Kim Scott

Soul-Jazz flutist Kim Scott emerges in the GRAMMY® race

Music from her “Free to Be” album makes the first-round ballot in two categories

BIRMINGHAM (5 October 2019): It was a hot July for soul-jazz flutist Kim Scott, who rocketed like fireworks to the top of the Billboard chart with her first No. 1 single, which has inserted the emerging artist into the GRAMMY conversation. Scott’s solo on “Emerge” (http://bit.ly/354BX9Y) made the first-round ballot for Best Improvised Jazz Solo while the album on which the track appears, “Free to Be,” is garnering consideration in the Best Contemporary Instrumental Album category.

Scott wrote “Emerge” with keyboardist Jonathan Fritzen, a hitmaker who is featured delivering his own shimmering solo. However, it is the flautist’s fanciful flourishes that are meriting consideration from the voting members of The Recording Academy for the 62nd GRAMMY Awards that take place on January 26, 2020.

After setting the stage to perfection with a Billboard chart-topping single that also went No. 1 on the Groove Jazz Music chart, Innervision Records dropped “Free to Be,” Scott’s fourth album, in mid-July. She had a hand in writing five of the album’s nine songs, which offer an alluring blend of instrumental pop appeal, jazz spontaneity and funky R&B grooves. Scott’s classically trained flute melodies share the spotlight equitably on a few numbers with prominent guest soloists Fritzen, saxophonist Jazmin Ghent and Pieces of A Dream keyboardist James Lloyd. Guitarist Eric Essix, drummer/percussionist James “PJ” Spraggins and bassist Sean Michael Ray anchor the rhythm section with compelling textures and vibrant harmonies crafted by keyboardist/programmer/producer Kelvin Wooten, keyboardists West Byrd and Jaden Scott, alto saxophonist Cameron Ross and instrument programmer Dimitri Turner. The disc’s second single, the bumping “Take It To The Rink,” is presently skating laps around playlists after earning Most Added honors in its debut week at radio.

In addition to her recording career, Scott hosts the nationally syndicated “Block Party Radio Show,” which added to its growing list of stations with the recent pickup on Alabama Public Radio, an NPR affiliate. The artist infuses her energy and enthusiasm into the weekly broadcast featuring the latest  contemporary jazz, urban and Latin jazz releases.

The Birmingham, Alabama-based Scott debuted in 2011 with “Crossing Over.” Her records have consistently produced Billboard Top 20 singles. On the concert stage, she’s performed at clubs and marquee festivals, including Catalina Island JazzTrax Festival and Seabreeze Jazz Festival. Scott is also a member of the all-female supergroup Jazz in Pink with whom she has played shows across the US. For more information, please visit http://kimscottmusic.com.

THE “TENACITY” OF PAUL TAYLOR

If ever there were a most appropriate title for Paul Taylor’s latest album, “Tenacity” wins hands down. Nineteen years in the music business and counting, he shows no signs of slowing down. In the past few years, Paul has had a #1 on the Billboard Contemporary Jazz charts, #1 on the airplay charts, and a Top Ten album on the Billboard Jazz Albums charts. It is no surprise that he continues to be successful. He’s mastered the balancing act of maintaining a solo career and being a member of several projects over the years. Taylor lends his talents to Keiko Matsui’s band, The Rippingtons, Groovin For Grover, Gentlemen of the Night, and Sax and the City. I told him he must be a “superhero.” Paul attributes his success to tenacity, making the title “Tenacity” not one difficult to come up with. He joined forces with his longtime friend and colleague Don Espisito when he embarked upon the making of his 10th album to be released on March 18th. He invited some of jazz’s favorites to collaborate with him on “Tenacity.” Johnathan Fritzen plays on the funky opening song “Supernova” while Jeff Lorber adds his touch to the smooth tune “Luxe,” and Paul Hardcastle ignites the fun “Peace of Mind.” The final song on the album is significantly titled “Empire” because it symbolizes Paul reflecting on all that he has accomplished.

Listen as he shares the story with me.

Paul Taylor

Paul Taylor