Fatherhood has put saxophonist Jackiem Joyner in a funky mood

Jackeim Joyner

 

Fatherhood has put saxophonist

Jackiem Joyner in a funky mood

The spirited first single from the “Main Street Beat” album is named for his daughter, Trinity.

SHERMAN OAKS (8 May 2017): Delivering on his promise to “Evolve,” the title of Jackiem Joyner’s last soul-jazz album, the saxophonist became a father since his 2014 release, an elation-inducing experience that informs the music he wrote and produced for his new Artistry Music set, “Main Street Beat,” due June 30. The first single from the funky, dance inspiring, Motown-influenced session that will be shipped to radio this month is the exultant “Trinity,” named for Joyner’s first child whose presence on the track is voiced by Steve Oliver’s incandescent acoustic guitar.

Joyner approached crafting “Main Street Beat” with a three-pronged purpose. “I wanted to create something upbeat, fun to listen to and something to dance to. ‘Main Street Beat’ originally started off as a straight funk record that eventually became some of that, but a whole lot more as I allowed the creative process to have its way with me,” said Joyner, a Billboard chart-topper who plays tenor, alto, soprano and baritone saxophone on the date, often enriching the tracks by laying layer upon layer of horns to form a powerhouse sax section.     

The exuberant album opener, “Main Street,” exemplifies the mighty wall-of-horns approach with Joyner playing lead harmonies on alto reinforced by his sax section. Instead of tracking individually, Joyner brought the band – drummer Raymond Johnson, bassist Darryl Williams, electric guitarist Kyle Bolden and piano player Carnell Harrell – into the studio to record six tracks old-school style, including “Back To Motown.” Nick Colionne guests on “When You Smile” to flash his cool electric jazz guitar on the infectious mid-tempo R&B cut. Taking his alto sax chops out for a strut, Joyner cranks up the band for a fiery funk romp down “Southside Boulevard,” one of three tunes that adds Nikolai Egorov’s trombone muscle to the horn section. On a pair of urban joints – “That Good Thing” and “Don’t Make Her Wait” – Joyner plays soprano sax. He takes full command on the stormy “Addicted,” playing every instrument heard on the moody number. “Think James Brown on tenor sax” is how Joyner describes the super funky “Get Down Street.” A pair of high-energy pop-R&B covers – Justin Timberlake’s “Can’t Stop The Feeling” and Bruno Mars’ “Treasure” – complete the outing, songs Joyner elected to record based upon their buoyant, positive nature, which he says mirrors his young  offspring’s personality.

“My little girl played a huge role in inspiring this album. Having Trinity around during the writing process sparked an enormous font of creativity and really kicked my writing into high gear. The first single, named after her, really captures the excitement and joy of being a dad as well as the exciting little girl that she is. Trinity was right there in the studio during a lot of the writing process. Her jumpy and bouncy upbeat little self is really reflected on this album,” said Joyner, who will launch the record with June concerts in Cincinnati (June 9 at A Celebration of Black Music), Birmingham (June 11 at Jazz in the Park), San Diego (June 25 at Mediterranean’s Jazz and Supper Club) and Philadelphia (June 29 at South).  

The release of “Main Street Beat,” Joyner’s sixth album, coincides with his tenth anniversary as a recording artist. His 2007 debut “Babysoul” earned Debut Artist of the Year honors from Smooth Jazz News. Two years later, his sophomore set, “Lil Man Soul,” spawned two No. 1 singles on the Billboard chart and won the Song of the Year trophy for “I’m Waiting For You” from the American Smooth Jazz Awards. His self-titled 2010 album solidified his position as a consistent hit-maker. Revisiting his non-secular roots, Joyner issued the gospel-jazz “Church Boy” in 2012. “Evolve” placed his infectious melodies amidst futuristic electronic sonicscapes. Joyner’s music isn’t his only creative effort that ventured into extraterrestrial territory. Last year, the Norfolk, Virginia native who resides near Los Angeles authored his first book, the science fiction novel “Zarya: Cydnus Final Hope (Book 1). For more information, please visit www.JackiemJoyner.com.

“Main Street Beat” contains the following songs:

“Main Street”

“Back To Motown”

“Can’t Stop The Feeling”

“Trinity”

“When You Smile”

“Southside Boulevard”

“That Good Thing”

“Treasure”

“Addicted”

“Don’t Make Her Wait”

“Get Down Street”

“THE JOURNEY” IS THE REWARD FOR NICK COLIONNE

Nick Colionne is embracing the success of his ninth and most recent album, “The Journey,” and has already begun to share the music through his engaging performances. When I spoke to Nick, he was in Florida getting ready for the Seabreeze Jazz Festival. Nick collaborated with Najee, James Lloyd, Chris “Big Dog” Davis, John “Blaster” Blasucci, and Nicholas Cole on “The Journey” which engulfs and delivers the varying styles of each musician. Colionne’s career has been a journey of highs and lows, he admits, and this album represents and reflects that journey. Nick maintains that he is thankful and blessed for the gift of music and hopes to continually make his family and fans proud.

Nick and I share conversation and laughter:

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THE INCOMPARABLE NICK COLIONNE

Nick Colionne has wowed his fans for years as a super talented jazz artist and thrilling entertainer. In all that he does, the driving force within him is his family and the music. Although he’s received many awards and honors, he is most impacted by the Wayman Tisdale Humanitarian Award. As much as he loves being a musician, it is just as important–if not, more–to be known as the man behind the music and his heart. He has another passion, as well: being a mentor to children and doing charity work. I have given him the name “Pentagon,” representing 5 sides of Nick Colionne. He is a guitarist, vocalist, spirited performer, mentor, and philanthropist. Colionne commented that now he has to strive to be an octagon. While in the midst of working with children, he consistently makes music that keeps his fans longing for more. His latest album, “INFLUENCES,” is an array of songs expressing his road to rediscovery. With each new project, Nick pushes the envelope just a little bit more. He describes “INFLUENCES” as passionate, uplifting, and from his heart. During our conversation, we discovered that we both chose the same song as our favorite from “INFLUENCES”…”when you love someone.”

Nick Colionne
Nick Colionne

The amazing Brian Simpson

Brian Simpson has always known that music would play a very important role in his life. Actually, the most important role. The music of the 60’s Brian heard his Father play around the house had a strong influence on the artist he is today. He left his home town of Gurnee, IL and headed for LA. It was there that he began to get immersed in the jazz scene and start working with artists like Boney James. Brian took a little break from jazz to go on the road with pop sensations Janet Jackson, Teena Marie, and Sheena Easton. Those were experiences of a lifetime for Brian. He would however return to jazz music. Jazz was where his heart had always been. In 2005 Brian wrote “It’s All Good” as a solo artist, and it was a #1 radio hit. He is always working with other jazz artists, and continuously pours his creativity into every project. Not only has he been touring and working on other projects, but he’s also been the musical director for Dave Koz for the past 15 years. His current CD is titled “Just What You Need.”

Brian tells me his story during our interview.

Brian Simpson
Brian Simpson
Brian Simpson
Brian Simpson

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Napa Valley Jazz Getaway June 5-9

Idyllic Napa Valley will serve as the beatific backdrop for a festival of wine and jazz next month when the second Napa Valley Jazz Getaway (www.napavalleyjazzgetaway2013.com) takes place June 5-9 featuring a luminous lineup of performers topped by the event’s Founder & Artistic Director Brian Culbertson (www.brianculbertson.me). The soulful hit-making multi-instrumentalist will be joined by Grammy winners Take 6, Ray Parker Jr., Norman Brown and Kirk Whalum united with Rick Braun as BWB, funksters Larry Graham & Graham Central Station, saxophonists Eric Darius and Michael Lington, guitarist Nick Colionne, R&B vocalist Selina Albright, keyboardist Cecil Ramirez, party band DW3 and special guest comedian Sinbad. With this much talent on display, it’s no wonder that the VIP and Silver ticket packages sold out months ago.

Over 1,200 festival goers from all over the nation will flock to California wine country for concerts at the Napa Valley Opera House and Lincoln Theater while more intimate shows will be held at several wineries including Silver Oak and Chimney Rock. VIPs will be treated to a solo piano performance by Culbertson staged in the wine cave at Miner Family Winery, which was one of the most buzzed about shows at last year’s inaugural event.

The Napa Valley Jazz Getaway is a not-to-be-missed interactive lifestyle experience at which fans can share their passion for wine and jazz with the musicians while dining, during wine receptions and tastings, at autograph sessions, at a golf tournament at Silverado Resort & Spa, and at casual post-concert hangs at the Westin Verasa Napa. Prior to the June 8th concert, a silent auction and wine reception will be held in support of music education to benefit The GRAMMY Foundation at which many of the winery partners will provide complimentary pourings.

One of the brightest stars in the contemporary jazz galaxy, award-winning musician, songwriter and producer Culbertson is a consistent chart-topper with a catalogue that spans 13 solo albums along with hits that he wrote and produced for other marquee artists. Known for distilling a soul-splashed vintage of shimmering jazz, funk grooves and sophisticated R&B-pop, creating the Napa Valley Jazz Getaway has enabled the dynamic artist to prove his mettle as a lifestyle curator. Culbertson is a consummate entertainer who has a hot new band and a slamming show that is certain to get and keep people on their feet each time they hit the stage in Napa.

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