Urban-jazz saxophonist Sam Rucker finds solace as an “Overcomer” on the path to “Redemption”

Sam Rucker

Urban-jazz saxophonist Sam Rucker finds solace as an “Overcomer” on the path to “Redemption”

His steadfast message of “True Love” heads to radio as a single, preceding the August 24 release of his inspired third album.

WILLIAMSBURG (2 July 2018): One of the first songs that urban-jazz saxophonist Sam Rucker recorded for his third album, “Redemption,” was the soothing “Overcomer,” on which he emotes intimately on soprano sax during an uplifting exchange with a guitar duo comprised of his nephew, Justin Taylor, and John Calisto. Tragically, both guitarists passed away unexpectedly three days apart and the tune Rucker wrote to comfort and inspire others became his own healing grace. It is a focal point of the rousing eleven-track set penned and produced by Rucker that drops August 24 from Favor Productions.

Rucker’s life and his musical journey have evolved in recent years, growing from a gritty hip hop producer into a soul-baring R&B-contemporary jazz instrumentalist, yet his faith has never wavered. He is on a mission as an empowering evangelic emissary, using his tenor, alto and soprano sax on “Redemption” to deliver heartening orations that commiserate and console as much as persevere and conquer. His writing, production and sax play reflect a more refined, mature and sophisticated auteur who retained just enough of the raw urban grit from his edgy past to ensure that his recordings are genuine. Despite enduring pain, struggle and suffering, Rucker never loses sight of the Divine hand orchestrating it all – the victories and the losses – purposely placing his focus on the abundance of blessings and the love that cushions his every fall.

“‘Redemption’ is a feel-good album designed to touch the inner soul, to encourage and inspire the listener. It is about perseverance, keeping the faith, overcoming some of the worst that life has to offer and coming out better on the other side. Redemption of everything that was lost: the naysayers and doubters, the narrowly missed opportunities, the emotional scars and the sore spiritual muscles from years of exercised faith. Staying steadfast and seeing the gracious hand of God redeem all and make our former days greater than the latter. It’s also about making someone nod their head to the beat when they feel like hanging it during a tough time,” said Rucker.

Listeners will soon be nodding their head to the first radio single, “True Love,” when it goes for playlist adds on July 16. Rucker’s fat tenor sax packs a powerful punch on the sensually steamy mid-tempo groove graced by Calisto’s sultry nylon guitar and a celestial, gospel chorus-like affirmation that embodies the album’s message: “Take one look, and you will see, what true love has done for me, take one look and you will see, what true love has done in me.”

“First and foremost, the song is about the fact that despite all the mistakes I’ve made and how undeserving I am, God still loves me enough to redeem me and bless me with as much as he has. For the listener, ‘True Love’ could be about life with a special someone. For me, it is really about the love of God, the only true love that holds no records of wrongs and never fails. If you look at your life, you’ll see evidence of His love in what He has done for you. But, when you really get it and realize that it’s Him and really receive His love, then there is a change in you that people will see. Hence the song’s lyrics.”

The Williamsburg, Virginia native debuted in 2011 with “Heat from the Heavens,” introducing his formula of hip hop beats, improv jazz and stirring inspirational messages. Three years later, “Tell You Something,” upped the ante by offering collaborations with urban stalwarts Norman Connors, Bobby Lyle, Tom Browne and Alyson Williams, boosting Rucker’s appeal at radio. His eyes averted the camera on the first album cover and were hidden behind dark glasses on the second. “Redemption” depicts a happier, lighter Rucker looking directly into the camera, eager to face and embrace what lays ahead of him with gratitude.

“When I released the last album (“Tell You Something”), it was a difficult time for me personally,” admitted Rucker. “In the last five years, my life has done a complete 180. With the release of ‘Redemption,’ I feel spiritually, physically, emotionally and materially redeemed. On this album, there are no covers, no guest producers and no big-time superstar performers. Just pure, raw and real me and those closest to me.”

“Redemption” contains the following songs:

“Down on the Inside” (intro)

“Down on the Inside”

“True Love”

“Overcomer”

“Nothing’s Too Hard”

“Redemption”

“Forever Forgiven”

“Follow Me”

“I Am with You”

“Throwback”

“Please Child”

For more information, please visit https://www.samrucker.com.

 

Urban-jazz guitarist dee Brown remembers his late fiancée with songs of love and joy

dee Brown

Urban-jazz guitarist dee Brown remembers his late fiancée with songs of love and joy

His fourth album is a celebration of life chronicling their time together with fun and spirited songs such as the new chart-bound single, “Pop the Question.”

SOUTHFIELD (22 June 2018): Two years ago, soul-jazz guitarist dee Brown was preparing for a summer wedding to his fiancée, gospel singer Shaunia Edwards. When her young life was tragically cut short by an unexpected illness, he was devastated, leaning on his strong faith to endure. Shifting his mindset from a mourning period during which he sought meaning by asking “Why?” to a perspective of positivity, Brown turned to writing, honoring the sweet, lasting memories of Edwards and their romance by composing lively, intimate and playful stories of love, laughter and hope. He shares his fond remembrances via the ten new songs that constitute his fourth album, “Remembering You,” his second release for Innervision Records.

Determined to make “Remembering You” a joy-filled affair, Brown imparts his charming recollections by setting his lyrically expressive, loose and improvisational cool jazz fretwork amidst ebullient pop nuances, pulsating dance beats and sensual R&B grooves. He picks, plays and scats soulfully throughout, inspired to celebrate his season with Edwards by deriving meaning from her lingering place in his heart, not in the loss of her physical presence.

“Shaunia was the reality of my dreams, a woman heaven sent to make me whole. ‘Remembering You’ celebrates her life and our life together. It’s purposely an upbeat celebration, not a mourning. The meaning that I derived from this experience and a message I think everyone can relate to is that we should exalt those in our lives as well as remember those who are no longer in our lives for whatever reason. Tomorrow is coming, but not necessarily for you. Share our love with those with us in the here and now because tomorrow is not guaranteed,” said Brown, who coproduced nine of the album’s tracks.

A loving, encouraging greeting from Edwards opens “Hey Baby,” the sweeping, feel-good first single illuminated by fervent guitar and alto sax banter on the cut that presaged the set’s arrival. Brown’s frequent writing and producing partner, pianist-keyboardist-programmer Valdez Brantley (Usher’s former music director), uses the vocoder to tantalize and tease on “Pop the Question,” the current chart-bound single that appears on the record in both album and d-Funk remix versions. Other noteworthy contributions are made by keyboardist Bob Baldwin, who also produced and cowrote the sleek and sophisticated “I Will”; Althea Rene, who adds fanciful flute flourishes to the vibrant escapade “Our Summer”; and keyboardist Nate Harasim, cowriter and producer of the sultry reflection “Beauty Within.”

A Detroit born and based guitar man who got his start in music as a vocalist, Brown launched his solo career in 2007 with “No Time To Waste.” Teaming with Valdez and Kern Brantley (Lady Gaga’s former music director and bassist who plays on “Remembering You’s” opener, “I Want You Too”) two years later for his sophomore outing, “A Little Elbowroom,” proved formative to his sound and style. Brown dropped his first recording for Innervision Records in 2014, “Brown Sugar Honey-Coated Love,” spawning the Top 15 Groove Jazz Music chart single, “Natural Love.”

Brown performs regularly on the Motor City music scene backed by Valdez Brantley, saxophonist Dezie McCullers Jr. and drummer Ron Otis, his core band that appears on the new album. Brown is looking forward to performing cuts from “Remembering You” in a big setting at the River Raisin Jazz Festival on August 11held in nearby Monroe, Michigan. One week later, his summer wedding will finally take place when he takes marriage vows with “a beautiful child of God.”

Brown’s “Remembering You” album contains the following songs:

“I Want You Too”

“Hey Baby”

“Pop the Question”

“Our Summer”

“I Will”

“Follow You”

“So Much”

“Pop the Question” (d-Funk remix)

“Beauty Within”

“Remembering You”

For more information, please visit http://deebrownmusic.com.

Saxophonist Michael Paulo calls upon friends to celebrate “Beautiful Day”

Michael Paulo

Saxophonist Michael Paulo calls upon friends to celebrate “Beautiful Day” 

Ray Parker Jr., Paul Brown, Peter White, David Benoit, Paul Jackson Jr. and Brian Simpson are among his buddies illuminating the new soul-jazz album. The first single, “Who You Gonna Call?,” impacts radio. 

MENIFEE (7 June 2018): From beginning to end, saxophonist Michael Paulo’s “Beautiful Day,” is a celebration of love, friendship and the Aloha spirit. Opening with the title track inspired by the joyous news that he was going to become a grandfather and closing with the timeless Carole King ode to friendship, “You’ve Got A Friend,” Paulo’s eleventh solo disc dropped on the Apaulo Productions imprint. The collection is comprised of eight Paulo compositions and five modern classics produced by Paulo with two tracks helmed by two-time Grammy winner Paul Brown. The first single presently collecting radio spins and playlist adds spotlights guitarist Ray Parker Jr. on the aptly titled “Who You Gonna Call?”

Inherent in Paulo’s soulful play emoted through tenor, soprano and alto saxes on “Beautiful Day” is an effervescent spirit, a hallmark that perhaps emanates from the DNA of his Hawaiian blood. A genuine sense of gratitude is another vital element present in his recordings. With that ethos, Paulo crafted a set list that enabled him to record with and feature some of his accomplished friends the likes of which include guitarists Parker Jr., Brown, Peter White and Paul Jackson Jr.; pianist David Benoit, keyboardist Brian Simpson, bassists Freddie Washington and Roberto Vally, percussionist Lenny Castro, and drummers Gorden Campbell and Michael White.

“I truly have the best friends in life that always are there to support me. ‘You’ve Got A Friend’ represents why I am able to do what I do. I hope this record will touch people emotionally. My approach to playing has always been about expressing feeling and emotion and drawing the listener in so that they forget all the stress in their lives. I hope it renews their spirit, so they can continue to be happy and express love. When I perform live, my biggest gratification is when I feel that I have uplifted people emotionally and they can go home feeling good about themselves and life in general. That’s our gift as musicians and I am so blessed to be able to do what I do,” said Paulo.

The album also showcases Paulo’s touring band – a trio of Hawaiians comprised of Kimo Cornwell (keyboards), David Inamine (bass) and Fred Schreuders (guitar) along with drummers Land Richards and Sergio Gonzalez – which will take the stage with Paulo at SoCal hotspot Spaghettini on July 21 to celebrate the release of “Beautiful Day.”

Paulo’s professional career spans more than forty years, and includes gigs playing alongside R&B, pop and jazz headliners Al Jarreau, James Ingram, Patti Austin, Jeffrey Osborne, Kenny Loggins, Johnny Mathis, Bobby Caldwell and Rick Braun. He debuted as a solo artist in 1977 with the Japan-only release of “Tat’s in the Rainbow,” an album that highlighted Herbie Hancock on keyboards. Paulo continues his dual career as a solo artist and as a first-call session player-sideman. He also produces concerts and jazz festivals in Hawaii and in the long-time California resident’s home state. These days, Paulo tours frequently with Peter White, who plies his signature delicate acoustic guitar nuances in addition to contributing to the arrangement for “Beautiful Day’s” profound version of Sting’s “Fragile.” The saxman’s longest touring association was with Jarreau, with whom he shared the stage throughout the late crossover crooner’s glory days.

“I recorded ‘Your Song’ as a tribute to Al, who gave me my big break when he hired me for his touring band in 1983. We toured the world together for eleven years and he featured me on his ‘Live in London’ album. I used his arrangement of ‘Your Song’ and David Benoit delivered a heartfelt piano performance. I miss Al.”

Paulo’s “Beautiful Day” album contains the following songs:

“Beautiful Day” featuring Paul Brown

“Mr. Magic” featuring Paul Brown

“Europa”

“Back with the Funk” featuring Paul Jackson Jr.

“Your Song” featuring David Benoit

“Who You Gonna Call?”

“#FromtheHeart”

“Fragile”

“Keiko’s Groove”

“Galaxia”

“Mysterious”

“Fire Dance”

“You’ve Got A Friend”

For more information, please visit www.MichaelPaulo.com.

Keyboardist David Garfield is joined by George Benson and David Sanborn on the next single previewing his “Jammin’ Outside the Box” album

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“Jammin’” with legends 

Keyboardist David Garfield is joined by George Benson and David Sanborn on the next single previewing his “Jammin’ Outside the Box” album. “Stay” features the Rufus hit’s co-writer, Moon Calhoun, on lead vocals.

LOS ANGELES (23 May 2018): When asked how he got Grammy-winning legends George Benson and David Sanborn to perform on his new single, “Stay,” keyboardist David Garfield responds dryly with a gleeful grin, “You ask them.” The third single from Garfield’s forthcoming “Jammin’ Outside the Box” album is a remake of the Rufus classic featuring the vintage R&B-funk band’s former drummer Moon Calhoun singing lead on the song he wrote with Chaka Khan. “Stay” goes for radio adds on June 11 and drops digitally from Creatchy Records on June 15.

As Garfield was gathering material for his multi-disc, multi-genre “Outside the Box” series, he decided to give his long-time friend, Calhoun, the chance to sing the first song he ever wrote, which appeared on Rufus’s “Street Player” (1978). Calhoun was paralyzed in a bike accident 25 years ago and although he can no longer play drums, he can still sing. After inviting Benson and Sanborn to participate, Garfield let Calhoun cast the rest of the track’s musicians, which includes original Rufus guitarist Tony Maiden, along with Maiden’s daughter, Amanda Maiden, on backing vocals. Among the prominent players is a powerhouse sax section comprised of Sanborn on alto, Eric Marienthal on tenor and Tower of Power’s Doc Kupka on baritone; Paul Jackson Jr. (rhythm guitar), Vinnie Colaiuta (drums), Freddie Washington (bass) and Lenny Castro (percussion). Sanborn and Benson take turns in the spotlight soloing.

“Both George and David were very gracious. It was great to put them together. They compliment each other,” said Garfield, who is Benson’s long-serving music director and has collaborated with Sanborn on numerous occasions. “Initially George was only going to play the solo, but when he heard the guitar tracks, he added some rhythm guitar as well. This track really embodies the idea of musical community, where everyone works hand in hand, gifting each other with their talents. All I think about when I hear the finished song now is, ‘Moon finally got to sing his song!’”

Scheduled to street on July 20, “Jammin’ Outside the Box” is the second volume of the star-studded “Outside the Box” collection. Released in late March, Garfield’s first ever straight-ahead jazz date, “Jazz Outside the Box,” continues to gather radio spins and receive accolades. “Jammin’ Outside the Box” mixes it up in the smooth/contemporary jazz sandbox showcasing luminaries Benson, Sanborn, Smokey Robinson, Michael McDonald, Ray Parker Jr., Oleta Adams, Phil Perry, Marcus Miller, Kirk Whalum, Rick Braun and many more. The outing’s first single, “Go Home,” hit No. 2 on the Billboard chart, while the follow up, “Jamming,” rose to No. 8.

Garfield will perform music from “Outside the Box” on May 31at Cleveland’s Night Town and celebrate “Jazz Outside the Box” on June 12 in Hollywood at the Catalina Jazz Club featuring special guests.

For more information, please visit www.DavidGarfield.com.

Brian Culbertson delivers his Valentine with “Love”

bc

 

Brian Culbertson delivers his Valentine with “Love”

 The jazz-R&B keyboardist drops his “Colors of Love” album on Valentine’s Day as preparations continue for a 50-city concert tour launching March 30.

 LOS ANGELES (14 February 2018): Contemporary jazz-R&B funkster Brian Culbertson has had love on his mind essentially since last Valentine’s Day. Inspired by the occasion of his twentieth wedding anniversary last fall, the keyboardist began writing thirteen new songs about a year ago dedicated to his wife, Michelle, which make up his “Colors of Love” album that was released on Wednesday, Valentine’s Day, by BCM Entertainment. Substituting the live band instrumentation customary of his recordings, Culbertson crafted an intimate set of ardent acoustic piano melodies using sensual synth grooves and textures. With the title track of his eighteenth album that he wrote, arranged and produced already in the Billboard Top 5, his attention is fixed on creating the highly-theatrical production he’ll take on the road for nearly three months beginning March 30 across the bridge from Philadelphia in Collingswood, New Jersey and concluding in Seattle on June 17.

 Culbertson showcases his proficiency as a multi-instrumentalist by playing virtually all the instruments heard on “Colors of Love” – piano, keyboards, Fender Rhodes, Wurlitzer, Hammond B3 organ, synth bass, drum programming, percussion and trumpet. The only supplementation came from guitarist Isaiah Sharkey along with an ethereal accordion passage from Peter White on the song “In A Dream.” Impassioned tracks like “I Want You,” “Love Transcended,” “Don’t Go,” “You’re Magic,” “Let’s Chill,” “Desire,” “In Your Embrace” and “The Look” employ caressing melodies and sultry rhythms to allure, soothe and seduce. Even more revealing and evocative is the ravishing piano poetry of “Through The Years,” “Michelle’s Theme” and “All My Heart,” poignant solo pieces that Culbertson uses effectively to tell wordless stories of romance and amorous contemplation.

 As he lovingly conceived the cozy collection depicting the many different “colors” of romantic love, Culbertson envisioned mounting an elaborate concert presentation utilizing video and lighting to present the cherished material in an immersive multimedia experience.

 “I’m in the midst of creating a stunning-looking show, working closely with my lighting director and visual designer. We’re using a Visualizer to play each track to design and run the lighting and videos as if it was a live show right there on our computer screens. It enables us to dial in every little nuance of the music so that each video and light is precisely timed to the music. The detail is really amazing. I am loving the process of creating the production for the tour,” said Culbertson, who will begin ten days of production rehearsals in Nashville with his band in mid-March.

 Culbertson’s Colors of Love Tour has already announced 66 shows in 50 cities with more soon to be added to the itinerary. The nationwide trek includes a June 7 performance at Culbertson’s seventh annual Napa Valley Jazz Getaway, a five-day music, wine and lifestyle experience held in the heart of California Wine Country.

 “The ‘Colors of Love’ show will be staged in three acts. The first and third acts will showcase the new album along with romance-themed selections from my catalogue. In fact, we’re going to be drawing heavily from my ‘It’s On Tonight’ album,” explained Culbertson. “We’re not planning to do any big horn section pieces during this tour like I’ve done in the past and did extensively during last year’s Funk! Tour, but the second act will be a slamming funk set guaranteed to get everyone up and dancing.”

 Joining the keyboardist-pianist-trombone player on tour are drummer Chris Miskel, bassist Joewaun Scott, guitarist Tyrone Chase, keyboardist-vocalist Eddie Miller, and Marqueal Jordan on saxophones, vocals and percussion.

 “I asked Marqueal to bring his soprano sax for this tour. The sound fits the intimate ambience of the music we’re going to perform. It’s the first time in over a decade that I’ve used soprano sax in my live show,” said Culbertson, who describes the “Colors of Love” album as “textural ear candy cinematic in nature.”

 As Culbertson shares his anniversary and Valentine’s Day gift to his wife with the world on record and during the upcoming tour, expect the architect of 30 Billboard No. 1 singles as an artist, producer and/or songwriter to add to that stat.

 For more information, including concert dates, please visit www.BrianCulbertson.com.

An “Overture” straight from the harp

M. Antionette

 

An “Overture” straight from the harp

 Urban jazz harpist Mariea Antoinette provides a glimpse of her forthcoming album by dropping a euphoric single on January 29.

 SAN DIEGO (23 January 2018): The dramatic opening immediately commands attention. Emerging from the lab with a preview of her upcoming summer album, urban jazz alchemist Mariea Antoinette returns on January 29 with the jubilant “Overture,” the new single featuring her mystical harp pouring forth as a bubbly protagonist. The divine stringed instrument is cast amidst an intriguing orchestral proscenium both ancient and modern constructed by a nine-piece string section, three-piece horn section and an empowering rhythm track crafted by Emmy winner and two-time Grammy-nominated producer Allan Phillips, who co-authored the composition with Antoinette.

 “Overture” is the first original recording from Antoinette since her Phillips-produced “Straight from the Harp,” which was a Billboard Top 5 smooth jazz album in 2015. The new cut demonstrates that her mission to shatter preconceived limitations, stretch and abolish musical borders and boundaries, and expand the possibilities for the harp as a lead instrument in R&B, jazz, funk, soul and rock remains unwavering.

 “My goal has been to present the unexpected: to make the harp the lead instrument backed by bass, drums and percussion. I am continuously stretching and pushing the boundaries of the harp, making a clear statement that it possesses a funky and powerful place in contemporary music. The harp is unexpectedly expressive in its delivery, a forceful lead voice and soloist in the midst of it all,” said the San Diego-based Antoinette.

 In addition to vaulting into the elite ranks of the Billboard chart, Antoinette’s “Straight from the Harp” garnered an abundance of national airplay as well as critical plaudits. The mix of originals and R&B classics that comprise her sophomore outing was released in two versions. The spring 2015 release was enhanced in the fall the same year by two additional tracks and new cover art when it was issued as “Straight from the Harp: Special Edition.” Her debut album, “Sexy Paradise,” produced by the late Fattburger leader Carl Evans Jr., streeted in 2003.

 A visually striking figure that also brings sensuality to the harp, Antoinette’s alluring artistry has landed her the opportunities to perform for President Barak Obama and First Lady Michelle Obama, back Ne-Yo at the BET Awards, and play Grammy parties for Vanity Fair magazine, Mary J. Blige and Jamie Foxx. In addition to her solo bookings, Antoinette is part of the powerhouse all-female jazz collective Jazz in Pink, with whom she has been performing at music festivals across the U.S. and abroad since 2007.

 For additional information, please visit https://www.marieaantoinette.com.

Jazz guitarist Chris Standring basks in the positive glow of joyous “Sunlight”

Chris Standring

Jazz guitarist Chris Standring basks in the positive glow of joyous “Sunlight”

The March 23 album release, featuring appearances by Bob James and Mica Paris, will be preceded by the rousing radio single, “Love Street.”

 STUDIO CITY (18 January 2018): Much like a prism refracts light into a colorful spectrum, guitarist Chris Standring’s “Sunlight” reflects rays of multihued jazz into a vibrant sonic palette of joy and positivity. The Los Angeles-based, native Brit will drop his twelfth album on March 23 on the Ultimate Vibe Recordings label, marking the twentieth anniversary since the release of his debut disc (“Velvet”). Paving the way for the new collection penned and produced by Standring is the jaunty “Love Street,” set to cast an alluring spell as the first radio single.

 Diverse strains of jazz reign on “Sunlight” with Standring’s clean electric jazz guitar shining brightly throughout the ten tracker plus a reprise that closes the session. The prevailing sounds and engaging textures create warm, organic backdrops for his nimble fretwork forays that traverse lush rhythms and grooves. Wave after wave of Fender Rhodes keyboards and Hammond B3 organ wash over the taut beats serving as the rhythmic spine. Vintage elements offer a compelling contrast to the imaginative electronic nuances, deftly making the recordings feel retro, futuristic, experimental and visionary all at the same time while Standring’s cool-toned guitar slices through to the fore cranking out nifty licks, precision fills and impassioned melodic sojourns.

 Helping flush out his vision for “Sunlight,” Standring shares the spotlight with contemporary jazz forefather Bob James (piano) on the stratospheric exploration “The Revisit” and UK soul-pop chanteuse Mica Paris on the lusty R&B, jazz and electronic hybrid “No Explanation,” the latter a tune he wrote with seven-time Grammy nominee Lauren Christy. Also lending their artistry to the platter are noted saxmen Pete Christlieb and Brandon Fields, keyboardists John Novello, Mitchel Forman and longtime collaborator Rodney Lee; bassists Jimmy Haslip, Andre Berry and Roberto Vally; and drummers Chris Coleman and Dave Karasony.

 “For the first time, I feel a huge degree of comfort stylistically. ‘Sunlight’ seems to be a much more refined version of who I am. Musically, I can’t shake off who I am. It just is. It’s a fusion of my traditional be-bop background with infectious soul and funk grooves, and a sense of arranging and orchestration that comes very easily now. My influences are not from my contemporaries. They come from orchestral music, traditional jazz and European chill, lounge and progressive club music plus a good dose of R&B. It’s a weird mix, but I guess that’s what results in everything sounding like me when it all comes together,” said Standring who purposely infused the set with uplifting notes of hope and glee.

 Perhaps a commentary on our times or just a thoughtful embrace of a longtime personal favorite, Standring reimagines Brian Wilson’s “God Only Knows” as a serene guitar meditation.

 “The album is upbeat and joyful for the most part. Perhaps it is somewhat reactionary to these challenging times we are presently living through, but I am inherently a positive soul who tends to see the bright side of things, albeit with a touch of British cynicism. Sunlight represents positivity and joy to me, hence the title.”

 Standring celebrated three No. 1 singles in 2017: his solo hit “Like This, Like That,” and duet collaborations with trumpeter Cindy Bradley (“Category A”) and two-time Grammy-winning producer-guitarist Paul Brown (“Piccadilly Circus”). The classically-trained guitarist’s ambitious catalogue of instrumental R&B, soul jazz and electronica includes his hit debut single, “Cool Shades”; the No. 1 Billboard Contemporary Jazz Track of the Year in 2010, “Bossa Blue”; and a 2014 Billboard No. 1 single, “Sneakin’ Out the Front Door.” Coming to the U.S. after a lengthy and prosperous run at the BBC and on London’s West End in theatrical orchestras, Standring was a session ace who recorded with Jody Watley and Bebe & Cece Winans among many others. He partnered with Lee to form the acid jazz outfit SolarSystem before touring extensively backing trumpeter Rick Braun. Standring issued “Velvet” soon after, launching his solo mission that continues to climb in trajectory and scope.

“Sunlight” contains the following songs:

 “Static In The Attic”

“Aphrodisiac”

“Love Street”

“The Revisit” featuring Bob James

“No Explanation” featuring Mica Paris

“God Only Knows” featuring John Novello

“Like Paradise”

“Moon Child”

“Do Not Adjust Your Set”

“The Principle Of Pleasure”

“Static In The Attic (Reprise)”

 For additional information, please visit http://www.chrisstandring.com.