Chante Moore and I talk about her latest album “MOORE IS MORE,” her book “Will I Marry Me,” a new stage play based on the book, and her upcoming album. Enjoy the video for the full interview.
JAZZ and SOUL VOCALIST Chante Moore TO appear in Charlotte, friday november 13th
Charlotte NC, – November 4, 2015 – Grammy nominated vocalist Chante Moore will perform all of your favorite songs in the intimate surroundings of the McGlohon Theater at Spirit Square on Friday, November 23th at 8pm. Opening the show will be Kyle Jason and The Martini Swing, performing a unique blend of Jazz, Soul, and Swing!
Since arriving on the R&B music scene over 15 years ago via her sensual debut single “Love’s Taken Over,” Chante Moore has flourished into an accomplished female favorite. Billboard singles like “It’s Alright,” “This Time” and the top two smash “Chante’s Got a Man” helped put her name on a short list of artists known for consistency. After recording two duet projects with fellow R&B vocalist Kenny Lattimore (who was her husband for six years) and achieving regard in the gospel world, the Grammy nominated vocalist returned to the solo spotlight with her new CD, Love the Woman, on Peak Records. Chante Moore’s vocal range and power are showcased on inspirational songs like “Jesus I Want You” as well as the Jazz tinged “Wey U” from the Waiting to Exhale Soundtrack.
With a vocal range spanning over four octaves, Moore can do it all – sing to smokey lows, belt with passion and power, and soar to the top of her voice with incredible ease. Inspired by the great Minnie Riperton, she stands as one of the few singers who can truly say that they have mastered the whistle register.
…. Trini Trent
The concert is part of the Jazz N Soul Music Showcase which spotlights organizations dedicated to working in the community. The featured organization is I and I United, “Enhancing our quality of life through our own community; Community keeping families together!
Terri Lyne Carrington granted the wishes of her fans around the world. On August 7th, 2015, she released the follow-up to the GRAMMY award winner for Best Jazz Vocal Album “The Mosaic Project,” “THE MOSAIC PROJECT: LOVE AND SOUL.” The stellar all-female ensemble consists of extraordinary vocalists and astounding musicians. Adding intrigue by his own request is the undeniable voice of Billy Dee Williams, garnishing the project with spoken word. “THE MOSAIC PROJECT: LOVE AND SOUL” is Terri’s expression of the language between men and women. In creating so, she also added a voice message from her dear friend, the late George Duke. The list of exceptional artists featured include: Natalie Cole, Oleta Adams, Lizz Wright, Chaka Khan, Chante Moore, Valerie Simpson, Nancy Wilson, Paula Cole, Jaguar Wright, Ledisi, Lalah Hathaway, Rachel Z, Patrice Rushen, keyboardist Geri Allen, saxophonist Tia Fuller, trumpeter Ingrid Jensen, and bassists Linda Oh and Meshell Ndegoecello. To say that is a lot of powerful talent on one project is an understatement. Terri as drummer, composer, producer, and singer created a project that was reflective of her love of R&B and Jazz. The twelve song album consists of six covers and six originals. She paid homage to great classics and singers of all time such as Frank Sinatra, Bill Withers, Ashford and Simpson, Patrice Rushen, and Duke Ellington. I asked her what she couldn’t do after learning that she also plays guitar, bass, and keyboards on some of the songs.
I am in awe of her talent. Listen, and you will be too:
The unmistakable voice of Phil Perry has graced us for over four decades. For generations upon generations who have loved his music, it is a gift to still have him sharing his talents with us. Although it has been 45 years for Phil in the music industry, it doesn’t feel like it has been that long to him. He is honored, fortunate, and humbled to have earned the respect of his peers for all these years. Perry has prided himself on his professionalism and feels that it has been a sustaining quality throughout the years. He is critical of himself when it comes to writing, yet he is led to write. His latest album, “Say Yes,” features some original tunes and some covers. The covers–although recognizable–are not the same. They have Phil Perry all over them. The album spent weeks on the smooth jazz charts as Top Vocal and Top 10. He collaborated with Chante Moore on the song “Where Is The Love,” and it has spent weeks as Billboards’ Top Smooth Jazz Vocal. Phil enjoys performing and always delivers more live than you can hear from simply pushing play. His success can be attributed to the fact that he is grateful for every chance he has to make music because it makes him a better singer each time. In addition, he attempts to leave himself in what he is doing, and that creates an emotional connection between him and his audience. Perry’s advice to anyone who wants to be in the business is to “make sure you love it, and love it to the degree that you’re willing to suffer for it. Because without suffering, there’s no growth.” I personally couldn’t agree more and have been profoundly inspired by his wisdom and willingness to share it.
From the porch of his home in California on a picture perfect day, Phil shares his story with me:
Carol Duboc is undeniably an incredible artist with an amazing career. Her ability to sing, write, improvise, and put melodies together is what makes her dynamic. She not only writes original songs for herself, but also for other artists like Patti Labelle, Tom Jones, and Diana Krall. She collaborated with Jeff Lorber, Jimmy Haslip, Brian Bromberg, Hubert Laws, Michael Thompson, Luis Conte, Tim Carmon, and Vinnie Colaiuta on her latest release “Smile.” Writing the songs for “Smile” was therapeutic as well as healing for Carol. She wrote from her heart, penning an amazing CD full of heartfelt emotions.
Woman to woman with Carol Duboc.
Carol Duboc new release Smile available online Mother’s Day, May 12, 2013. In stores May 21, 2013. Pre-Order http://www.amazon.com/Smile-Carol-Duboc/dp/B00BNWWYCG/ref=sr_1_1?s=music&ie=UTF8&qid=13650…
Music Therapy: Duboc delivers a revealing “Smile”
Jazz singer-songwriter teams with Jeff Lorber for a deeply personal album about the demise of her marriage
Los Angeles, California (22 May 2013): Thinking that everything had fallen apart, the tears streamed down Carol Duboc’s face as she wrote the lyrics to “Smile,” the title track to the soulful jazz vocalist’s stunning sixth album that was released Tuesday (May 21) by Gold Note Music. She gazed at her young daughter’s smile and found hope. Hope infuses the painfully honest and courageously candid collection Duboc penned and produced with fusion pioneer Jeff Lorber about coming to terms with the end of her marriage. The shuffling beats of the funky first single, “Elephant,” one of Billboard BDSradio’s most added tracks this week, elusively dances around the realization that she and her husband faced: the amassed problems in the marriage were the elephant that could no longer be ignored.
Duboc and Lorber have a history of writing songs together that spans more than a decade yet became more frequent a few years ago when the chanteuse with the candied voice moved into a Los Angeles, Calif. neighborhood near Lorber’s home studio. They complement each other’s strengths as songwriters organically with Duboc coming up with catchy melodies and compelling storytelling lyrics for Lorber’s jazz-funk rhythms and grooves. Naturally turning to her own life for lyrical themes, Duboc delved into the flood of feelings that she was experiencing at the time in the troubled relationship. She intimately chronicled utilizing the process as a form of therapy allowing her to work through the morass. Despite the difficult subject matter, the songs are not bitter as Duboc instills a sense of hope into her melodies – perhaps because of her daughter’s presence. She remains poised throughout her cathartic emotional exploration.
“Smile” was recorded in the studio live with Duboc accompanied by a stellar ensemble consisting of Lorber (keyboards, Moog & guitar), Vinnie Colaiuta (drums), Grammy-nominee Brian Bromberg (acoustic bass), Jimmy Haslip (electric bass), 3-time Grammy nominee Hubert Laws (flute), Michael Thompson (guitars), Luis Conte (percussion) and Tim Carmon (piano). Her graceful, caressing and expressive voice nestles into the plush contemporary jazz rhythm beds, rides the R&B grooves, and adds depth to the urbane pop confections.
After “Elephant” opens Duboc’s diary, the comforting and inspiring title track emits radiant light in the face of challenging times as captured in the uplifting video (http://www.youtube.com/watch?v=PIPYZRYApRc). The sultry “Unpredictable” is a tantalizing fantasy about a stranger on which Thompson’s cool jazz guitar riffs admonish the dangers of acting on the daydream. Duboc realizes her dream of scatting along with one of Laws’ solos on “Telepathy” although at the time she was preoccupied trying to read her husband’s mind. The sensual “Atmosphere” sets the mood for romance in the hope of rekindling the love. A brisk Latin jazz adventure, Duboc puts her fear of flying aside to offer a pledge of faith and trust on “Parachute.” An ethereal sonicscape spotlighting Bromberg’s nuanced acoustic bass heightens the sex appeal of Duboc’s enticing purrs and prowls on “Behind A Kiss,” which finds physical love on the other side of the tumult. On the jazzy “Gliding,” the singer yearns to fly free from her troubles underscored by Laws’ soaring and fanciful flute. Begging to know what “Nobody Knows,” Duboc’s marriage was rocked unexpectedly after she returned home from the studio one day to learn something shocking about her partner, which proved to be the beginning of the end. Duboc describes the buoyant “Mythological” as being a “great closer for this musical and emotional journey.”
To help launch “Smile,” Duboc will perform a pair of album release gigs backed by Lorber, Haslip, drummer Tony Moore and guitarist Adam Hawley this Sunday (May 26) at Spaghettini in Seal Beach, Calif. and in Hollywood on May 29th at the Catalina Jazz Club.
Ever since her 2001 debut album, “With All That I Am,” Duboc has consistently set the bar high for her critically-acclaimed sophisticated urban-jazz tunes that have garnered gushing praise from the likes of the Los Angeles Times and JazzTimes. Laws appeared on that first album and remains a fixture on her recordings that over the years have spawned multiple Top 5 airplay singles at Radio & Records and included collaborations with Lorber, Gerald Albright and Patrice Rushen. Duboc’s gift for composing and arranging has enabled her to author songs on gold and platinum-selling albums by Patti LaBelle, Chante Moore, Tom Jones, Stephanie Mills, Jade, George Duke, Maurice White, and Fine Young Cannibals. Duboc was tapped as a special guest on several of the all-star Ladies’ Jazz series alongside Sarah Vaughan, Jane Monheit, Diana Krall and Dinah Washington. The beautiful blond Kansas City, Missouri native made her motion picture debut in 2005’s “Be Cool,” which starred John Travolta, Uma Thurman and Danny DeVito. Additional information is available at http://www.carolduboc.com.
The songs comprising Duboc’s “Smile” are:
“Behind A Kiss”