Brian Culbertson’s 2020 vision: Drop his 20th album, “XX,” and launch The XX Tour
Tickets go on sale this week for the three-month US concert trek that begins April 1.
CHICAGO (7 November 2019): As chart-topping multi-instrumentalist, songwriter and producer Brian Culbertson crafts his 20th album, the aptly titled “XX” – Roman numerals representing twenty – he revealed plans for the extensive US concert tour that will support the record release. Beginning April 1 in Louisville, Kentucky, Culbertson will take an elaborately designed concert production, The XX Tour, on the road for three consecutive months, playing more than 70 shows, an extremely rare feat for a contemporary jazz artist.
Culbertson’s catalogue includes recordings of jazz – contemporary and straight ahead – as well as R&B, funk, instrumental pop and New Age. “XX,” which drops April 10, reflects his remarkable diversity.
“It’s a mix of things that I’ve done throughout my twenty records. There’s a lot of funky instrumentals, some pop-sounding tracks, a couple slow jams, straight-ahead jazz, gospel, some vocals, lots of horns and some straight-up FUNK! The album is very much a mixture of some modern sounding programming along with live instruments, too. Real drums on almost everything mixed with programming. Definitely a cool sound,” said Culbertson, who invites fans to get involved with the making of “XX” via an Indiegogo campaign that launched this week (https://igg.me/at/BCXX).
Recreating that cool sound live for The XX Tour is Culbertson’s favorite part. Like his massive Colors of Love Tour that played 77 shows in three months and was captured for “Brian Culbertson’s Colors of Love Tour: Live in Las Vegas” Blu-ray disc and two-disc CD that dropped last Valentine’s Day, Culbertson is creating the sound and look for The XX Tour as a sensory experience. The exuberant performer spends months in preproduction meticulously conceiving stunning visuals – staging, lighting, wardrobe and effects – in order to put on a mesmerizing show each time he takes the stage. In addition to spotlighting the new album, the setlist will include cuts from Culbertson’s hit-filled songbook that has amassed 32 Billboard No. 1 singles. There will also be a segment showcasing songs from “Winter Stories,” an album released last month that placed him in an acoustic jazz trio setting for the first time.
Culbertson, who founded and curates the annual Napa Valley Jazz Getaway and Chicago Jazz Getaway music and lifestyle festivals, is offering two tiers of VIP ticket experiences during The XX Tour. The Ultra VIP package includes front row center seats; an intimate pre-show champagne toast backstage with Culbertson; pre-show meet & greet, photo opportunity and performance; exclusive tour merchandise gift; autographed tour poster; commemorative The XX Tour VIP laminate; and early access to the venue for crowd-free merchandise shopping.
The Meet & Greet VIP package consists of premium seats; pre-show meet & greet, photo opportunity and performance; exclusive tour merchandise gift; autographed tour poster; commemorative The XX Tour VIP laminate; and early access to the venue for crowd-free merchandise shopping.
Tickets for The XX Tour go on sale on Wednesday, November 13 at 10am local time exclusively for American Express cardholders and those connected to Culbertson’s social media and fan email lists as well as subscribers to the Napa Valley Jazz Getaway and Chicago Jazz Getaway email lists. On Thursday, November 14 at 10am local time, presales begin for Ticketmaster and the venues’ email lists. The public on-sale starts on Friday, November 15 at 10am local time.
Below is The XX Tour itinerary (more dates will be added to the itinerary when confirmed):
April 1 Louisville, KY Bomhard Theater
April 3 New Haven, CT Lyman Center for Performing Arts **
April 4 Cranston, RI Park Theater
April 5 Reading, PA Scottish Rite Cathedral **
April 7 Morristown, NJ Mayo Performing Arts Center
April 8 Collingswood, NJ Scottish Rite Auditorium
April 9 Buffalo, NY Buffalo State Performing Arts Center **
April 10 Pittsburgh, PA Roxian Theatre
April 11 Columbus, OH Southern Theatre **
April 14 Detroit, MI MotorCity Casino Hotel
April 15 Ft. Wayne, IN The Clyde Theatre
April 16 Indianapolis, IN Egyptian Room at Old National Centre
April 17 Akron, OH Akron Civic Theater
April 18 Washington, DC Warner Theatre
April 19 Richmond, VA The National
April 21 Clearwater, FL Bilheimer Capitol Theatre
April 22 Orlando, FL Plaza Live
April 23 Sarasota, FL Van Wezel Performing Arts Hall *
April 24 Panama City, FL Seabreeze Jazz Festival *
April 26 Jacksonville, FL Florida Theatre *
April 27 Newberry, SC Newberry Opera House *
April 29 Nashville, TN Marathon Music Works
May 1 Atlanta, GA Atlanta Symphony Hall
May 2 St. Louis, MO The Pageant
May 3 Minneapolis, MN Fitzgerald Theater
May 5 Joliet, IL Rialto Square Theatre
May 6 Kansas City, MO Arvest Back Theatre at The Midland
May 7 Tulsa, OK Cain’s Ballroom
May 8 San Antonio, TX Empire Theatre
May 9 Dallas, TX Kay Bailey Hutchinson Convention Center Dallas
May 10 Houston, TX Cullen Performance Hall
May 14 Ft. Collins, CO The Armory
May 15 Denver, CO Paramount Theatre
May 19 & 20 Mesa, AZ Mesa Arts Center
May 21 Tucson, AZ Rialto Theatre
May 22 & 23 Las Vegas, NV Aliante Casino
May 24 Lake Tahoe, NV Montbleau Resort Casino & Spa
May 27 Santa Barbara, CA Lobero Theatre
May 28 Fresno, CA Tower Theatre
May 30 San Diego, CA Humphreys
June 3 Bend, OR Tower Theater
June 4 Spokane, WA Bing Crosby Theatre
June 5 Seattle, WA The Moore Theatre
June 6 Boise, ID The Egyptian Theatre
June 7 Portland, OR Revolution Hall
June 12 Yountville, CA Napa Valley Jazz Getaway *
June 14 Los Angeles, CA The Wiltern
June 17 New Orleans, LA The Civic Theatre
June 19 Memphis, TN Minglewood Hall
June 21 Charlotte, NC Knight Theater
June 24 Durham, NC The Carolina Theatre
June 25 Birmingham, AL Lyric Theatre
*Denotes tickets are already on sale
** Denotes tickets will go on sale at a later date
For more information, please visit http://www.brianculbertson.com.
Soul-Jazz flutist Kim Scott emerges in the GRAMMY® race
Music from her “Free to Be” album makes the first-round ballot in two categories
BIRMINGHAM (5 October 2019): It was a hot July for soul-jazz flutist Kim Scott, who rocketed like fireworks to the top of the Billboard chart with her first No. 1 single, which has inserted the emerging artist into the GRAMMY conversation. Scott’s solo on “Emerge” (http://bit.ly/354BX9Y) made the first-round ballot for Best Improvised Jazz Solo while the album on which the track appears, “Free to Be,” is garnering consideration in the Best Contemporary Instrumental Album category.
Scott wrote “Emerge” with keyboardist Jonathan Fritzen, a hitmaker who is featured delivering his own shimmering solo. However, it is the flautist’s fanciful flourishes that are meriting consideration from the voting members of The Recording Academy for the 62nd GRAMMY Awards that take place on January 26, 2020.
After setting the stage to perfection with a Billboard chart-topping single that also went No. 1 on the Groove Jazz Music chart, Innervision Records dropped “Free to Be,” Scott’s fourth album, in mid-July. She had a hand in writing five of the album’s nine songs, which offer an alluring blend of instrumental pop appeal, jazz spontaneity and funky R&B grooves. Scott’s classically trained flute melodies share the spotlight equitably on a few numbers with prominent guest soloists Fritzen, saxophonist Jazmin Ghent and Pieces of A Dream keyboardist James Lloyd. Guitarist Eric Essix, drummer/percussionist James “PJ” Spraggins and bassist Sean Michael Ray anchor the rhythm section with compelling textures and vibrant harmonies crafted by keyboardist/programmer/producer Kelvin Wooten, keyboardists West Byrd and Jaden Scott, alto saxophonist Cameron Ross and instrument programmer Dimitri Turner. The disc’s second single, the bumping “Take It To The Rink,” is presently skating laps around playlists after earning Most Added honors in its debut week at radio.
In addition to her recording career, Scott hosts the nationally syndicated “Block Party Radio Show,” which added to its growing list of stations with the recent pickup on Alabama Public Radio, an NPR affiliate. The artist infuses her energy and enthusiasm into the weekly broadcast featuring the latest contemporary jazz, urban and Latin jazz releases.
The Birmingham, Alabama-based Scott debuted in 2011 with “Crossing Over.” Her records have consistently produced Billboard Top 20 singles. On the concert stage, she’s performed at clubs and marquee festivals, including Catalina Island JazzTrax Festival and Seabreeze Jazz Festival. Scott is also a member of the all-female supergroup Jazz in Pink with whom she has played shows across the US. For more information, please visit http://kimscottmusic.com.
Spyro Gyra taps vinyl for inspiration
Seminal contemporary jazz band mines a collection of vinyl classics for their first album in six years. “Vinyl Tap” drops October 11 with the first single, “Can’t Find My Way Home,” going for playlist adds September 23.
NEW YORK CITY (18 September 2019): Free of the tension of having to write great songs, the five members of Spyro Gyra were laughing and having fun in the recording studio. Creativity flowed as the venerable contemporary jazz band revisited the songs that inspired them from their youth when they were listening to music on vinyl. That artistic fount was spun into “Vinyl Tap,” Spyro Gyra’s first album in six years, which drops October 11 on the Amherst Records label.
“It was tensionless as we ‘warped’ the tunes. We had a world of brilliant music to choose from and we didn’t have to worry about writing brilliant music. It was a really fun project to make,” said saxophonist Jay Beckenstein, who will lead Spyro Gyra on tour to support “Vinyl Tap” with a string of US concert dates beginning November 15 in Newark, NJ after a three-week international trek that begins at the Cancun Jazz Festival on October 23.
When Spyro Gyra manager Phil Brennan proposed the album’s concept a few years ago to bandleader Beckenstein for their 31st album, he knew that it might take some convincing, so he came prepared with an intriguing concept. Brennan suggested that the band use their arrangement talents to transform the originals into something brand new. The challenge appealed to Beckenstein, who soon overcame any misgivings.
“It’s cliché (to record covers) in saxophone-based contemporary jazz. We did not want to sound like a fantastic wedding band. I was really afraid that if we didn’t do our own thing, that our identity would be lost. It was imperative in the creative process – and everybody (in the band) knew this in a big way – that things had to be mixed up. Things had to be jolted out of the old way of approaching the songs. We really tried to come up with a new take on whatever (song) we were doing. We put solos into tunes that really are complete extensions that never had anything to do with the originals,” said Beckenstein.
What initially stands out on “Vinyl Tap,” which was produced by Spyro Gyra, are the wildly imaginative arrangements. Beckenstein said, “The arrangements were put together with everyone in my basement with all the equipment set up. We were all together in the pre-studio arrangement process. It was all done democratically. Spyro Gyra is a musician’s group collective. When you have five talented guys, you can do some cool arranging things.”
Spyro Gyra are Beckenstein, Tom Schuman (keyboards), Julio Fernandez (guitars), Scott Ambush (bass) and Lionel Cordew (drums). The musicians have somewhat of a wide range of ages, which explains some of the diversity of the material recorded for “Vinyl Tap.” Beckenstein selected the album opener, “Secret Agent Mash,” a supercharged and ultrahip mashup of “Secret Agent Man” and “Alfie’s Theme.” “Sunshine Of Your Love” is virtually unrecognizable in its new form as a Latin big band number. The first cut going for playlist adds on September 23 is the plaintive “Can’t Find My Way Home,” which takes on a bit of a western feel and benefits from the soulful perspective of Beckenstein’s saxophone protagonist. “What A Fool Believes” is slowed to become a contemplative power ballad that breaks into a mid-song swing cadence.
“I spent a lot of time listening to radio – classic rock radio – looking for material that had fantastic melodies. If there was a beautiful, arching melody, like ‘What A Fool Believes,’ it would definitely translate to my saxophone ‘voice,’” said Beckenstein.
Adding chromatic and bass harmonicas by Gary Schreiner, “The Cisco Kid” vacillates in time and tempo, letting the band members stretch out into improvisational banter. Exemplative of Spyro Gyra’s ethos, each band member shares the spotlight equitably, adding sweetness and redolent depth to “You’ve Got To Hide Your Love Away.” “Tempted” always oozed soul, but the band’s reading is deliberate, adding romance and underscoring the sweeping chorus. “Stolen Moments” is another that essentially becomes an “original” composition in Spyro Gyra’s inventive hands after the piece was reconstructed using entirely new, deft and complex rhythms. The set closes with an exhilarating romp cascading through a groovy expanse on “Carry On.”
“This is the first record we’ve done where we have allowed ourselves to do other people’s material full throttle,” said Beckenstein. “That is not to say in any way that we tried to copy what other people did, but it was really great to reach outside of our writing capabilities for inspiration for us to take off on. And that’s what this album is about.”
Pre-order sales for “Vinyl Tap” begin on iTunes and Amazon on September 23, the same day “Can’t Find My Way Home” becomes available.
“Vinyl Tap” contains the following songs:
“Secret Agent Mash”
“Sunshine Of Your Love”
“Can’t Find My Way Home”
“What A Fool Believes”
“The Cisco Kid”
“You’ve Got To Hide Your Love Away”
For more information, please visit https://spyrogyra.com.
Urban-jazz harpist Mariea Antoinette making a “Thing” about her new single
She previews her forthcoming “All My Strings” album with an imaginative take on Lauryn Hill’s
“Doo Wop (That Thing),” dropping September 23.
SAN DIEGO (29 August 2019): Strip away Lauryn Hill’s scathing admonition to men and women on her 1998 hit, “Doo Wop (That Thing),” and you are left with an innovative rhythmic track that astutely balances jagged hip hop edginess and a melodic R&B soul. It’s an unlikely composition for a classical harpist, which makes it Mariea Antoinette’s sweet spot. She has made it her mission to tackle unexpected funk, rhythm and blues, and pop songs, creating new possibilities for her instrument by presenting them with harp as the protagonist. Teaming with producer and arranger Allan Phillips, Antoinette’s reimagined “That Thing” goes for playlist adds on September 23.
Antoinette’s elegant stringed siren provides a surprising contrast over the buoyant beats Phillips constructed. Lush harmonic accoutrements are provided by a vibrant live horn section – trumpeter Derek Cannon, tenor saxophonist John Rekevics and trombonist Jordan Morita – and dramatic strings from the APM Allstars Strings along with Evan Marks’ guitar and Phillips’ keyboards. Antoinette debuted “That Thing” with her band on stage last month at the San Diego Smooth Jazz Festival, garnering an enthusiastic standing ovation.
“I chose the track for its funky, innovative rhythm and the beats are very cool. It’s a perfect song for harp that people are not expecting. Lauryn Hill is a music pioneer and a leading voice for women and for her style, ingenuity and edginess. The stories she tells through her music and lyrics are fresh and unique. ‘That Thing’ schools both women and men on motivations, keeping your eyes open and being wise in relationships. Everyone loved it when we played it live in San Diego,” said Antoinette.
“That Thing” offers an alluring glimpse into Antoinette’s forthcoming album, “All My Strings.” She and Phillips are busy tracking material for her third album that is slated to drop January 31, 2020 on the Infinity Productions/MAH Productions label. Antoinette’s last outing, “Straight from the Harp,” went top five at Billboard when it was released in 2015. The San Diego-based musician has been balancing her solo career with being a member of the all-star female ensemble Jazz in Pink since 2007. In June, she made her Playboy Jazz Festival debut at The Hollywood Bowl playing with Jazz in Pink, with whom she has performed at several prominent festivals this year, including Seabreeze Jazz Festival, Capital Jazz Cruise and the upcoming Barbados Jazz Excursion and Cancun Jazz Festival. The award-winning harpist collected three statues last year for Instrumentalist of Year (San Diego Prestige Awards), Best Jazz Single for “Overture” (Black Women in Jazz & The Arts Association), and a BMA Image Award from the Black Music Awards. Her high-profile performances include playing for President Barak Obama and First Lady Michelle Obama, with Ne-Yo at the BET Awards, at Vanity Fair’s Grammy party with Jamie Foxx and on American Idol. For more information, please visit https://www.marieaantoinette.com.
Saxophonist Elan Trotman has “Got To Give It Up” to Marvin Gaye
He drops a tribute album, “Dear Marvin,” on April 2, the iconic crooner’s 80th birthday. The first single, “Got To Give It Up,” is the No. 1 most-added single on the Billboard chart this week.
BOSTON (20 March 2019): Sax salutes sexy soul on Elan Trotman’s “Dear Marvin,” a collection of ten of Marvin Gaye’s best-loved songs that drops on April 2, the late legendary R&B singer’s 80th birthday. Preceding the set’s arrival is the single “Got To Give It Up,” a vibrant reboot of one of Gaye’s funky dance tracks that is the No. 1 most-added single on the Billboard chart this week as an instrumental from the Woodward Avenue Records album produced by Charles Haynes (Marcus Miller, Erykah Badu, Queen Latifah) and Trotman.
“It’s amazing how this project came about. ‘Got To Give It Up’ has been a huge part of my live show for the past two years and has always been a crowd favorite. That is just one of the many factors that inspired me to record the song and to dig deeper into Marvin’s catalogue and life story. I had no idea that his 80th birthday would be coming up around our time of completing the album, but once I found out, I knew we had to release it on April 2 to mark the occasion,” said Trotman, an award-winning saxophonist who has topped the Billboard singles chart more than ten times.
In reimagining Gaye’s catalogue in instrumental form, Trotman shares the spotlight on “Dear Marvin,” with premier soloists, including Grammy-winning keyboardist Jeff Lorber, seminal urban-jazz flautist Najee, esteemed trumpeter Patches Stewart, soul-jazz-hip hop-funk trombonist Jeff Bradshaw and veteran guitarist Sherrod Barnes. Trotman strategically deploys vocals to illumine a few key tracks. Ray Greene (Santana, Tower of Power) begs on “Mercy Mercy Me”; rapper Obadele Thompson plies his come-on skills to “I Want You”; and Tim “Smithsoneon” Smith provides the cure through “Sexual Healing.” Members of the Boston Symphony Orchestra enhance a pair of tracks with strings. Including Haynes, Trotman’s core collaborators are his former colleagues from Berklee College of Music: keyboardist Mitch Henry (Marsha Ambrosius), bassists Kyle Miles and Keithen Foster (H.E.R.), and percussionist Atticus Cole.
“It’s been an honor to be able to share my interpretations of some of Marvin’s classics. As with all cover projects, I made an extra effort to learn lyrics and storylines for each composition in order to truly understand his interpretations and performances on each song,” said the Boston-based Trotman, who is planning to be in Los Angeles on April 2 for an 11am ceremony held by the United States Postal Service at The Greek Theatre to celebrate the release of the Marvin Gaye commemorative Forever stamp.
“We, Marvin’s family, heard about Elan doing a musical tribute to Marvin. We are very pleased with his album ‘Dear Marvin,’ and are so happy that it will be released on his birthday, April 2. The musicians are all incredible! Thank you, Elan Trotman. Job well done,” said Janis Gaye, Gaye’s second wife.
“Dear Marvin,” is Trotman’s eighth album and second on the Woodward Avenue Records imprint. The label issued the saxophone-flute player’s 2013 disc, “Tropicality,” an autobiographical album that colors contemporary jazz with native sounds from Trotman’s homeland, Barbados. Trotman curates, produces and hosts the Barbados Jazz Excursion and Golf Weekend annually over Columbus Day Weekend with the sixth edition taking place this October 10-14. Bringing that winning formula closer to home, he will launch the first annual Martha’s Vineyard Jazz Excursion and Golf Weekend in Oak Bluffs, MA on June 28-30. To support the album release, Trotman will perform at festivals, theaters and nightclubs through October beginning with the prestigious Boscov’s Berks Jazz Festival in Reading, PA on April 5.
“Dear Marvin,” contains the following songs:
“Inner City Blues” featuring Sherrod Barnes
“Got To Give It Up”
“Distant Lover” featuring Patches Stewart
“Ain’t Nothing Like The Real Thing”
“Mercy Mercy Me” featuring Ray Greene
“I Want You” featuring Obadele Thompson
“Sexual Healing” featuring “Smithsoneon”
“After The Dance” featuring Najee
“Trouble Man” featuring Jeff Lorber
“I Heard It Through The Grapevine” featuring Jeff Bradshaw
For more information, please visit http://elantrotman.com.
Brian Culbertson’s “Colors” comes alive
The electric entertainer captured his hit-filled Colors of Love Tour in Las Vegas for his first live concert video that dropped Valentine’s Day as a stunning Blu-ray and double CD.
LOS ANGELES (15 February 2019): Fans have been asking multi-instrumentalist hitmaker Brian Culbertson for years, “When are you going to put out a concert video?” As the dynamic performer rolled out his elaborate Colors of Love Tour on a 77-show, 14-week journey last year, he knew he had to capture the magic. Filmed during his stop in the neon city, “Colors of Love Tour – Live in Las Vegas” was released by BCM Entertainment on Valentine’s Day as a Blu-ray disc and two-disc CD through Culbertson’s site (). Amazon also has the CD set available now and will soon list the Blu-ray. Digital fans can obtain the audio version now from all major digital retail outlets.
“I’ve been aspiring to finally film a concert and for this tour, I knew we had an impressive-looking show and a great-sounding band. It’s the most visual show I’ve ever created in terms of the lighting, video elements and wardrobe. It’s stunning. Once the tour started, I knew we had to film it somehow,” said Culbertson about his first live concert video.
The 2018 spring/summer trek was mounted in support of the “Colors of Love” album, a romantic release that dropped last Valentine’s Day and was inspired by Culbertson’s 20th wedding anniversary. In addition to showcasing the bouquet of love songs from the intimate collection, Culbertson constructed a generous three-act set list comprised of more than two hours of music culled from his extensive catalogue of Billboard No. 1 hits and fan favorites. With the first and third acts centered on the amorous material from “Colors of Love” along with similarly-themed library cuts, the second act is a high-energy, get-down-tonight funk set. Culbertson holds down the keyboards, grand piano, trombone and vocals, sharing the stage and spotlight with his five-piece band – Marqueal Jordan (saxophone, vocals and percussion), Eddie Miller (keyboards, organ and vocals), Tyrone Chase (guitar), Joewaun Scott (bass) and Chris Miskel (drums). They are joined by special guest vocalist Noel Gourdin along with comedic bits from Sinbad that separate each act.
Three video screens adorned the stage projecting Sinbad’s comedy sketches, a fun cartoon sequence that accompanies the performance of “Mile Sauce,” and photos of Culbertson’s wife, Michelle, and Culbertson’s collaborators, Maurice White (Earth, Wind & Fire) and Bootsy Collins. Helmed by award-winning television producer-director Scott Sternberg in his first full-length concert video, the production utilized ten cameras to film the concert that took place at the Aliante Casino last May. The two-and-a-half-hour performance was lensed in its entirety with the video offering 26 songs plus bonus features, including “BC Medley” from 2016’s Funk! Tour Live, an in-studio performance of “Through the Years,” a solo piano performance of “All My Heart” shot live at SiriusXM, the “Mile Sauce” cartoon, and a commentary track from Culbertson and Miskel.
“The ‘Colors of Love’ album is personal and intimate, so we set out to create a show and video that tells a more personal story. The videos and photos on stage, like the pictures of my wife who inspired the music I wrote, is part of that. Scott (Sternberg) and his crew used unique camera angles so that it feels like you’re on stage with the band when you watch the video. It’s much more up close and personal than most concert videos,” said Culbertson.
Although Culbertson knew early on that he wanted to film the production, what he didn’t know initially was the how and where. After financial backing arrived upon sharing his creative vision for the project, he looked at the itinerary and circled the two-night stand in Las Vegas.
“I earmarked the Vegas dates because I knew the venue has great in-house lighting that would look amazing on camera. We recorded the audio from both nights to have as a backup, but the film crew shot only the one show, so we had to nail it in one take,” said Culbertson.
The video opens with Culbertson walking the Vegas strip filmed overhead by a drone. “I wanted viewers to feel like they are in Las Vegas. It was important for the opening to establish that feeling and location,” said Culbertson. “After we shot the concert, I put on my silver-sequined jacket and we drove the strip at midnight to shoot additional footage for the opener. I can’t wait for people to see the video. It’s really exciting energy.”
To view the trailer for “Colors of Love Tour – Live in Las Vegas,” click.
The songs included on the Blu-ray and CD are:
“It’s On Tonight”
“I Want You”
“Wear It Out”
“You’re My Music” featuring Noel Gourdin
“I Could Get Used To This”
“All About You”
“Somethin’ Bout Love”
“Through The Years”
“Colors of Love”
Sinbad – “Kinda Pimpish”
“Funkin’ Like My Father”
“Been Around The World”
“Damn, I’m Hungry”
“Got To Give It Up”
“Play That Funky Music”
Sinbad – “I’m Black Dangit, 100%”
“On My Mind”
“Colors of Love Reprise”
For more information, please visit.
“Imagine” the Beatles in an urban-jazz context
The release of “Bob Baldwin presents Abbey Road and the Beatles” marks the pianist-keyboardist’s 30th anniversary as a recording artist. The first single, “Imagine (Living As One)” featuring Euge Groove, was shipped to radio.
ATLANTA (4 December 2018): Bob Baldwin was a kid listening to pop radio in the outskirts of New York City when he fell in love with the melodies of the Beatles. For his 25th album, the pianist-keyboardist embarks upon a magical mystery tour through the hit-filled pages of the legendary group’s storied songbook, plying his trademark urban-jazz sheen to the iconic harmonies. The Red River Entertainment release that dropped last Friday (November 30), “Bob Baldwin presents Abbey Road and the Beatles” was produced and arranged by Baldwin who wrote an original song in tribute to the band, “Abbey Road,” along with composing new passages that add unique elements to the eleven reimagined Beatles classics.
Having issued albums that honor the landmark works of Stevie Wonder, Michael Jackson and Thom Bell, Baldwin set his sights on the Fab Four’s influential catalogue that first captured his interest decades ago.
“My childhood listening tendencies before I was ten-years-old were quite broad, including Oscar Peterson, Miles Davis, the music of Motown and Aretha Franklin. On the pop side, the catchy hooks of the Beatles crept into my ear from days of listening to pop radio. For this project, I wanted to interject my own reharmonized view of the Beatles music while keeping the original melodies pure. Doing the Beatles was a different twist for me,” said Baldwin, who plays piano, keyboards, bass, drums, melodica, vocoder and plies his soothing tenor voice to the session. “It would be cool to know if Sir Paul McCartney could hear it, and more importantly, if he digs the attempt.”
The first single recently serviced to radio is a reading of John Lennon’s signature piece that Baldwin soulfully reinvents as “Imagine (Living As One)” and adds sweet soprano sax from Euge Groove. Other prominent soloists include vocalist CeCe Peniston on “(Don’t Wanna Be) The Fool on The Hill”; flutist Ragan Whiteside serenely illuminates “Michelle (My Girl)”; and noted jazz-R&B singer Lori Williams, who brings a nuanced grace and elegance to Paul & Linda McCartney’s “My Love.” Williams also charms on the Beatles salute that she wrote with Baldwin, “Abbey Road,” which the pair perform as a vocal duet. Songs like “Come Together (Can We All Just Get Along?),” “(Mellow) Yellow Submarine,” “And I Love Her,” “Yesterday” and “Eleanor Rigby” swing and groove like never before, rebuilt from the ground up on the back of Baldwin’s meticulous jazz and urban arrangements. Anchoring the rhythm section are drummer Tony Lewis and bassist Dave Anderson, who craft deep pockets seasoned with a smattering of percussion from Café Da Silva.
The arrival of “Bob Baldwin presents Abbey Road and the Beatles” coincides with Baldwin’s 30th anniversary as a solo recording artist. The 1988 release of “A Long Way To Go” was discovered by Roberta Flack, who was a finalist judge at the time for the Sony Innovators Award, a prestigious honor bestowed upon Baldwin. The debut album was the first entry in a library consisting of jazz, R&B and gospel discs, of which over a dozen have entered the Billboard Contemporary Jazz Top 20 sales chart. At radio, Baldwin’s track record boasts 15 Top 20 Billboard BDS hits, the most recent being this year’s “Be Blessed (No Stress).” He is the creative force behind The Groove Pact’s “Club Life,” a late summer smash from an all-star collective consisting of Baldwin, Marion Meadows, Marcus Anderson, Nils, Joey Sommerville, Oli Silk, Tom Browne, Whiteside and others. Enjoying a remarkably prolific period, Baldwin released seven full-length albums over the last twelve months.
Ten years ago, Baldwin launched his nationally-syndicated radio program, “The NewUrbanJazz Lounge,” which reaches over half-a-million listeners weekly with a mix of contemporary jazz influenced by urban and Brazilian music. A creative, Atlanta-based entrepreneur who leads a music production and event planning company, he authored “You Better Ask Somebody,” a 2012 book about his experiences in the music business. Baldwin, who also designs and markets a hat collection, has a patented invention that will soon be revealed.
“Bob Baldwin presents Abbey Road and the Beatles” contains the following songs:
“Come Together (Can We All Just Get Along?)”
“(Mellow) Yellow Submarine”
“And I Love Her (Real Talk)”
“(Don’t Wanna Be) The Fool on The Hill” featuring CeCe Peniston
“Imagine (Living As One)” featuring Euge Groove
“Michelle (My Girl)” featuring Ragan Whiteside
“Something (In The Way She Moves)”
“My Love” featuring Lori Williams
“Abbey Road” featuring Lori Williams
“Something (In The Way She Moves)” vocal version
The album is available for purchase at. For more information, please visit and .
Guitarist Denny Jiosa explores the sensuality of Latin jazz fusion on “Mueve Tu Cuerpo”
The July 27 album release moves more than just bodies with the emotional radio single, “Missing You,” serving as testament.
NASHVILLE (23 July 2018): Four-time Grammy nominee Denny Jiosa sees parallels between the curvaceous body of the guitar and the human body. Indulging his passion for “sexy” Latin music, the jazz guitar slinger uses his electric and nylon-string guitar bodies to get people to move their body as well as expressively stir emotions on his eighth album, “Mueve Tu Cuerpo,” which drops July 27 on the Sonic Canvas Records/BFD imprint. Radio is already getting a taste with the evocative first single, “Missing You,” one of eleven songs Jiosa penned and produced for the collection.
Jiosa endeavored to craft an upbeat Latin-influenced, jazz-rooted album that would get people to move and grab attention via an exciting blend of musical styles. But he also wanted to go deeper, “shy away from the norm” and touch people emotionally. Beneath the energizing layers of exotic Latin percussion that create lusty rhythms and sensual grooves emerge moving harmonies and rousing melodies that resonate. Whether he’s furiously strumming impassioned nylon-string guitar rhythms, precisely picking lyrical phrases and bending extended notes, or intensely issuing scorched earth electric guitar pyrotechnics, Jiosa’s deft fretwork establishes and maintains a commanding presence throughout the recording.
“‘Mueve Tu Cuerpo’ is about what music does to get people to move. I wanted this to be an exciting, compelling and expressive blend, tapping into my huge passion for Latin music. I love the sounds, rhythms and sexiness of Latin music, which I blended with jazz rhythms, lines and harmonies. My intention from the outset was to reach a broad scope of listeners with this album. Guitar is one of the most expressive and sexy instruments. Whether I’m playing nylon string to electric guitar with an edge, it’s about moving people emotionally. If you can move people emotionally with an instrumental, then you’ve accomplished something,” said the Nashville-based Jiosa.
More than just sultry enticements to body movement or coaxing emotional responses, “Mueve Tu Cuerpo” also transmits meaningful messages. “Missing You” ruminates on the absence of Jiosa’s loved ones who have passed, such as his desire for his parents to be here to see their grandkids and hear his music. Alluring and mystical, “Dance In Heaven” contains the gut string guitarwork of multiple Grammy nominee Phil Keaggy. The festive, gospel-funk cut “Selah, Love Each Other,” featuring drummer Chester Thompson (Genesis, Frank Zappa), pays tribute to Jiosa’s late bassist, Chris Kent. John Santos contributes lead vocals to “Freedom Tower,” a song about the historic Miami structure that still stands as a landmark for Cubans who fled to the US in the 1960s and were processed at that location. The atmospheric meditation “From The Fire” appeared in the Christian film “Believe: The Misfit Pawn” a couple years ago and addresses embracing “the fire” we face in our lives.
Jiosa developed his brand of guitar play that borrows from jazz, rock, blues and R&B while living in Los Angeles where he studied under the tutelage of innovative guitarist Frank Gamble (Chick Corea). He dropped his solo debut, “Moving Pictures,” in 1995. Subsequent collections spawned a string of singles that proliferated the radio charts. Jiosa’s diverse body of work includes roles as a producer, engineer, mixer and/or guitarist for artists such as Yolanda Adams, Kirk Whalum, Take 6, Ben Tankard, Philip Bailey and Crystal Gayle. “Mueve Tu Cuerpo” is his first album in ten years. For more information, please visit.
Jiosa’s “Mueve Tu Cuerpo” contains the following songs:
“Mueve Tu Cuerpo”
“Dance In Heaven”
“Abre La Puerta”
“Selah, Love Each Other”
“From The Fire”
“Embracing The Fire” (remix)