PHIL PERRY LEAVES US “BREATHLESS”

Phil Perry has a voice that is timeless and intoxicating. For decades, the storyteller has created music and moments never to be forgotten. Phil has shared his gift with artists such as Quincy Jones and Chaka Khan. The legendary Al Jarreau fondly referred to Phil as the “real deal,” a sentiment everyone shares. “Breathless” is Perry’s 12th album, and quite honestly, it will take your breathe away. Collaborating with his long time friend and producer, Chris “Big Dog” Davis, once again proved to be a formula for success. Phil says that with them, it’s about “friendship and relationship. However, the music is paramount.” He says his music feels like home. When listening to songs like “Someday We’ll Meet Again,” “Moments In The House Of Love,” and his cover of “Loves In Need Of Love Today,” you are sure to feel the same way. On “Breathless,” Phil says: “I’m just a mouthpiece.”

Listen to my friend and I talk all things music:

phil-perry-3

Smooth soul singer Selina Albright comfortable and confident enough to “Eat Something”

selina-albright

 

Therapeutic “Conversations”: Smooth soul singer Selina Albright comfortable and confident enough to “Eat Something” 

Empowering radio single about self-love and acceptance previews her March 17 debut album release.

FRISCO (30 January 2017): While a song about the joy of packing on a few pounds and a widening booty may seem contrary to the messages bombarding the popular music and media landscapes, smooth soul singer Selina Albright’s “Eat Something” is instantly resonating with fans and radio programmers, including SiriusXM Watercolors’ Dave Koz Lounge, which will feature the song on the February 5 national broadcast. The mid-tempo adult R&B song bolstered by guitarist Kay-Ta Matsuno’s crafty touch is the lead single from Albright’s first full-length album, the very personal “Conversations,” which will be released March 17 by Golden Rays Music with preorders beginning February 1 on iTunes.

“Over the past few years, I’ve noticed that I’ve reprioritized my life and stopped putting so much emphasis on doing and being what’s most acceptable to others, and instead focused more on appreciating and expressing who I’ve become. Getting to that place in my life inspired me to write about topics I normally wouldn’t, such as ‘Eat Something.’ I know it’s unconventional to write a song about being so happy that you gain weight from eating more, but there’s a freedom in the candor of the lyrics. There was no way I was going to change that. It was far too special,” said Albright, who selected the heartening cut as the first single based upon the immediate and rousing response she receives whenever performing the song in concert and from the fervent reaction from her “FanFamily” on social media.

Describing the custom-tailored blend of sensual soul and sultry jazz album as “my own therapeutic diary through joy, betrayal, liberation and hope, all written without holding back,” Albright wrote the lyrics for all nine original tunes and co-produced three tracks on “Conversations.” Her subject matters are based upon intimate and probing conversations she’s had, shared as if she’s confiding in a close friend. Whether skillfully unleashing the full power and magnitude of her gravity-defying voice or harnessing her passion in a reassuring caress, Albright’s demeanor remains sunny and glowing on uplifting numbers like “Possible” and “Highest High.” Even when confronting weightier subjects head on like she does on “Wifey Anthem (You Don’t Have To Fight At Home)” and “Victim,” her inherent optimism remains present and undaunted. “Let Go” also is wrought with emotion and includes dramatic flute flourishes from multiple Grammy nominee Gerald Albright, Selina’s father. The disc’s lone cover is a stripped down, jazzy take on “If I Were A Boy” with accompaniment by contemporary jazz hit-maker Peter White on acoustic guitar and Randy Ellis (Stevie Wonder, Beyoncé) on sax. Also contributing to the date are producers Chris “Big Dog” Davis and James “JRob” Roberson as well as guitarist David P. Stevens.

To help launch the album, Albright will perform at three record release parties: February 12 at Spaghettini in Seal Beach, California, April 6 at the Berks Jazz Fest in Reading, Pennsylvania and April 15 at The Soiled Dove Underground in Denver, Colorado. The Southern California show is already nearly sold-out.

Born and raised in Los Angeles, California, Albright was reared in the jazz and R&B scene, making her first appearance singing on one of her father’s albums twenty years ago. She has since sung on several of his collections, including penning lyrics and singing on the Grammy-nominated “24/7,” a 2012 duet set from the chart-topping saxophonist and Grammy-winning guitarist Norman Brown. Oozing stage presence, exuberance and captivating charisma, Albright has made her own name while singing on records and stages around the world, shining brightly amidst a galaxy of contemporary jazz stars and R&B legends that spans Brian Culbertson, David Benoit, Dave Koz, Kirk Whalum, David Sanborn, Boney James, Richard Elliot and Rick Braun to Chaka Khan, Will Downing, Regina Belle, The Temptations, Hugh Masakela and the late George Duke. In an entirely different setting, she injected her soul-powered energy into the electronic dance music world by collaborating with Manufactured Superstars, leading to a performance with the internationally-revered DJ duo at Las Vegas’ Electric Daisy Carnival in 2011. Recording as a solo artist, Albright placed the spirited jazz original “You and I” on the iTunes Top 100 Singles Downloads in 2010. A few years later, she topped the soul chart in the United Kingdom for four weeks with her R&B/soul single “Brighter.” Last year, Albright primed the marketplace for “Conversations” by issuing “Sun Comes Up,” which outpaced her previous singles.

“Conversations” contains the following songs:

“Eat Something” (featuring Kay-Ta Matsuno)

“Possible”

“If I Were A Boy” (featuring Randy Ellis)

“Talk To Her”

“Highest High”

“Wifey Anthem (You Don’t Have To Fight At Home)” (featuring David P. Stevens)

“Search My Name”

“Victim”

“Let Go” (featuring Gerald Albright)

“Uncharted Love”

For more information, please visit www.SelinaAlbright.com.

“THE JOURNEY” IS THE REWARD FOR NICK COLIONNE

Nick Colionne is embracing the success of his ninth and most recent album, “The Journey,” and has already begun to share the music through his engaging performances. When I spoke to Nick, he was in Florida getting ready for the Seabreeze Jazz Festival. Nick collaborated with Najee, James Lloyd, Chris “Big Dog” Davis, John “Blaster” Blasucci, and Nicholas Cole on “The Journey” which engulfs and delivers the varying styles of each musician. Colionne’s career has been a journey of highs and lows, he admits, and this album represents and reflects that journey. Nick maintains that he is thankful and blessed for the gift of music and hopes to continually make his family and fans proud.

Nick and I share conversation and laughter:

10308588_1121132864584866_4412966686209313878_n

“A BETTER MAN”……HE IS PHIL PERRY

With a career spanning 46 years, Phil Perry encapsulates what it is to be “A Better Man.” The vision for his latest album is simple yet powerful, and it stems from realizing that at this point in his life, he still has room to grow into more than he is. Perry says he wanted the album to “touch on different facets of relationships, from different perspectives, be informative, enlightening, but entertaining as well.” Having an understanding of the importance of being “audience inclusive,” he has always been able to capture and engage listeners. The romanticism heard throughout the entire album is sure to warm the hearts of fans old and new. Taking this journey with Phil is his longtime friend and colleague, Chris “Big Dog” Davis. Together, they created a collection of eight original songs, two covers, and sailed into romance paradise. Phil invited Kim Waters, Rick Braun, and Howard Hewett to collaborate on the project, as well. Collectively, the album is intimate and romantic with a twist of old school and infused with heartfelt sentiments.

Listen to the “hopeless romantic at heart” talk about how he believes in love:

Phil Perry 2

SAXOPHONIST AND VOCALIST MARQUEAL JORDAN

Marqueal Jordan is a double threat in the world of music. The extraordinary musician is a gifted saxophone player and an amazing vocalist. He’s thankful for his vocal talent and has mastered how to use it. However, it’s the saxophone that compels him to push beyond the boundaries. Marqueal has been on the music scene for a long time. Early on, he showcased his talents with the funk unit “Fat Time.” Along the way, he had several opportunities to weave his way through genres such as R & B, Blues, and Jazz. Fortunately for him, in the long run, those experiences would have served him immensely. When he was asked by Brian Culbertson to join his band and go on tour with him, he did not hesitate. This was the moment for which he’d been preparing for many years. Since that time, Marqueal has collaborated with some of the very best artists in multiple genres of music. His skills and talents make him the perfect asset. Although he has spent much of his career as a sideman, Marqueal recently decided to step into the spotlight and embark upon a solo career. That decision has proven to be the right move for Jordan. His debut album is titled “Catalyst” and is full of songs that Marqueal says are “the best representation of himself.” His quest was to create a project that was a cross between Grover Washington and Maxwell. Ultimately, his work with friends and fellow musicians Brian Culbertson, DJ INC, Chris “Big Dog” Davis, and Frank McComb has led to this body of music that is nothing short of incredible. All of his hard work paved the way for such a time as this.

Marqueal and I had a great time talking about “Catalyst.”

Marqueal Jordan

Marqueal Jordan

Marqueal Jordan

Marqueal Jordan