Saxophonist Michael Paulo calls upon friends to celebrate “Beautiful Day”

Michael Paulo

Saxophonist Michael Paulo calls upon friends to celebrate “Beautiful Day” 

Ray Parker Jr., Paul Brown, Peter White, David Benoit, Paul Jackson Jr. and Brian Simpson are among his buddies illuminating the new soul-jazz album. The first single, “Who You Gonna Call?,” impacts radio. 

MENIFEE (7 June 2018): From beginning to end, saxophonist Michael Paulo’s “Beautiful Day,” is a celebration of love, friendship and the Aloha spirit. Opening with the title track inspired by the joyous news that he was going to become a grandfather and closing with the timeless Carole King ode to friendship, “You’ve Got A Friend,” Paulo’s eleventh solo disc dropped on the Apaulo Productions imprint. The collection is comprised of eight Paulo compositions and five modern classics produced by Paulo with two tracks helmed by two-time Grammy winner Paul Brown. The first single presently collecting radio spins and playlist adds spotlights guitarist Ray Parker Jr. on the aptly titled “Who You Gonna Call?”

Inherent in Paulo’s soulful play emoted through tenor, soprano and alto saxes on “Beautiful Day” is an effervescent spirit, a hallmark that perhaps emanates from the DNA of his Hawaiian blood. A genuine sense of gratitude is another vital element present in his recordings. With that ethos, Paulo crafted a set list that enabled him to record with and feature some of his accomplished friends the likes of which include guitarists Parker Jr., Brown, Peter White and Paul Jackson Jr.; pianist David Benoit, keyboardist Brian Simpson, bassists Freddie Washington and Roberto Vally, percussionist Lenny Castro, and drummers Gorden Campbell and Michael White.

“I truly have the best friends in life that always are there to support me. ‘You’ve Got A Friend’ represents why I am able to do what I do. I hope this record will touch people emotionally. My approach to playing has always been about expressing feeling and emotion and drawing the listener in so that they forget all the stress in their lives. I hope it renews their spirit, so they can continue to be happy and express love. When I perform live, my biggest gratification is when I feel that I have uplifted people emotionally and they can go home feeling good about themselves and life in general. That’s our gift as musicians and I am so blessed to be able to do what I do,” said Paulo.

The album also showcases Paulo’s touring band – a trio of Hawaiians comprised of Kimo Cornwell (keyboards), David Inamine (bass) and Fred Schreuders (guitar) along with drummers Land Richards and Sergio Gonzalez – which will take the stage with Paulo at SoCal hotspot Spaghettini on July 21 to celebrate the release of “Beautiful Day.”

Paulo’s professional career spans more than forty years, and includes gigs playing alongside R&B, pop and jazz headliners Al Jarreau, James Ingram, Patti Austin, Jeffrey Osborne, Kenny Loggins, Johnny Mathis, Bobby Caldwell and Rick Braun. He debuted as a solo artist in 1977 with the Japan-only release of “Tat’s in the Rainbow,” an album that highlighted Herbie Hancock on keyboards. Paulo continues his dual career as a solo artist and as a first-call session player-sideman. He also produces concerts and jazz festivals in Hawaii and in the long-time California resident’s home state. These days, Paulo tours frequently with Peter White, who plies his signature delicate acoustic guitar nuances in addition to contributing to the arrangement for “Beautiful Day’s” profound version of Sting’s “Fragile.” The saxman’s longest touring association was with Jarreau, with whom he shared the stage throughout the late crossover crooner’s glory days.

“I recorded ‘Your Song’ as a tribute to Al, who gave me my big break when he hired me for his touring band in 1983. We toured the world together for eleven years and he featured me on his ‘Live in London’ album. I used his arrangement of ‘Your Song’ and David Benoit delivered a heartfelt piano performance. I miss Al.”

Paulo’s “Beautiful Day” album contains the following songs:

“Beautiful Day” featuring Paul Brown

“Mr. Magic” featuring Paul Brown

“Europa”

“Back with the Funk” featuring Paul Jackson Jr.

“Your Song” featuring David Benoit

“Who You Gonna Call?”

“#FromtheHeart”

“Fragile”

“Keiko’s Groove”

“Galaxia”

“Mysterious”

“Fire Dance”

“You’ve Got A Friend”

For more information, please visit www.MichaelPaulo.com.

“AROUND THE HORN” WITH RICK BRAUN

Rick Braun sets himself apart with his latest album “AROUND THE HORN.” This standout project is more contemporary and described by Rick as being “a musical journey around the world.” This will be Rick’s seventeenth album and debut release on Shanachie Entertainment. Braun collaborated with long time friend John Stoddart and says that “this record would not be what it is without John’s help.” Peter White and Lindsey Webster are featured artists, adding their originality. “AROUND THE HORN” is a collection of original songs and covers of songs. Braun added his genius to songs by Coldplay, Alicia Keys, Charlie Puth, and Selena Gomez, maintaining their authenticity. Rick proudly admits that his daughter was “a big inspiration for the album.” He even titled the song “Pool Dancer” for her. Braun’s friend and fellow trumpet player from Germany, Till Bronner, joins him on the title track “AROUND THE HORN.” Together, they take trumpet playing to another level.

Listen to Rick and I share conversation:

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Smooth soul singer Selina Albright comfortable and confident enough to “Eat Something”

selina-albright

 

Therapeutic “Conversations”: Smooth soul singer Selina Albright comfortable and confident enough to “Eat Something” 

Empowering radio single about self-love and acceptance previews her March 17 debut album release.

FRISCO (30 January 2017): While a song about the joy of packing on a few pounds and a widening booty may seem contrary to the messages bombarding the popular music and media landscapes, smooth soul singer Selina Albright’s “Eat Something” is instantly resonating with fans and radio programmers, including SiriusXM Watercolors’ Dave Koz Lounge, which will feature the song on the February 5 national broadcast. The mid-tempo adult R&B song bolstered by guitarist Kay-Ta Matsuno’s crafty touch is the lead single from Albright’s first full-length album, the very personal “Conversations,” which will be released March 17 by Golden Rays Music with preorders beginning February 1 on iTunes.

“Over the past few years, I’ve noticed that I’ve reprioritized my life and stopped putting so much emphasis on doing and being what’s most acceptable to others, and instead focused more on appreciating and expressing who I’ve become. Getting to that place in my life inspired me to write about topics I normally wouldn’t, such as ‘Eat Something.’ I know it’s unconventional to write a song about being so happy that you gain weight from eating more, but there’s a freedom in the candor of the lyrics. There was no way I was going to change that. It was far too special,” said Albright, who selected the heartening cut as the first single based upon the immediate and rousing response she receives whenever performing the song in concert and from the fervent reaction from her “FanFamily” on social media.

Describing the custom-tailored blend of sensual soul and sultry jazz album as “my own therapeutic diary through joy, betrayal, liberation and hope, all written without holding back,” Albright wrote the lyrics for all nine original tunes and co-produced three tracks on “Conversations.” Her subject matters are based upon intimate and probing conversations she’s had, shared as if she’s confiding in a close friend. Whether skillfully unleashing the full power and magnitude of her gravity-defying voice or harnessing her passion in a reassuring caress, Albright’s demeanor remains sunny and glowing on uplifting numbers like “Possible” and “Highest High.” Even when confronting weightier subjects head on like she does on “Wifey Anthem (You Don’t Have To Fight At Home)” and “Victim,” her inherent optimism remains present and undaunted. “Let Go” also is wrought with emotion and includes dramatic flute flourishes from multiple Grammy nominee Gerald Albright, Selina’s father. The disc’s lone cover is a stripped down, jazzy take on “If I Were A Boy” with accompaniment by contemporary jazz hit-maker Peter White on acoustic guitar and Randy Ellis (Stevie Wonder, Beyoncé) on sax. Also contributing to the date are producers Chris “Big Dog” Davis and James “JRob” Roberson as well as guitarist David P. Stevens.

To help launch the album, Albright will perform at three record release parties: February 12 at Spaghettini in Seal Beach, California, April 6 at the Berks Jazz Fest in Reading, Pennsylvania and April 15 at The Soiled Dove Underground in Denver, Colorado. The Southern California show is already nearly sold-out.

Born and raised in Los Angeles, California, Albright was reared in the jazz and R&B scene, making her first appearance singing on one of her father’s albums twenty years ago. She has since sung on several of his collections, including penning lyrics and singing on the Grammy-nominated “24/7,” a 2012 duet set from the chart-topping saxophonist and Grammy-winning guitarist Norman Brown. Oozing stage presence, exuberance and captivating charisma, Albright has made her own name while singing on records and stages around the world, shining brightly amidst a galaxy of contemporary jazz stars and R&B legends that spans Brian Culbertson, David Benoit, Dave Koz, Kirk Whalum, David Sanborn, Boney James, Richard Elliot and Rick Braun to Chaka Khan, Will Downing, Regina Belle, The Temptations, Hugh Masakela and the late George Duke. In an entirely different setting, she injected her soul-powered energy into the electronic dance music world by collaborating with Manufactured Superstars, leading to a performance with the internationally-revered DJ duo at Las Vegas’ Electric Daisy Carnival in 2011. Recording as a solo artist, Albright placed the spirited jazz original “You and I” on the iTunes Top 100 Singles Downloads in 2010. A few years later, she topped the soul chart in the United Kingdom for four weeks with her R&B/soul single “Brighter.” Last year, Albright primed the marketplace for “Conversations” by issuing “Sun Comes Up,” which outpaced her previous singles.

“Conversations” contains the following songs:

“Eat Something” (featuring Kay-Ta Matsuno)

“Possible”

“If I Were A Boy” (featuring Randy Ellis)

“Talk To Her”

“Highest High”

“Wifey Anthem (You Don’t Have To Fight At Home)” (featuring David P. Stevens)

“Search My Name”

“Victim”

“Let Go” (featuring Gerald Albright)

“Uncharted Love”

For more information, please visit www.SelinaAlbright.com.

THE “COUNTDOWN” IS ON FOR PAUL TAYLOR

Saxophonist Paul Taylor is ready and set to release the 11th project of his illustrious career: “Countdown.” On September 9th, his fans will get the opportunity to experience Paul like never before. Taylor keeps an open mind and pays attention to new sounds and elements in music. Thus, he is armed with a diversified palette to create “Countdown” from. Paul collaborated with his longtime friend and co-producer, writer Dino Esposito. Their working relationship is built on years of trust and respect. The title track, “Countdown,” is the first song on the cd and sets the tone for the mystical journey ahead. “Arrival” is the first single and is flirtatiously soulful. Guitarist Peter White joins Paul on the sultry song “Polaris.” And amidst his saxophone playing, Taylor garnishes “What You Love” and “Knocking At The Door” with his laid-back vocals. He adds just the right amount of spice by giving fans a little something different. Paul is an artist who likes to keep current and listens to all music, staying engaged. Paul said, “I feel like I’m just coming into my own.” Admittedly, this is a new direction for Paul, and he is embracing it.

Listen to my conversation with my friend Paul:

PaulTaylor_Countdown_cover

Jazz royalty “Open Up” “The Vault” to help departed friend’s family‏

Jeff Golub

Jazz royalty “Open Up” “The Vault” to help departed friend’s family

New single from the late guitarist Jeff Golub debuts in the Billboard Top 20

ahead of Tuesday’s album release with sales benefitting The Golub family.   

New York City (31 March 2015): A few days prior to New Year’s Day, the day guitarist Jeff Golub passed away at age 59, his frequent collaborators Steven Miller, Rick Braun and Bud Harner put the finishing touches on Golub’s 13th solo album, “The Vault,” a collection of previously unreleased songs and reimagined early career gems that were redecorated with the assistance of some of the artist’s high-profile musician friends. Everyone involved with creating the album that was released today by eOne Music – musicians, producers, songwriters, engineers, mixers, mastering, graphic artists, etc. – donated their time to the project so that all of the money generated by record sales can go to Golub’s family.

One of the new cuts, “Open Up,” featuring the soulful Golub boisterously shredding over a trademark jazzy blues-rock groove produced by Jeff Lorber, debuted last week in the Top 20 of Billboard’s smooth jazz singles chart boding to become the next addition to the artist’s catalogue of No. 1 singles.

“The Vault” is just the latest rallying of the music community to aid Golub, who succumbed to complications from Progressive Supranuclear Palsy (PSP), a rare, incurable and aggressive brain disease. Although he wasn’t officially diagnosed until last November, PSP stole his vision in the spring and summer of 2011. An all-star contingent played a sold-out benefit concert that autumn in Southern California to raise money to cover medical expenses. Golub’s motor skills rapidly began to deteriorate while touring in 2013 in support of his final set of all new material, “Train Keeps A Rolling,” and eventually left him unable to play his beloved instrument. After his passing, nearly two dozen prominent recording artists gathered January 21 near the guitarist’s New York City home to play a sold-out tribute benefit concert at B.B. King Blues Club & Grill. Many of the musicians who appeared on that high-wattage bill perform on “The Vault,” including Dave Koz, Kirk Whalum, Mindi Abair, Richard Elliot, Bill Evans, Philippe Saisse, Steve Ferrone and Braun. Additional album contributors were hitmen Gerald Albright, Brian Culbertson, Euge Groove, Boney James and Peter White.

The ten-track “The Vault” consists of vastly different versions of seven Golub songs harvested from seminal album releases that were given a fresh twist by the guest artists personally selected by Golub; a soul-stirring live version of the Golub classic “Naked City”; and two previously unreleased selections, “Open Up” and the Saisse-produced “Swagster,” a sweltering swing sparked by Golub’s scalding guitar and Whalum’s impassioned sax wails.

To help set the stage for “The Vault,” SmoothJazz.com hosted the world premiere of the record on March 28 along with interviews with the guest artists and producers. Last Sunday’s (March 29) episode of Koz’s radio show that airs nationally on SiriusXM’s Watercolors was devoted to the album spotlighted by interview segments with Abair and Braun, and played multiple tunes from the disc. On April 15, SiriusXM’s Watercolors will broadcast the entire Golub all-star tribute concert.

Golub began his career as an ace guitar slinger alongside superstars Rod Stewart, Billy Squier, Peter Wolf and Tina Turner before launching his own chart-topping band, Avenue Blue, leading to his star-making solo career. The Akron, Ohio native is survived by his wife Audrey Stafford Golub, and sons Matthew (14) and Chris (12).

“The Vault” contains the following songs:

“Funky Is As Funky Does”

“One More Excuse To Play The Blues”

“Open Up”

“Gimmie Some”
“Swagster”

“Keep The Ball Rolling”

“Jeff’s Blues (Mama Didn’t)”

“Groanin”

“Atlanta Nights”

“Naked City” (Live)

For additional information about Golub, go to http://jeffgolub.com.

PETER WHITE MAKES ME “SMILE”

If you want to lift your spirits and feel incredibly good, then sit back, relax, and listen to Peter White’s new CD, “Smile.” It is a bountiful collection of soul-stirring songs that will have you pressing repeat. Although “Smile” is Peter’s 14th album, and his career has spanned 40 decades, he remains driven by his fans’ appreciation for his music. When asked if he had a formula for making an album, his response was, “I have to be moved”–by the music that is. Peter reached into his vault of previously written songs to create this masterpiece. “Smile” has lots of personal touches that make it extraordinarily special for many reasons–one of them being that White was joined by some of his dear friends in music: Rick Braun, Mindi Abair, Euge Groove, Philippe Saisse, Nate Phillips, Ramon Yslas, Stevo Theard, and his daughter, Charlotte. Furthermore, it includes a song for the birthday of a friend’s daughter (Jordan), a song in honor of Barry White, and a tribute to Mason Williams. “Smile” has a song for everyone and is sure to be a fan favorite.

Peter and I chat about music, fans, and his superpower:

Peter White
Peter White

Nicholas Cole…The Next Generation

When I hear the name Nicholas Cole, a few words come to my mind. Words such as gifted, grounded, humble, and beyond a shadow of a doubt, AMAZINGLY talented. Cole has landed on the contemporary jazz scene and shown that he’s the future generation. His friend Brian Simpson says “Nicholas is the best young songwriter of contemporary jazz that I’ve come across in the last several years….and he will definitely play a huge part in the future.” He is a composer, producer, and performer. He collaborated with Michael Stever, Tim Bowman, Vincent Ingala, Steve Oliver, Julian Vaughn, Marcus Anderson, and Lynne Fiddmont on his current CD “Endless Possiblities.” His knowledge and awareness of different genres of music gives him the ability to be innovative and continuously evolving. The future is very bright for Nicholas, and I look forward to following his journey.

Click below to hear our interview:

[audio https://mm2513.files.wordpress.com/2013/07/nicholas-cole.mp3]

Keyboardist Nicholas Cole
Keyboardist Nicholas Cole
Nicholas Cole
Nicholas Cole

The Thrilling Elan Trotman

Elan Trotman is not only a brilliant recording artist, he’s a composer and performer. Coming from the beautiful island of Barbados, Elan knows how to infuse the sounds of calypso and reggae into his music. Yet, his music is also sexy and full of edgy melodies. He shows this side of himself on the “Love and Sax” CD. His collaboration with Brian Simpson on “Heaven In Your Eyes” climbed the charts, and quickly paved the way for all that was to come for Elan. His latest release “Tropicality” features Peter White among other jazz artists, and embodies his native Barbadian culture.

More from Elan himself.

Elan Trotman
Elan Trotman
Elan Trotman
Elan Trotman

Jazzfest Performances

June 21st at the Time Warner Cable Uptown Ampitheatre the line-up for a night a smooth jazz was stellar. The sky was blue and sun was bright. Local group 5th and York kicked the show off. Peter White and Euge Groove took to the stage and grooved us into the sunset. Peter played a couple of his songs as Euge grooved with him. Then the “House of Groove”, Euge that is, played his saxophone and drew the crowd in with hand clapping high energy. Peter and Euge complimented one another extremely well. Their chemistry was outstanding. They sent the crowd into a “chillaxin” mood perfectly indicative of the sun setting overhead. Night fell, darkness filled the sky, and the Charlotte sky line was beautifully lit up as Brian Culbertson graced the stage. He did so in classic Brian Culbertson style. He jammed with his new band from start to finish. His incredible vocalists Selina Albright and Jason Morales showed off their skills with duet’s and solo’s. WHEW!! The sound coming form the speakers kept the energy high and the crowd grooving. He slowed us down with “It’s On Tonight.” Then the unexpected as well as my favorite moment of the night happened. He took us down memory lane in Brian style and performed “Secret Garden.” It was for me the highlight of his show. He took his time and played his keyboard with pure passion.

June 22nd, night 2 under the sun, the moon, and the stars was jumpstarted by Gregg Karukas. He started the show off nice and easy. He opened with “Wild Wood” from his latest CD. Vincent Ingala joined him on stage and accompanied him on a few songs. Gregg’s working on his 12th CD. He played a few of the songs and asked the crowd to help him come up with a title. Guests were able to write down their suggestions and give them to him during the meet and greet session. That was pretty cool. Marion Meadows, Paul Taylor, and Vincent Ingala came to the stage playing 3 saxophones and heated things up a bit. They each shared music from their individual projects, and of course they jammed as a trio. Joe McBride wooed the crowd with his amazing vocals while playing the keyboard. During which, Vincent put his saxophone down and picked up a guitar and started playing. The entire band was electrifying and energizing. Ending the evening for us was Norman Brown, Kirk Whalum, and Rick Braun aka as BWB. What a combination they are. They grooved, they sang, and engaged the crowd from start to finish. Each artist played individually taking us down memory lane with some of their songs. When they began to play songs from their new release “Human Nature”, all everyone could do is sing along. That was quite amazing being that it was a couple of days away from the 4 year anniversary of Michael Jackson’s death. What a beautiful tribute to an unforgettable legend.

Peter White
Peter White

Euge Groove
Euge Groove

Brian Culbertson
Brian Culbertson

Brian Culbertson
Brian Culbertson

Selina Albright and Brian Culbertson
Selina Albright and Brian Culbertson

Peter White and Euge Groove
Peter White and Euge Groove

Gregg Karukas
Gregg Karukas

Gregg Karukas
Gregg Karukas

Vincent Ingala and Gregg Karukas
Vincent Ingala and Gregg Karukas

Vincent Ingala, Marion Meadows, and Paul Taylor
Vincent Ingala, Marion Meadows, and Paul Taylor

Marion Meadows
Marion Meadows

Paul Taylor
Paul Taylor

Marion Meadows and Paul Taylor
Marion Meadows and Paul Taylor

Norman Brown, Kirk Whalum, and Rick Braun aka BWB
Norman Brown, Kirk Whalum, and Rick Braun aka BWB

Norman Brown
Norman Brown

Kirk Whalum
Kirk Whalum

Rick Braun
Rick Braun

BWB
BWB

Mike MacArthur “Feels Like Home”

Mike McArthur
Mike McArthur

Moving away from the kids’ table

In the company of prominent friends, saxophonist Mike MacArthur releases a sterling jazz album,

“Feels Like Home,” his first major release as a frontman.

Tampa, Florida (4 June 2013): In the midst of graduation season, it seems like the ideal time for the release of long-time sideman Mike MacArthur’s first major recording on center stage. The saxophonist’s 10-song “Feels Like Home” was released today by Paradise Point Music. On the collection produced by Grammy-nominee Brian Bromberg, MacArthur graduates surrounded by his scholarly musician friends on the set comprised of soulfully performed jazz standards and alluring originals.

When asked to describe how he felt after recording the album at Bromberg’s suburban Los Angeles home, MacArthur said “It felt like the beginning of a lot of things to come – like I’ve finally moved away from the kids’ table with my own (musical) offering. It confirms that I can stand alone as a frontman.”

“Feels Like Home” sounds live. MacArthur describes it as “real players making real music on real acoustic instruments.” Playing the music of the masters such as Duke Ellington (“In A Sentimental Mood”), Miles Davis (“Jean Pierre”), Sonny Rollins (“Blue Seven”) and Joe Zawinul (“Birdland”), MacArthur, bass prodigy Bromberg, Ron Reinhardt (piano, B-3 organ) and Frank “Third” Richardson (drums) formed the core quartet that features spotlight soloing from contemporary jazz maverick Jeff Lorber on piano, Rick Braun on trumpet and flugelhorn, and Jeff Golub on guitar. Journeyman percussionist Alex Acuna decorates and texturizes the tracks. MacArthur graciously gives his friends permission to uncork their finest vintage of improvisational jazz.

Radio stations have been playing the gospel soul cut “Sanctified,” which was christened as the first single and includes a vocal hook belted out by the almighty Alva Copeland. MacArthur wrote the three other original tunes on the disc, including the title track, a heartfelt ballad with a gorgeous melody gracefully emoted from his tenor sax. He penned the boisterous blues joint “Around The Corner” specifically with Golub’s gritty guitar in mind. Written on piano in his daughter Sydney’s playroom while the then 5-year-old was gleefully dancing, MacArthur refers to the frenetic “Sydney Style” as the “up tune on the album.”

Throughout the album, MacArthur’s sax play is dexterous, precise and efficient. He plays just enough notes to convey the song and solos with just enough pizazz to get his point across. Having performed with a bevy of marquee musicians as a sideman throughout his career, including with Bromberg, Braun and Golub, he wants the release of “Feels Like Home” to signal the start of a new chapter. Setting the bar high in terms of performance, production, and composition, MacArthur’s stride into the spotlight is smartly executed with confidence, poise and a whole lot of soul.

After recently opening for superstar Queen Latifah, MacArthur will lead his own band at Uptown Altamonte near Orlando, Florida on June 15th sharing the bill with guitarist Nils and will open for guitarist Peter White on July 21st at Glenora Wine Cellars in Dundee, New York.

A clip of MacArthur discussing “Feels Like Home” can be viewed at http://www.youtube.com/watch?v=6LmHusgBHR4. Highlights from some of the album reviews appear below:

“One of the best for 2013 no matter what flavor jazz you may be into. That nice fat tenor sound with chops to match, if ‘Feels Like Home’ doesn’t move you then you must be waiting on your autopsy report.” – Critical Jazz

“This album has no safety zone. It is entertaining, listenable, and catchy but it is not safe. Some of these guys have made a name for themselves in smooth but this is a jazz album. It is not an academic, archival, or intimidating jazz album. It’s a jazz album because there is a lot of improvisation and about half of the songs on here are benchmark songs in the history of contemporary jazz, and beyond…This is an album that will lead even the most skeptical pop/smooth listener deeper into the world of jazz.” – SmoothViews

“He (MacArthur) has surrounded himself with some pretty fine players and has made an album which is simply terrific…Of the album’s ten tracks, three are MacArthur originals and it’s a testament to his skills that you can’t differentiate them from the standards…this is a warm and enjoyable album that is a treat for the ears.” – Bass Players United

“’Feels Like Home’ is superior jazz made among friends. From the first track ‘Filthy McNasty’ by Horace Silver to the 10th and final cut ‘Mo Better Blues’, music enthusiasts will know that this one belongs on the top shelf.” – The Entertainment Bank

“Rolling through a set of tracks as diverse as any jazz enthusiast could hope for, MacArthur puts both feet into this project, offering appealing sax runs while his pals mix up a batch of riveting acoustic bass runs, soul-wrenching guitar riffs, tantalizing piano/keys action, and solid drums and percussions.” – The Smooth Jazz Ride

“He (MacArthur) comes out firing – surrounding himself with some of the very best players on the circuit and wisely mixing the repertoire between tried and tested jazz standards and quality originals.” – Soul and Jazz and Funk

“The result is a predictably eclectic and jazzy mix with which jazz lovers of all persuasions will find favor.” – Smooth Jazz Therapy

Additional information about MacArthur is available at http://www.mikemacarthur.com.