
#1 Billboard Artist Najee Drops 18th & New CD Friday – Jazziz Has Exclusive Stream Now!

Nick Colionne is embracing the success of his ninth and most recent album, “The Journey,” and has already begun to share the music through his engaging performances. When I spoke to Nick, he was in Florida getting ready for the Seabreeze Jazz Festival. Nick collaborated with Najee, James Lloyd, Chris “Big Dog” Davis, John “Blaster” Blasucci, and Nicholas Cole on “The Journey” which engulfs and delivers the varying styles of each musician. Colionne’s career has been a journey of highs and lows, he admits, and this album represents and reflects that journey. Nick maintains that he is thankful and blessed for the gift of music and hopes to continually make his family and fans proud.
Nick and I share conversation and laughter:
Hitman Darren Rahn seeks maximum impact with “Sonic Boom”
The saxophonist’s fifth album, due March 4, will have an exclusive world premiere on February 27;
dynamic first single, “D-Luxe,” explodes onto radio playlists.
DENVER (24 February 2016): Whether it’s with a devastating jazz-funk workout, nasty R&B groove, bellowing gospel soul call or an emotionally-intense melody, saxman Darren Rahn is hitting and hitting hard on “Sonic Boom,” his fifth album and first for Woodward Avenue Records, which is releasing the recording March 4. Responsible for crafting 25 No. 1 singles, Rahn, who produced and wrote all nine originals on the ten tracker, is virtually guaranteed to add to that total with the combustible new set on which he trades blows with chart-toppers Rick Braun, Jonathan Fritzen and Julian Vaughn as well as Rico Wint (vocals) and Robin Eubanks (trombone). The multiple GRAMMY® nominee’s new offering is already off to a powerful start with radio programmers making the lush, horn-ignited “D-Luxe” the No. 1 most-added single on the Billboard BDS chart.
Undaunted by his successes as a solo artist as well as a producer, songwriter and engineer behind some of the biggest instrumental hits by marquee artists over the past decade, Rahn changed his approach on “Sonic Boom” in an effort to elevate his sound, technique and unique artistic expression. On previous releases, he orated through tenor, alto and soprano saxophones, but elected to play tenor exclusively on the forthcoming album to define a singular voice. The record plays and is paced like a live show with each song having a cold ending as opposed to a studio fade. Rahn’s production sounds live and warm, aided in part by his decision to use only real drums, another first. His melody-rich material comes straight from the heart sounding grand and luminous, packing a wallop with potent hooks that are passionately performed. The outing also serves as a showcase for Rahn’s proficiency as a multi-instrumentalist – the sax player also plays piano, keyboards, Hammond organ, vocals, EWI and synth programming on “Sonic Boom.” He makes it a family affair by inviting his brother, Jason Rahn, to play trumpet, flugelhorn and guitar and coaxes his wife, Priscilla, to play flute on the lone cover, a rapturous “Rock With You.” Guitarist Allen Hinds and bassist Mel Brown maintain constant presences on the disc while several drummers (Anthony Steele, Tarell Martin and Anthony Jones) pound out the beats. Vaughn fills in admirably for the late bassist Wayman Tisdale on “Losing You,” a moving musical tribute penned by Rahn for his frequent collaborator and departed friend.
“The idea behind ‘Sonic Boom’ is about real music – inspired music – created with real musicians playing real instruments and presented in a way that plays much like a live set. I wanted to condense my personality down to the very core to concisely express the essence of who I am as an artist. Drawing from the assorted musical styles that form my musical personality and saxophone playing – jazz, funk, R&B, soul, pop, rock, gospel and fusion – I wanted ‘Sonic Boom’ to reflect the diversity of my musical influences and history while at the same time flowing and working as a cohesive collection. In an era when music is often created by taking shortcuts, it was my desire to use the finest analog and digital studio equipment and state-of-the-art techniques while gathering as many of the best studio session players as possible. I wanted to create something that would provide the listener with a truly amazing listening experience, sounding full, warm, punchy, luxurious and exciting. My hope is that people will genuinely be impacted by the music, that it will bring joy and encouragement,” said Rahn about “Sonic Boom,” which will premiere in its entirety on Saturday, February 27 at 10am PT/1pm ET on the SmoothJazz.com site.
The British Columbia native who calls Denver home issued his solo debut, “Soulful,” in 2004. That same year, Rahn produced Tisdale’s No. 1 signature smash “Ain’t No Stoppin’ Us Now.” He hit full stride as an artist and producer in 2009 when his “Talk of the Town” reigned supreme at No. 1 on the Billboard chart at about the same time he produced No. 1 hits for Dave Koz, Eric Darius and Tim Bowman. During one particular period of chart domination, he occupied the top three spots and later had four singles in the top 10 simultaneously. Rahn earned GRAMMY® nominations for his work on a pair of Koz albums (“Hello Tomorrow” and “Summer Horns”). His meticulously-constructed sonicscapes have made his deft touch highly sought after, affording him the opportunity to work with Bob James, Kirk Whalum, Norman Brown, Jonathan Butler, Najee, Toby Keith, Jeffrey Osborne, Phil Perry, Nick Colionne and Lebron as well as Fritzen and Vaughn. For more information, please visit www.DarrenRahn.com or www.WoodwardAvenueRecords.com.
The songs contained on “Sonic Boom” are:
“D-Luxe”
“Sonic Boom”
“Funk Avenue”
“Losing You” (For Wayman)
“Together…Forever…”
“Altered Ego”
“101 One”
“Rock With You”
“Sunday Soul”
“Promises” (For Priscilla)
The sound of Cecil Ramirez’s new album, “Party In The Back,” is reminiscent of the 80’s. It is a throwback to an era in music that he loves and that is memorable to most people. Although the album was released a year later than Cecil anticipated, friends and fans patiently waited. Cecil Ramirez is just coming from his fourth year at the Napa Valley Jazz Getaway. He performs at the welcome dinner and sets the tone for the rest of the week. Napa is beautiful for multiple reasons and often times, special for a few. The latter is true for Ramirez and his wife. They had their first date there and got engaged there. Needless to say, Napa will always hold a special place in his heart. Embracing the beauty of wine country sparked an interest in learning about wine in Cecil. Wine and music are a perfect combination. “Party In The Back” is a fun, energetic, and funky background to many of summer’s festivities. It puts you in the mood to reflect and party. Cecil wrote seven of the ten songs on the album. He collaborated with Brian Culbertson, Michael Lington, Adam Hawley, Darren Rahn, and Phil Denny. He also covered a few songs that are sure to take you back: “Remember The Time” by Michael Jackson, “Stronger Than Before,” and “Georgy Porgy” by David Paich.
Cecil and I have a great time discussing the album:
He is never complacent but rather, just the opposite. He is always striving to be better, realizing that he has embarked upon a journey–one that has been promising thus far. I offer that after the release of his latest album “Limitless,” there is no doubt that Julian Vaughn is on this journey to stay. He understands the highs and lows of the business; embracing every opportunity to make his mark. Vaughn has persevered, even after almost giving up his musical dream. Having become fond of the bass at age 14 and after hearing “Power Forward” by Wayman Tisdale, Julian knew he was on to something promising. “Limitless” is a comprised of all original songs. Julian is joined by a few of his friends and fellow musicians on the album. They include: Nicholas Cole, Elan Trotman, Lebron Dennis, Marcus Anderson, Darren Rahn, and Althea Rene. “Limitless” also features two great vocalists, Anthony Saunders and Kim Griddine. The first single, “Ride Along,” features saxophonist, Elan Trotman. It is a funky, melodic dance between the two. “Limitless” also has a few love songs that are on their way to becoming fan favorites. Julian admits that he is a “hopeless romantic” and that “love songs reflect his personality.” While fans feast on “Limitless,” they can rest assured that Vaughn is still making new music and can anticipate a new album in the summer of next year.
Julian and I discuss music, life, and reality:
Vandell Andrew hails from New Orleans where jazz is rooted and abundant. It wasn’t until he was a teenager attending a summer camp that, unbeknownst to him, his future would be set in motion. He would later lay down the trumpet for the saxophone, and the rest is history. After enduring hurricane Katrina, Andrew relocated to Texas. It was there where his passion was fueled, and music became his life. As always, on the other side of every storm, there is a rainbow. For Vandell, that rainbow was a collection of original music and a debut album titled “Years Later.” He went on to share the stage with jazz musicians such as Kirk Whalum and collaborate with others such as Darren Rahn. He recently released an EP titled “Turn It Up.” And that is exactly what he wants his fans to do: turn it up and enjoy. They have done just that and embraced Vandell’s new music, giving it great reviews.
Vandell and I talk about the past and the present.
Pianist Scott Allman has definitely found a place amongst a new generation of rising contemporary jazz artists and deservedly so. He’s not a trained prodigy who has been playing the keyboard all his life; instead, he is a self-taught musician with a sincere love for music. Throughout his life, Scott was exposed to many different genres of music, making his musical pallet well-versed. Armed with passion and talent, Scott creates music that is positive and uplifting. As long as the music is meaningful and fulfilling to him and can give listeners a lift, then he’s done his job. He is an artist who can do it all, from composing to producing to playing. In addition, he surrounds himself with musicians who have impeccable talent such as Darren Rahn, Lin Rountree, and Phil Denny who lend themselves to his projects. Scott’s current cd, “NEXT STOP HOME,” has had significant success and was inspired by his fans. The 12 original tracks were written by Allman but were derived from photos of places around the world sent to him by others. With this amazing concept, he created music just as an artist would a painting. He’s a composer who appreciates the life inside of a song and lets it manifest in its own way; each song takes you on a journey as seen through the eyes of others.
I had a great time talking with Scott and listening as he told me the story behind each song.
Pianist Scott Allman has definitely found a place amongst a new generation of rising contemporary jazz artists and deservedly so. He’s not a trained prodigy who has been playing the keyboard all his life; instead, he is a self-taught musician with a sincere love for music. Throughout his life, Scott was exposed to many different genres of music, making his musical pallet well-versed. Armed with passion and talent, Scott creates music that is positive and uplifting. As long as the music is meaningful and fulfilling to him and can give listeners a lift, then he’s done his job. He is an artist who can do it all, from composing to producing to playing. In addition, he surrounds himself with musicians who have impeccable talent such as Darren Rahn, Lin Rountree, and Phil Denny who lend themselves to his projects. Scott’s current cd, “NEXT STOP HOME,” has had significant success and was inspired by his fans. The 12 original tracks were written by Allman but were derived from photos of places around the world sent to him by others. With this amazing concept, he created music just as an artist would a painting. He’s a composer who appreciates the life inside of a song and lets it manifest in its own way; each song takes you on a journey as seen through the eyes of others.
I had a great time talking with Scott and listening as he told me the story behind each song.
Lebron Dennis is not only a skillful saxophone player, but he’s arrived on the smooth jazz scene and proved he has exactly what it takes. At a young age, Lebron developed a love for the saxophone. He taught himself to play and soon became an integral part of the elite Young Sounds of Arizona. Over the years, he developed a sound that uniquely sets him apart from others. His ability to express himself with every note he plays engages his audience, transporting them into his musical world. He is the future of smooth jazz, and that future is looking very bright. Alongside Darren Rahn and Paul Brown, Lebron’s CD “SHADES” is a telling story of who he is. The title track is indicative of the shades of Lebron. His single, “Groove City,” debuted at #1 on the most added groove jazz chart. He is also a member of generation next along with his musical peers Nicholas Cole, Julian Vaughn, and Lin Rountree. In his own words: “Sound. It’s all about the sound.”
Listen, and you’ll feel his passion for the music he creates.
Greg Chambers’ passion for contemporary/smooth jazz is very evident when you hear his melodies flow from one song to the other on his third cd release “After Hours.” He has been playing the saxophone since the age of 8. At that young age he wasn’t aware that he would be playing for a living. Following his love for the saxophone ultimately led him to UCLA where he earned a Masters of Music Degree in Saxophone. Greg’s training and talent enabled him to work with some of the best in classical music. Those opportunities he is grateful to have been a part of. However, Chambers had to follow his passion. His decision then, and now three record’s later he’s proven that he’s exactly where he should be. He feels that being versatile is very important, and his transition to smooth jazz was an easy one. For his latest project Greg collaborated with Paul Brown, Jonathan Fritzen, Ross Bolton, Louis Fasman, and Darren Rahn. “After Hours” is a combination of grooves that take you on an up-tempo journey with “Groovin’ High”, then mellows you out with beautiful songs like “Chelsea’s Song”, and “Your Place Or Mine.”
Listen as Greg and I discuss his career and music.