria”

“The Perfect Trance”

“Marie”

“My Way”

“What You Leave Behind” featuring Dave Koz