Saxophonist Elan Trotman has “Got To Give It Up” to Marvin Gaye

Elan Trotman

Saxophonist Elan Trotman has “Got To Give It Up” to Marvin Gaye

He drops a tribute album, “Dear Marvin,” on April 2, the iconic crooner’s 80th birthday. The first single, “Got To Give It Up,” is the No. 1 most-added single on the Billboard chart this week.

BOSTON (20 March 2019): Sax salutes sexy soul on Elan Trotman’s “Dear Marvin,” a collection of ten of Marvin Gaye’s best-loved songs that drops on April 2, the late legendary R&B singer’s 80th birthday. Preceding the set’s arrival is the single “Got To Give It Up,” a vibrant reboot of one of Gaye’s funky dance tracks that is the No. 1 most-added single on the Billboard chart this week as an instrumental from the Woodward Avenue Records album produced by Charles Haynes (Marcus Miller, Erykah Badu, Queen Latifah) and Trotman.

“It’s amazing how this project came about. ‘Got To Give It Up’ has been a huge part of my live show for the past two years and has always been a crowd favorite. That is just one of the many factors that inspired me to record the song and to dig deeper into Marvin’s catalogue and life story. I had no idea that his 80th birthday would be coming up around our time of completing the album, but once I found out, I knew we had to release it on April 2 to mark the occasion,” said Trotman, an award-winning saxophonist who has topped the Billboard singles chart more than ten times.

In reimagining Gaye’s catalogue in instrumental form, Trotman shares the spotlight on “Dear Marvin,” with premier soloists, including Grammy-winning keyboardist Jeff Lorber, seminal urban-jazz flautist Najee, esteemed trumpeter Patches Stewart, soul-jazz-hip hop-funk trombonist Jeff Bradshaw and veteran guitarist Sherrod Barnes. Trotman strategically deploys vocals to illumine a few key tracks. Ray Greene (Santana, Tower of Power) begs on “Mercy Mercy Me”; rapper Obadele Thompson plies his come-on skills to “I Want You”; and Tim “Smithsoneon” Smith provides the cure through “Sexual Healing.” Members of the Boston Symphony Orchestra enhance a pair of tracks with strings. Including Haynes, Trotman’s core collaborators are his former colleagues from Berklee College of Music: keyboardist Mitch Henry (Marsha Ambrosius), bassists Kyle Miles and Keithen Foster (H.E.R.), and percussionist Atticus Cole.

“It’s been an honor to be able to share my interpretations of some of Marvin’s classics. As with all cover projects, I made an extra effort to learn lyrics and storylines for each composition in order to truly understand his interpretations and performances on each song,” said the Boston-based Trotman, who is planning to be in Los Angeles on April 2 for an 11am ceremony held by the United States Postal Service at The Greek Theatre to celebrate the release of the Marvin Gaye commemorative Forever stamp.

“We, Marvin’s family, heard about Elan doing a musical tribute to Marvin. We are very pleased with his album ‘Dear Marvin,’ and are so happy that it will be released on his birthday, April 2. The musicians are all incredible! Thank you, Elan Trotman. Job well done,” said Janis Gaye, Gaye’s second wife.

“Dear Marvin,” is Trotman’s eighth album and second on the Woodward Avenue Records imprint. The label issued the saxophone-flute player’s 2013 disc, “Tropicality,” an autobiographical album that colors contemporary jazz with native sounds from Trotman’s homeland, Barbados. Trotman curates, produces and hosts the Barbados Jazz Excursion and Golf Weekend annually over Columbus Day Weekend with the sixth edition taking place this October 10-14. Bringing that winning formula closer to home, he will launch the first annual Martha’s Vineyard Jazz Excursion and Golf Weekend in Oak Bluffs, MA on June 28-30. To support the album release, Trotman will perform at festivals, theaters and nightclubs through October beginning with the prestigious Boscov’s Berks Jazz Festival in Reading, PA on April 5.

“Dear Marvin,” contains the following songs:

“Inner City Blues” featuring Sherrod Barnes

“Got To Give It Up”

“Distant Lover” featuring Patches Stewart

“Ain’t Nothing Like The Real Thing”

“Mercy Mercy Me” featuring Ray Greene

“I Want You” featuring Obadele Thompson

“Sexual Healing” featuring “Smithsoneon”

“After The Dance” featuring Najee

“Trouble Man” featuring Jeff Lorber

“I Heard It Through The Grapevine” featuring Jeff Bradshaw

For more information, please visit http://elantrotman.com.

EXPERIENCE “LIFE AND TIMES” WITH JAZZ FUNK SOUL

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When you combine three powerhouse musicians who have had amazing careers for decades, you are in for a masterful musical journey. Jazz Funk Soul was formed in 2014 with the late Chuck Loeb. The group made an instant impact and realized they had something very special. When the music world lost Chuck Loeb, it was obvious that no one could fill his shoes. However, Paul Jackson, Jr. had been filling in for Loeb when the band was on the road performing. Paul previously worked with Jeff and Everett in their individual careers, and they embraced the musical language he brought into the group. “LIFE AND TIMES,” the groups latest project, is set to be released on January 25th. The single “Windfall” was an obvious first release and a new sound from the project. It perfectly displays the individual gifts that each member possesses. Jeff, Everette, and Paul each believe that working together propels them to constantly reach higher levels of musicianship.

Listen to Jeff, Everette, and Paul discuss the project with me: 

“Dear Friend”: Jazz fusion keyboardist Patrick Bradley honors tangible and “Intangible” influences on his fourth album, due August 25

patrick bradley

 

“Dear Friend”: Jazz fusion keyboardist Patrick Bradley honors tangible and “Intangible” influences on his fourth album, due August 25 

ALISO VIEJO (31 July 2017): The spiritually-minded jazz fusion keyboardist Patrick Bradley doesn’t need a special occasion like marking his tenth anniversary as a recording artist to acknowledge his inspirations both tangible and divine. However, “Dear Friend,” the first single from his forthcoming fourth album, “Intangible,” due August 25, does just that, slated to arrive ten years after the release of his first solo set. Written with the album’s producer, Jeff Lorber, “Dear Friend” pays respectful homage to the seminal musicians who influence and inform Bradley’s contemporary jazz, rock, fusion and R&B mashups released on the Patrick’s Song Factory label.

“My intent was to honor the influence and significant impact that late musicians have on me musically such as keyboardist giants Keith Emerson, Richard Wright, George Duke, Joe Sample and Jon Lord. Bass players Chris Squire and Jaco Pastorius and guitarist Alan Holdsworth have a major influence on my approach to arrangements and melodies. Their influences are woven throughout my musical experiences, abilities and styles,” said Bradley, who wrote and arranged the ten songs that comprise “Intangible” with Lorber. “The tune also celebrates friendship of all kinds – whether it is the intimate friendship between a spouse or lover, a trusted best friend, a mentor, your family pet or the friendship expressed through songs of faith.”         

 Intangible” is the third outing for Bradley and Lorber, the latter of whom is a keyboardist widely recognized as one of the forefathers of jazz fusion, thus an element of mentorship is evident in their ongoing creative friendship. “Jeff and I work very well together. Coming into the studio, I had about 18 songs to work with for this project and we selected ten. Collaborating with Jeff always draws out new dimensions and makes me dig deeper.”

One of the dimensions that Bradley developed under the tutelage of Lorber was to cultivate the ability and the confidence to communicate as a trilingual keyboardist: piano, Hammond B3 organ and Moog synthesizer. Bradley’s nimble finger work dispenses harmonies in equal measures of power and grace, poignant and propulsive, riveting and rousing, and cerebral and accessible. His multi-voiced keyboard approach makes an individual track seem as if it is helmed by more than one protagonist with each unique keyboard instrument providing a different perspective on the melodies. In addition to the heavy usage of the Hammond B3 along with frequent spacy Moog forays, Bradley’s distinctive brand also consists of deep-pocketed grooves constructed by live instrumentation from a core unit of prominent musicians – guitarists Adam Hawley and Michael Thompson, bassist Jimmy Haslip, drummer Gary Novak and Lorber on synth bass, guitar and additional keyboards. A handful of cuts are bolstered by the brawn and bravura of David Mann’s horns. Paul Jackson Jr. cranks out a gale force of electric guitar riffs on “Tail Wind” while Andrew Carney’s trumpet thrives animatedly while exploring “Newport Coast.”                    

There is another essential element to Bradley’s recordings that have been present ever since he issued his debut album, “Come Rain or Shine,” a decade ago. “Music and creativity and whatever talents we each have are a gift from God. Love, faith, hope and even music are all intangible, hence the new album title. Much of our universe is intangible yet we spend the majority of our time seeking the physical and temporal things. I always want to encourage people to look beyond the physical universe and turn our hearts towards God,” said the Southern California native who balances his creative output with a corporate profile by serving as president of the Southern Pacific Region at Whole Foods Market.

Bradley’s singles regularly hit the Billboard chart, but he was especially encouraged by the success and growing support he received for his previous album, 2014’s “Can You Hear Me.” “It gave me a new drive to write, play and collaborate with a newfound zeal and energy, revealing where I am at musically at this time. All music has a piece of the artist within their songs. I find with each new project, I feel the need and responsibility to dig deeper and in a sense, be truer to the musician I am and inspire to be.”

For more information, please visit www.PatrickBradleyMusic.com.

“Intangible” contains the following songs:

“Dear Friend”

“Funky Greens”

“Tail Wind”

“On Tap”

“Intangible”

“Find the Way”

“Newport Coast”

“Winds of Change”

“Destiny”

“Out of Bounds”

THE QUEEN CITY JAZZFEST

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Buy The Queen City Jazz Fest tickets at the Charlotte Metro Credit Union Amphitheatre in Charlotte, NC for June 17, 2017 6:00PM at Ticketmaster.

http://www.ticketmaster.com/event/0E00528ABCFEFD18

JESSY J WELCOMES A “CALIFORNIA CHRISTMAS”

2016 has been a great year for saxophonist Jessy J. She got married and on October 28th, released her debut holiday album, “California Christmas.” Jessy produced the project that she had been working on since 2014. She released it on her own label, Changi Records. The album was dedicated to her former manager, Stewart, who passed away last year. A few of Jessy’s friends including Jeff Lorber, Paul Brown, Steve Oliver, Michael Thompson, Maurice Smith, Jay Rowe, and more joined her on the album. Christmas is Jessy’s favorite time of year, and creating a holiday album that was a reflection of a “California Christmas” felt like a must to her. Covering holiday favorites with her own blues, tropical, jazzy sound makes this album a welcome addition to fans’ collections. Additionally, Jessy started a Pledge Music campaign–a great way for her to interact with fans.

Listen to my conversation with Jessy:

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JAZZ FUNK SOUL MEANS “MORE SERIOUS BUSINESS”

The super trifecta otherwise known as Jazz Funk Soul started 2016 off with their latest album “More Serious Business.” The group is comprised of guitarist Chuck Loeb, saxophonist Everett Harp, and pianist Jeff Lorber. Each member distinctly represents artistry that is well-respected, and combined, they have sold millions of albums. Amidst working on “More Serious Business,” Loeb, Harp, and Lorber individually enjoyed successful solo projects. Jeff describes the chemistry between them as fun and challenging. As a cohesive unit, they respect one another’s talents and have found a way to harmoniously blend them. “More Serious Business” has ten original songs that keenly represent the varying yet similar styles of the trio. The lead single “You’ll Know When You Know”–written by Harp–is soulful and funky.

Jeff and I discuss the new project and snippets of his career:

Jazz Funk Soul

CAROL DUBOC CAN SEE THROUGH “COLORED GLASSES”

“Hypnotic,” the first single from Carol Duboc’s latest album, “Colored Glasses,” is the perfect description of the collection of original songs being released on September 18, 2015. Carol collaborated again with her friend and colleague, Jeff Lorber, to produce “Colored Glasses.” And what better way to complete a new album than to once again enlist the talented Jimmy Haslip, Michael Thompson, and Vinnie Colaiuta? Additionally, Eric Marienthal, Hubert Laws, and Paul Jackson, Jr. added their special touches to the long-time anticipated new album. Carol is lyrically gifted, and her uncanny ability to tell stories is a part of her charm. “Colored Glasses” tells the story of someone in love who sees and has seen love through “Colored Glasses”–a little something everyone can relate to. Writing this album has been therapeutic for Carol, empowering her to remove any “Colored Glasses” she has ever worn. Carol recorded a video for the song “Wavelength,” and she was joined by her band live on the sands of Venice Beach. Little did she know that a few onlookers would join them, giving it even more life. Admittedly, Carol had a fantastic time sharing that time with colleagues and strangers, all coming together for a common cause. The end result: perfectly befitting the song, a long line of people on the beach doing one long wave. Carol has an album release on September 18th at Hollywood’s Baked Potato and will be joined by Lorber, Haslip, and Thompson.

Listen to Carol and I discuss love, lost, and the healing power of music:

Carol Duboc