Smooth soul singer Selina Albright comfortable and confident enough to “Eat Something”

selina-albright

 

Therapeutic “Conversations”: Smooth soul singer Selina Albright comfortable and confident enough to “Eat Something” 

Empowering radio single about self-love and acceptance previews her March 17 debut album release.

FRISCO (30 January 2017): While a song about the joy of packing on a few pounds and a widening booty may seem contrary to the messages bombarding the popular music and media landscapes, smooth soul singer Selina Albright’s “Eat Something” is instantly resonating with fans and radio programmers, including SiriusXM Watercolors’ Dave Koz Lounge, which will feature the song on the February 5 national broadcast. The mid-tempo adult R&B song bolstered by guitarist Kay-Ta Matsuno’s crafty touch is the lead single from Albright’s first full-length album, the very personal “Conversations,” which will be released March 17 by Golden Rays Music with preorders beginning February 1 on iTunes.

“Over the past few years, I’ve noticed that I’ve reprioritized my life and stopped putting so much emphasis on doing and being what’s most acceptable to others, and instead focused more on appreciating and expressing who I’ve become. Getting to that place in my life inspired me to write about topics I normally wouldn’t, such as ‘Eat Something.’ I know it’s unconventional to write a song about being so happy that you gain weight from eating more, but there’s a freedom in the candor of the lyrics. There was no way I was going to change that. It was far too special,” said Albright, who selected the heartening cut as the first single based upon the immediate and rousing response she receives whenever performing the song in concert and from the fervent reaction from her “FanFamily” on social media.

Describing the custom-tailored blend of sensual soul and sultry jazz album as “my own therapeutic diary through joy, betrayal, liberation and hope, all written without holding back,” Albright wrote the lyrics for all nine original tunes and co-produced three tracks on “Conversations.” Her subject matters are based upon intimate and probing conversations she’s had, shared as if she’s confiding in a close friend. Whether skillfully unleashing the full power and magnitude of her gravity-defying voice or harnessing her passion in a reassuring caress, Albright’s demeanor remains sunny and glowing on uplifting numbers like “Possible” and “Highest High.” Even when confronting weightier subjects head on like she does on “Wifey Anthem (You Don’t Have To Fight At Home)” and “Victim,” her inherent optimism remains present and undaunted. “Let Go” also is wrought with emotion and includes dramatic flute flourishes from multiple Grammy nominee Gerald Albright, Selina’s father. The disc’s lone cover is a stripped down, jazzy take on “If I Were A Boy” with accompaniment by contemporary jazz hit-maker Peter White on acoustic guitar and Randy Ellis (Stevie Wonder, Beyoncé) on sax. Also contributing to the date are producers Chris “Big Dog” Davis and James “JRob” Roberson as well as guitarist David P. Stevens.

To help launch the album, Albright will perform at three record release parties: February 12 at Spaghettini in Seal Beach, California, April 6 at the Berks Jazz Fest in Reading, Pennsylvania and April 15 at The Soiled Dove Underground in Denver, Colorado. The Southern California show is already nearly sold-out.

Born and raised in Los Angeles, California, Albright was reared in the jazz and R&B scene, making her first appearance singing on one of her father’s albums twenty years ago. She has since sung on several of his collections, including penning lyrics and singing on the Grammy-nominated “24/7,” a 2012 duet set from the chart-topping saxophonist and Grammy-winning guitarist Norman Brown. Oozing stage presence, exuberance and captivating charisma, Albright has made her own name while singing on records and stages around the world, shining brightly amidst a galaxy of contemporary jazz stars and R&B legends that spans Brian Culbertson, David Benoit, Dave Koz, Kirk Whalum, David Sanborn, Boney James, Richard Elliot and Rick Braun to Chaka Khan, Will Downing, Regina Belle, The Temptations, Hugh Masakela and the late George Duke. In an entirely different setting, she injected her soul-powered energy into the electronic dance music world by collaborating with Manufactured Superstars, leading to a performance with the internationally-revered DJ duo at Las Vegas’ Electric Daisy Carnival in 2011. Recording as a solo artist, Albright placed the spirited jazz original “You and I” on the iTunes Top 100 Singles Downloads in 2010. A few years later, she topped the soul chart in the United Kingdom for four weeks with her R&B/soul single “Brighter.” Last year, Albright primed the marketplace for “Conversations” by issuing “Sun Comes Up,” which outpaced her previous singles.

“Conversations” contains the following songs:

“Eat Something” (featuring Kay-Ta Matsuno)

“Possible”

“If I Were A Boy” (featuring Randy Ellis)

“Talk To Her”

“Highest High”

“Wifey Anthem (You Don’t Have To Fight At Home)” (featuring David P. Stevens)

“Search My Name”

“Victim”

“Let Go” (featuring Gerald Albright)

“Uncharted Love”

For more information, please visit www.SelinaAlbright.com.

Jazz royalty “Open Up” “The Vault” to help departed friend’s family‏

Jeff Golub

Jazz royalty “Open Up” “The Vault” to help departed friend’s family

New single from the late guitarist Jeff Golub debuts in the Billboard Top 20

ahead of Tuesday’s album release with sales benefitting The Golub family.   

New York City (31 March 2015): A few days prior to New Year’s Day, the day guitarist Jeff Golub passed away at age 59, his frequent collaborators Steven Miller, Rick Braun and Bud Harner put the finishing touches on Golub’s 13th solo album, “The Vault,” a collection of previously unreleased songs and reimagined early career gems that were redecorated with the assistance of some of the artist’s high-profile musician friends. Everyone involved with creating the album that was released today by eOne Music – musicians, producers, songwriters, engineers, mixers, mastering, graphic artists, etc. – donated their time to the project so that all of the money generated by record sales can go to Golub’s family.

One of the new cuts, “Open Up,” featuring the soulful Golub boisterously shredding over a trademark jazzy blues-rock groove produced by Jeff Lorber, debuted last week in the Top 20 of Billboard’s smooth jazz singles chart boding to become the next addition to the artist’s catalogue of No. 1 singles.

“The Vault” is just the latest rallying of the music community to aid Golub, who succumbed to complications from Progressive Supranuclear Palsy (PSP), a rare, incurable and aggressive brain disease. Although he wasn’t officially diagnosed until last November, PSP stole his vision in the spring and summer of 2011. An all-star contingent played a sold-out benefit concert that autumn in Southern California to raise money to cover medical expenses. Golub’s motor skills rapidly began to deteriorate while touring in 2013 in support of his final set of all new material, “Train Keeps A Rolling,” and eventually left him unable to play his beloved instrument. After his passing, nearly two dozen prominent recording artists gathered January 21 near the guitarist’s New York City home to play a sold-out tribute benefit concert at B.B. King Blues Club & Grill. Many of the musicians who appeared on that high-wattage bill perform on “The Vault,” including Dave Koz, Kirk Whalum, Mindi Abair, Richard Elliot, Bill Evans, Philippe Saisse, Steve Ferrone and Braun. Additional album contributors were hitmen Gerald Albright, Brian Culbertson, Euge Groove, Boney James and Peter White.

The ten-track “The Vault” consists of vastly different versions of seven Golub songs harvested from seminal album releases that were given a fresh twist by the guest artists personally selected by Golub; a soul-stirring live version of the Golub classic “Naked City”; and two previously unreleased selections, “Open Up” and the Saisse-produced “Swagster,” a sweltering swing sparked by Golub’s scalding guitar and Whalum’s impassioned sax wails.

To help set the stage for “The Vault,” SmoothJazz.com hosted the world premiere of the record on March 28 along with interviews with the guest artists and producers. Last Sunday’s (March 29) episode of Koz’s radio show that airs nationally on SiriusXM’s Watercolors was devoted to the album spotlighted by interview segments with Abair and Braun, and played multiple tunes from the disc. On April 15, SiriusXM’s Watercolors will broadcast the entire Golub all-star tribute concert.

Golub began his career as an ace guitar slinger alongside superstars Rod Stewart, Billy Squier, Peter Wolf and Tina Turner before launching his own chart-topping band, Avenue Blue, leading to his star-making solo career. The Akron, Ohio native is survived by his wife Audrey Stafford Golub, and sons Matthew (14) and Chris (12).

“The Vault” contains the following songs:

“Funky Is As Funky Does”

“One More Excuse To Play The Blues”

“Open Up”

“Gimmie Some”
“Swagster”

“Keep The Ball Rolling”

“Jeff’s Blues (Mama Didn’t)”

“Groanin”

“Atlanta Nights”

“Naked City” (Live)

For additional information about Golub, go to http://jeffgolub.com.

THE “TENACITY” OF PAUL TAYLOR

If ever there were a most appropriate title for Paul Taylor’s latest album, “Tenacity” wins hands down. Nineteen years in the music business and counting, he shows no signs of slowing down. In the past few years, Paul has had a #1 on the Billboard Contemporary Jazz charts, #1 on the airplay charts, and a Top Ten album on the Billboard Jazz Albums charts. It is no surprise that he continues to be successful. He’s mastered the balancing act of maintaining a solo career and being a member of several projects over the years. Taylor lends his talents to Keiko Matsui’s band, The Rippingtons, Groovin For Grover, Gentlemen of the Night, and Sax and the City. I told him he must be a “superhero.” Paul attributes his success to tenacity, making the title “Tenacity” not one difficult to come up with. He joined forces with his longtime friend and colleague Don Espisito when he embarked upon the making of his 10th album to be released on March 18th. He invited some of jazz’s favorites to collaborate with him on “Tenacity.” Johnathan Fritzen plays on the funky opening song “Supernova” while Jeff Lorber adds his touch to the smooth tune “Luxe,” and Paul Hardcastle ignites the fun “Peace of Mind.” The final song on the album is significantly titled “Empire” because it symbolizes Paul reflecting on all that he has accomplished.

Listen as he shares the story with me.

Paul Taylor

Paul Taylor

Saxman Jackiem Joyner’s urban-jazz grooves “Evolve”

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Saxman Jackiem Joyner’s urban-jazz grooves “Evolve”

 

April 29th album release featuring duets with Gerald Albright and Keiko Matsui will be previewed at radio by the futuristic “Generation Next.”

 

Sherman Oaks, Calif. (19 February 2014): As a young turk on the contemporary jazz scene, saxophonist Jackiem Joyner is far from complacent and staid in his sound and style. Not afraid to challenge the fan base that took him to No. 1 twice and Top 3 two more times on the Billboard chart, Joyner gets adventurous on his fifth album, “Evolve,” which will be released April 29th by Artistry Music/Mack Avenue Records. It’s his first on which he wrote and produced the entire set, including the first single going to radio in mid-March, “Generation Next,” an up-tempo urban-pop track with vibrant flashes of strings that provide a contrast to Joyner’s gentle melodic sax.

Juxtaposing invigorating otherworldly sonicscapes under tender sax melodies, “Evolve” is a dynamic, highly-rhythmic session that is unpredictable laced with traces of the familiar. Listening will take you to a different place while defining Joyner as a musician and a writer beyond what we have already heard from the chart-topping rhythm and groove guy. The imaginative new set has a greater purpose with the introductory single, “Generation Next,” serving as “a declaration that the next generation of jazz musicians is here to stay. Music evolves, including jazz. All types of sound evolve. So do people and our imaginations. That is what I tried to put on tape. ‘Evolve’ captures the changes in my musical mind and how I have evolved as an artist. Rather than fitting in with the traditional, I’m bringing the audience along with songs that unfold over different and interesting soundscapes even as I move towards a live organic sound,” explains Joyner.

In addition to playing alto and soprano sax on the record, Joyner is a multi-instrumentalist who played many of the instruments heard on the collection along with a couple of high-profile assists from Grammy-nominated sax player Gerald Albright and internationally-renowned keyboardist Keiko Matsui. The collaborations are noteworthy for different reasons. When Joyner was in high school, Albright was his idol thus dueting with him on “Big Step” was a thrill. Joyner tours in Matsui’s band when not performing his own dates and wrote “Europa” with her mind. On a few tracks, he was joined by his touring band – guitarist Kayta Matsuno, bassist Tim Bailey, keyboardist Bill Steinway and drummer Raymond Johnson – to record live in the studio.

“Evolve” marks a return for Joyner to the contemporary jazz-urban instrumentals for which he achieved notoriety on his first three albums after 2012’s “Church Boy,” an offering that landed on Billboard’s Jazz Albums and Top Gospel Albums charts. Joyner was named Debut Artist of the Year for his 2007 debut, “Babysoul,” by Smooth Jazz News. His sophomore set, “Lil’ Man Soul,” registered a pair of No. 1 Billboard hits with “I’m Waiting For You” reigning for 12 weeks and winning Song of the Year honors at the 2009 American Smooth Jazz Awards. Two singles from Joyner’s self-titled third record climbed into Billboard’s Contemporary Jazz Songs Top 3. He’s toured the world extensively in support of each release and anticipates a busy year of touring in 2014 – both with his own band and with Matsui. For more information, please visit www.JackiemJoyner.com and www.facebook.com/jackiemjoyner .

“Evolve” contains the following song titles:

“Generation Next”

“Europa”

“Double Bass”

“Breathe”

“Evolve”

“Born To Fly”

Interlude

“Later Tonight”

“See Through Me”

“Big Step”

“A Gentle Walk On Water”

John Coltrane International Jazz and Blues Festival

The John Coltrane International Jazz and Blues Festival in High Point, NC was a wonderful way to spend part of the Labor Day weekend. The festival was jumpstarted by the Coltrane Youth Workshop, followed by The Coltrane All-Star Band. Next up was acclaimed trumpeter, Christian Scott. His performance displayed just how talented a musician he is. He and his band were fantastic. It was about that time when the skies opened up, followed by a brief storm. Although the storm caused a delay in the performances, it also made the temperature about 15 degrees cooler. It was the perfect formula for a beautiful evening, and as the rain stopped, the crowd once again filled the park. Before the show continued, some very talented winners who attended the Coltrane Institute of Jazz and wrote essays were awarded instruments so that they could continue their musical endeavors.

The rain had ceased, and the park was full again as Music Maker Revue came to the stage and showed us how Blues is done in Louisiana. Afterwards, the stage was set for Summer Horns comprised of Dave Koz, Gerald Albright, Mindi Abair, and Richard Elliot. They came out to a huge round of applause and an audience that endured a storm to see them perform. They opened with “Serpentine Fire,” grooving in harmony with the crowd on their feet. The four were playful and entertaining during their thrilling performance. They did amazing covers of Sly and The Family Stone’s “Hot Fun In The Summertime” and James Brown’s “I Feel Good.” The foursome ended their performance with a medley of old funky tunes and a standing ovation. Last and most certainly not least, the most anticipated artist of the night, the legendary Al Jarreau, made his way to the stage. Without making a sound, he had the crowd on their feet and clapping for him. With cameras flashing and roaring applause, Al greeted the crowd. He sang songs of old and shared a couple of his new ones. As I sat mesmerized and elated, my body never stopped swaying and moving to the sound of his voice. Al and his band of fine musicians were absolutely incredible. It’s a night that I will always remember and treasure. Afterall, I had been graced with a performance by the legendary Al Jarreau.

Al and I

Al and I

Christian Scott

Christian Scott

Braxton and Christian Scott

Braxton and Christian Scott

Kris Funn

Kris Funn

Kris Funn

Kris Funn

Music Maker Revue

Music Maker Revue

Summer Horns...Gerald Albright, Dave Koz, Mindi Abair, Richard Elliott

Summer Horns…Gerald Albright, Dave Koz, Mindi Abair, Richard Elliott

Summer Horns

Summer Horns

Al Jarreau

Al Jarreau

Al Jarreau

Al Jarreau

Dwayne “Smitty” Smith

How do I begin telling the story of Dwayne “Smitty” Smith? Well, I can start by saying that the artist from Washington, DC is kind, and humble. He’s also a writer, producer, and super talented bassist. It was in middle school that Smitty realized his love for the bass guitar. He heard a fellow classmate playing “I Wish” by Stevie Wonder and asked him to teach it to him. Amazingly, he not only learned the song, but played it perfectly with one finger. WOW!!! A bassist was born, and a stellar career soon followed. He moved to LA and quickly became the bassist to call. Not only would he work on the local scene, but would work with artists like Gerald Albright, Teena Marie, Anita Baker, and Kirk Whalum. Just to name a few. He was fortunate enough to spend 7 years with the legendary band The Isley Brothers. He continues to collaborate with other artists and has released his sophomore project titled “Stories.” This CD has something on it for everyone. Smitty beautifully covers “People Make The World Go Round”, and offers other songs that will have you swaying to funky grooves, and listening intently.

A conversation in Seattle.

"Stories"

Dwayne "Smitty" Smith

Dwayne “Smitty” Smith

From the heart of Carol Duboc

Carol Duboc is undeniably an incredible artist with an amazing career. Her ability to sing, write, improvise, and put melodies together is what makes her dynamic. She not only writes original songs for herself, but also for other artists like Patti Labelle, Tom Jones, and Diana Krall. She collaborated with Jeff Lorber, Jimmy Haslip, Brian Bromberg, Hubert Laws, Michael Thompson, Luis Conte, Tim Carmon, and Vinnie Colaiuta on her latest release “Smile.” Writing the songs for “Smile” was therapeutic as well as healing for Carol. She wrote from her heart, penning an amazing CD full of heartfelt emotions.

Woman to woman with Carol Duboc.

https://mm2513.files.wordpress.com/2013/06/130619_001.mp3

Carol Duboc

Carol Duboc

Carol Duboc

Carol Duboc