From the heart of Carol Duboc

Carol Duboc is undeniably an incredible artist with an amazing career. Her ability to sing, write, improvise, and put melodies together is what makes her dynamic. She not only writes original songs for herself, but also for other artists like Patti Labelle, Tom Jones, and Diana Krall. She collaborated with Jeff Lorber, Jimmy Haslip, Brian Bromberg, Hubert Laws, Michael Thompson, Luis Conte, Tim Carmon, and Vinnie Colaiuta on her latest release “Smile.” Writing the songs for “Smile” was therapeutic as well as healing for Carol. She wrote from her heart, penning an amazing CD full of heartfelt emotions.

Woman to woman with Carol Duboc.

https://mm2513.files.wordpress.com/2013/06/130619_001.mp3

Carol Duboc
Carol Duboc
Carol Duboc
Carol Duboc

The amazing Brian Simpson

Brian Simpson has always known that music would play a very important role in his life. Actually, the most important role. The music of the 60’s Brian heard his Father play around the house had a strong influence on the artist he is today. He left his home town of Gurnee, IL and headed for LA. It was there that he began to get immersed in the jazz scene and start working with artists like Boney James. Brian took a little break from jazz to go on the road with pop sensations Janet Jackson, Teena Marie, and Sheena Easton. Those were experiences of a lifetime for Brian. He would however return to jazz music. Jazz was where his heart had always been. In 2005 Brian wrote “It’s All Good” as a solo artist, and it was a #1 radio hit. He is always working with other jazz artists, and continuously pours his creativity into every project. Not only has he been touring and working on other projects, but he’s also been the musical director for Dave Koz for the past 15 years. His current CD is titled “Just What You Need.”

Brian tells me his story during our interview.

Brian Simpson
Brian Simpson
Brian Simpson
Brian Simpson

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A talk with Norman Brown

Grammy Award Winner Norman Brown talks to me about his love for music and the guitar. From those who inspired him, to his huge decision to move to LA after High School to pursue his dream, Norman reveals how it all came together. He quickly established himself as one of the best guitar players. From his debut album in 1992 “Just Between Us” to his collaboration with Gerald Albright in 2012 “24/7”, Brown has continuously given us great music. He shows off his vocal skills on his project “West Coast Coolin”, and then again on his R&B hit “Stay With Me.” Finally, Norman can add Broadcaster to the list of his accomplishments. He once hosted his own weekend radio show on the Smooth Jazz Network.

In his own words.

Norman Brown
Norman Brown
Norman Brown
Norman Brown
BWB
BWB

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Carol Duboc’s “Smile”

Carol Duboc new release Smile available online Mother’s Day, May 12, 2013. In stores May 21, 2013. Pre-Order http://www.amazon.com/Smile-Carol-Duboc/dp/B00BNWWYCG/ref=sr_1_1?s=music&ie=UTF8&qid=13650…

Carol Duboc
Carol Duboc

Music Therapy: Duboc delivers a revealing “Smile”

Jazz singer-songwriter teams with Jeff Lorber for a deeply personal album about the demise of her marriage

Los Angeles, California (22 May 2013): Thinking that everything had fallen apart, the tears streamed down Carol Duboc’s face as she wrote the lyrics to “Smile,” the title track to the soulful jazz vocalist’s stunning sixth album that was released Tuesday (May 21) by Gold Note Music. She gazed at her young daughter’s smile and found hope. Hope infuses the painfully honest and courageously candid collection Duboc penned and produced with fusion pioneer Jeff Lorber about coming to terms with the end of her marriage. The shuffling beats of the funky first single, “Elephant,” one of Billboard BDSradio’s most added tracks this week, elusively dances around the realization that she and her husband faced: the amassed problems in the marriage were the elephant that could no longer be ignored.

Duboc and Lorber have a history of writing songs together that spans more than a decade yet became more frequent a few years ago when the chanteuse with the candied voice moved into a Los Angeles, Calif. neighborhood near Lorber’s home studio. They complement each other’s strengths as songwriters organically with Duboc coming up with catchy melodies and compelling storytelling lyrics for Lorber’s jazz-funk rhythms and grooves. Naturally turning to her own life for lyrical themes, Duboc delved into the flood of feelings that she was experiencing at the time in the troubled relationship. She intimately chronicled utilizing the process as a form of therapy allowing her to work through the morass. Despite the difficult subject matter, the songs are not bitter as Duboc instills a sense of hope into her melodies – perhaps because of her daughter’s presence. She remains poised throughout her cathartic emotional exploration.

“Smile” was recorded in the studio live with Duboc accompanied by a stellar ensemble consisting of Lorber (keyboards, Moog & guitar), Vinnie Colaiuta (drums), Grammy-nominee Brian Bromberg (acoustic bass), Jimmy Haslip (electric bass), 3-time Grammy nominee Hubert Laws (flute), Michael Thompson (guitars), Luis Conte (percussion) and Tim Carmon (piano). Her graceful, caressing and expressive voice nestles into the plush contemporary jazz rhythm beds, rides the R&B grooves, and adds depth to the urbane pop confections.

After “Elephant” opens Duboc’s diary, the comforting and inspiring title track emits radiant light in the face of challenging times as captured in the uplifting video (http://www.youtube.com/watch?v=PIPYZRYApRc). The sultry “Unpredictable” is a tantalizing fantasy about a stranger on which Thompson’s cool jazz guitar riffs admonish the dangers of acting on the daydream. Duboc realizes her dream of scatting along with one of Laws’ solos on “Telepathy” although at the time she was preoccupied trying to read her husband’s mind. The sensual “Atmosphere” sets the mood for romance in the hope of rekindling the love. A brisk Latin jazz adventure, Duboc puts her fear of flying aside to offer a pledge of faith and trust on “Parachute.” An ethereal sonicscape spotlighting Bromberg’s nuanced acoustic bass heightens the sex appeal of Duboc’s enticing purrs and prowls on “Behind A Kiss,” which finds physical love on the other side of the tumult. On the jazzy “Gliding,” the singer yearns to fly free from her troubles underscored by Laws’ soaring and fanciful flute. Begging to know what “Nobody Knows,” Duboc’s marriage was rocked unexpectedly after she returned home from the studio one day to learn something shocking about her partner, which proved to be the beginning of the end. Duboc describes the buoyant “Mythological” as being a “great closer for this musical and emotional journey.”

To help launch “Smile,” Duboc will perform a pair of album release gigs backed by Lorber, Haslip, drummer Tony Moore and guitarist Adam Hawley this Sunday (May 26) at Spaghettini in Seal Beach, Calif. and in Hollywood on May 29th at the Catalina Jazz Club.

Ever since her 2001 debut album, “With All That I Am,” Duboc has consistently set the bar high for her critically-acclaimed sophisticated urban-jazz tunes that have garnered gushing praise from the likes of the Los Angeles Times and JazzTimes. Laws appeared on that first album and remains a fixture on her recordings that over the years have spawned multiple Top 5 airplay singles at Radio & Records and included collaborations with Lorber, Gerald Albright and Patrice Rushen. Duboc’s gift for composing and arranging has enabled her to author songs on gold and platinum-selling albums by Patti LaBelle, Chante Moore, Tom Jones, Stephanie Mills, Jade, George Duke, Maurice White, and Fine Young Cannibals. Duboc was tapped as a special guest on several of the all-star Ladies’ Jazz series alongside Sarah Vaughan, Jane Monheit, Diana Krall and Dinah Washington. The beautiful blond Kansas City, Missouri native made her motion picture debut in 2005’s “Be Cool,” which starred John Travolta, Uma Thurman and Danny DeVito. Additional information is available at http://www.carolduboc.com.

The songs comprising Duboc’s “Smile” are:

“Elephant”

“Smile”

“Unpredictable”

“Telepathy”

“Atmosphere”

“Parachute”

“Behind A Kiss”

“Gliding”

“Nobody Knows”

“Mythological”

A conversation with Guitarist Peter White

While growing up in England, Peter White learned to play many instruments including the piano. He realized after watching The Beattles, Jimi Hendrix, and Eric Clapton on a black and white TV, that he wanted to emulate them. He learned to play on an acoustic guitar. Soon after, he purchased an electric guitar. After an infamous incident that sent his electric guitar into flames, he elected to go back to the acoustic guitar. Fortunately for Peter, that accident turned into a blessing.

After many years playing as a backup musician, Peter realized that he wanted “his” music to be heard. Thus, he launched a solo career. He calls collaborating with other artists such as Boney James, and David Sanborn just to name a couple, a “joy” and a “blessing.” His latest CD is titled “Here We Go,” on which he once again worked with some “high-profile” musicians.

Peter has gone into his personal treasure chest of unreleased songs, updated them, and is creating new music. He is looking forward to playing in Charlotte, NC at the Uptown Jazz Fest in June. He welcomes fans comment’s and email’s, and is excited about meeting them.

Click to listen to interview.

Peter White
Peter White
Peter White
Peter White

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