Terri Lyne Carrington granted the wishes of her fans around the world. On August 7th, 2015, she released the follow-up to the GRAMMY award winner for Best Jazz Vocal Album “The Mosaic Project,” “THE MOSAIC PROJECT: LOVE AND SOUL.” The stellar all-female ensemble consists of extraordinary vocalists and astounding musicians. Adding intrigue by his own request is the undeniable voice of Billy Dee Williams, garnishing the project with spoken word. “THE MOSAIC PROJECT: LOVE AND SOUL” is Terri’s expression of the language between men and women. In creating so, she also added a voice message from her dear friend, the late George Duke. The list of exceptional artists featured include: Natalie Cole, Oleta Adams, Lizz Wright, Chaka Khan, Chante Moore, Valerie Simpson, Nancy Wilson, Paula Cole, Jaguar Wright, Ledisi, Lalah Hathaway, Rachel Z, Patrice Rushen, keyboardist Geri Allen, saxophonist Tia Fuller, trumpeter Ingrid Jensen, and bassists Linda Oh and Meshell Ndegoecello. To say that is a lot of powerful talent on one project is an understatement. Terri as drummer, composer, producer, and singer created a project that was reflective of her love of R&B and Jazz. The twelve song album consists of six covers and six originals. She paid homage to great classics and singers of all time such as Frank Sinatra, Bill Withers, Ashford and Simpson, Patrice Rushen, and Duke Ellington. I asked her what she couldn’t do after learning that she also plays guitar, bass, and keyboards on some of the songs.
I am in awe of her talent. Listen, and you will be too:
In the company of prominent friends, saxophonist Mike MacArthur releases a sterling jazz album,
“Feels Like Home,” his first major release as a frontman.
Tampa, Florida (4 June 2013): In the midst of graduation season, it seems like the ideal time for the release of long-time sideman Mike MacArthur’s first major recording on center stage. The saxophonist’s 10-song “Feels Like Home” was released today by Paradise Point Music. On the collection produced by Grammy-nominee Brian Bromberg, MacArthur graduates surrounded by his scholarly musician friends on the set comprised of soulfully performed jazz standards and alluring originals.
When asked to describe how he felt after recording the album at Bromberg’s suburban Los Angeles home, MacArthur said “It felt like the beginning of a lot of things to come – like I’ve finally moved away from the kids’ table with my own (musical) offering. It confirms that I can stand alone as a frontman.”
“Feels Like Home” sounds live. MacArthur describes it as “real players making real music on real acoustic instruments.” Playing the music of the masters such as Duke Ellington (“In A Sentimental Mood”), Miles Davis (“Jean Pierre”), Sonny Rollins (“Blue Seven”) and Joe Zawinul (“Birdland”), MacArthur, bass prodigy Bromberg, Ron Reinhardt (piano, B-3 organ) and Frank “Third” Richardson (drums) formed the core quartet that features spotlight soloing from contemporary jazz maverick Jeff Lorber on piano, Rick Braun on trumpet and flugelhorn, and Jeff Golub on guitar. Journeyman percussionist Alex Acuna decorates and texturizes the tracks. MacArthur graciously gives his friends permission to uncork their finest vintage of improvisational jazz.
Radio stations have been playing the gospel soul cut “Sanctified,” which was christened as the first single and includes a vocal hook belted out by the almighty Alva Copeland. MacArthur wrote the three other original tunes on the disc, including the title track, a heartfelt ballad with a gorgeous melody gracefully emoted from his tenor sax. He penned the boisterous blues joint “Around The Corner” specifically with Golub’s gritty guitar in mind. Written on piano in his daughter Sydney’s playroom while the then 5-year-old was gleefully dancing, MacArthur refers to the frenetic “Sydney Style” as the “up tune on the album.”
Throughout the album, MacArthur’s sax play is dexterous, precise and efficient. He plays just enough notes to convey the song and solos with just enough pizazz to get his point across. Having performed with a bevy of marquee musicians as a sideman throughout his career, including with Bromberg, Braun and Golub, he wants the release of “Feels Like Home” to signal the start of a new chapter. Setting the bar high in terms of performance, production, and composition, MacArthur’s stride into the spotlight is smartly executed with confidence, poise and a whole lot of soul.
After recently opening for superstar Queen Latifah, MacArthur will lead his own band at Uptown Altamonte near Orlando, Florida on June 15th sharing the bill with guitarist Nils and will open for guitarist Peter White on July 21st at Glenora Wine Cellars in Dundee, New York.
“One of the best for 2013 no matter what flavor jazz you may be into. That nice fat tenor sound with chops to match, if ‘Feels Like Home’ doesn’t move you then you must be waiting on your autopsy report.” – Critical Jazz
“This album has no safety zone. It is entertaining, listenable, and catchy but it is not safe. Some of these guys have made a name for themselves in smooth but this is a jazz album. It is not an academic, archival, or intimidating jazz album. It’s a jazz album because there is a lot of improvisation and about half of the songs on here are benchmark songs in the history of contemporary jazz, and beyond…This is an album that will lead even the most skeptical pop/smooth listener deeper into the world of jazz.” – SmoothViews
“He (MacArthur) has surrounded himself with some pretty fine players and has made an album which is simply terrific…Of the album’s ten tracks, three are MacArthur originals and it’s a testament to his skills that you can’t differentiate them from the standards…this is a warm and enjoyable album that is a treat for the ears.” – Bass Players United
“’Feels Like Home’ is superior jazz made among friends. From the first track ‘Filthy McNasty’ by Horace Silver to the 10th and final cut ‘Mo Better Blues’, music enthusiasts will know that this one belongs on the top shelf.” – The Entertainment Bank
“Rolling through a set of tracks as diverse as any jazz enthusiast could hope for, MacArthur puts both feet into this project, offering appealing sax runs while his pals mix up a batch of riveting acoustic bass runs, soul-wrenching guitar riffs, tantalizing piano/keys action, and solid drums and percussions.” – The Smooth Jazz Ride
“He (MacArthur) comes out firing – surrounding himself with some of the very best players on the circuit and wisely mixing the repertoire between tried and tested jazz standards and quality originals.” – Soul and Jazz and Funk
“The result is a predictably eclectic and jazzy mix with which jazz lovers of all persuasions will find favor.” – Smooth Jazz Therapy