KEN NAVARRO GIVES US “HOPE, JOY, STRENGTH”
Ken Navarro kicks 2015 off with a trilogy full of positivity and inspiration: “HOPE, JOY, STRENGTH”- Sentiments everyone needs to hear. What a way to ring in the new year! Navarro created the trilogy following the success of his 21st album, “Ruby Lane.” The beautiful single he wrote for his wife in honor of their anniversary, “Ruby Lane” was a Top ten hit. Ken has been in the industry for over 25 years and remains a chart topping guitarist and composer. In addition, he has his own record label, Positive Music Records. It would seem that Navarro has the perfect formula for success. However, for Ken, it isn’t a formula, per se; but a willingness to evolve and embrace variety.
I enjoyed listening to Ken expound upon his career and music:
BRIAN SIMPSON STRAIGHT “OUT OF A DREAM”
Brian Simpson knows quite a bit about making hits. After all, he has had a few of them since his solo career began in 2005. He has been and continues to be the guy that his fellow musicians call upon when it comes to producing. Brian’s belief is that “the melody is still king.” To go along with that, he also remembers what a teacher once told him he should always remember: “unity, variety, and continuity.” While it may have been unbeknownst to him at the time, those three vital components would later become very clear. While embarking upon the creation of his latest album, “Out Of A Dream,” Brian embraced the idea of variety and enlisted a host of co-composers. “Out Of A Dream” could be viewed as an album of duets. Simpson features the superb saxophone skills of Grace Kelly and the flute of Najee on the title track, “Out Of A Dream.” Brian’s collaboration with longtime friend Dave Koz exhibits why the two have such a successful working relationship. Keeping variety front and center, Simpson’s first single, “Sky Watcher,” was co-written by Ryan Farish–who only does electronic music. Furthermore, being an international traveler, Brian takes his listeners on a global journey from Spain to Brazil through songs featuring Marc Antoine and Maysa. And as a tribute to Joe Sample, Simpson penned “Lets Get Away” with Oliver Wendell. Other collaborators include Jonathan Fritzen, Maurice Brown, and Norman Brown.
Brian and I discuss the importance of variety and the creation of “Out Of A Dream”:
DW3 pays “Tribute” to their late drummer-mentor Ricky Lawson
DW3 pays “Tribute” to their late drummer-mentor Ricky Lawson
R&B vocal band goes retro on their sophomore album, “Vintage Truth,” due March 17, with assistance from contemporary jazz luminaries Dave Koz, Brian Culbertson,
Paul Brown, Greg Adams and Elan Trotman.
Los Angeles, California (12 February 2015): At the untimely passing of the drummer Steely Dan’s Walter Becker described as having perfect timing, Ricky Lawson was only four songs into producing the sophomore album by R&B vocal group DW3. Lawson, who had an extraordinary GRAMMY®-winning career collaborating with Michael Jackson, Eric Clapton, Phil Collins, Whitney Houston and Steely Dan, had been a member of the band for more than two years and the tracks are his last recordings. Over a year later, DW3’s “Vintage Truth,” dedicated to Lawson, is finally finished and scheduled for release March 17 on the Woodward Avenue Records label.
Despite being rocked by the unexpected loss that occurred two days before Christmas 2013, DW3 knew that Lawson would want the groove to continue. He not only was a member of the outfit fronted by brothers Billy & Eric Mondragon and Damon Reel, but he mentored them as well. He believed that the GRAMMY®-nominated vocalists who are a perennial draw on the jazz festival and cruise circuit is at their dynamic best in live settings thus the record’s core tracks were laid down in the studio live. DW3 maintained that template when finishing the album, which they produced themselves with one cut, the collection’s first single – a seductively soulful take on The Eagles’ “I Can’t Tell You Why” – produced by hit-maker Paul Brown.
“We titled the album ‘Vintage Truth’ because of the way we approached the recording process, like a live jam session where the core musicians – the guitarist, bassist, keyboardist and drummer – were in the room playing at the same time. We rehearsed each song twice, then went in the studio and pressed record. Our previous recordings featured a lot of drum programming, but this project has all live drums,” said Eric Mondragon. “Another vintage element we added that we absolutely love is the live horns – so much so that we recently added a horn section to our lineup so that we could perform these songs properly onstage.”
The twelve-tracker “Vintage Truth” offers a blend of originals and fan favorites that the group has performed on stage for years such as Stevie Wonder’s “Overjoyed,” Luther Vandross’s “So Amazing” and The Mamas & The Papas’ “California Dreamin’,” the last of which won the California Lottery Powerball song contest for their trademark three-part harmonies spawning a popular video (http://bit.ly/1vDOe1D). Making instrumental contributions to the disc were contemporary jazz chart-toppers Dave Koz, Brian Culbertson, Greg Adams, Elan Trotman and Brown.
Four years ago, the Los Angeles born and raised DW3 issued its debut set, “On The Floor,” which peaked at No. 16 on the Billboard contemporary jazz albums chart in the U.S. while it went all the way to No. 1 on the United Kingdom’s soul chart driven by the sophisticated neo soul single “I Got You” highlighted by a sultry sax solo from multiple GRAMMY® nominee Gerald Albright. DW3’s three vocalists were 2014 GRAMMY® nominees for singing background on the Summer Horns album, an ensemble comprised of saxophone superstars Koz, Albright, Mindi Abair and Richard Elliot. Ever since DW3 served as the resident party band on the inaugural sailing of The Smooth Jazz Cruise in 2004, they’ve been part of the sold-out cruise. In addition to performing at premier festivals across the nation, the funksters maintain a long-running weekly residency at SoCal hotspot Spaghettini and serve as the house band for L.A. radio station 94.7 The Wave’s Sunday Brunch held at the same venue. Further information about DW3 is available at www.DW3music.com.
“Vintage Truth” contains the following songs:
“Let The Music” (featuring Brian Culbertson)
“Tribute (Right On)”
“I Can’t Tell You Why”
“Hold Me” (featuring Greg Adams)
“Dance With Me”
“Overjoyed”
“California Dreamin’”
“When You Cry” (featuring Dave Koz)
“She Keeps Running”
“Square One”
“So Amazing”
“At The Club” (featuring Elan Trotman)
MARION MEADOWS: THE “SOUL TRAVELER”
Marion Meadows is eclectic. In his own words, “he’s always been a Gypsy and a daredevil.” His latest album, “Soul Traveler,” is truly symbolic as the soundtrack to his life. Meadows worked with Carlo Pennisi to write all original songs–albeit, with a little resistance. Although thinking outside the box is how Marion usually operates, it took a little more urging on behalf of Pennisi to bring “Soul Traveler” into existence. He describes the evolution of “Soul Traveler” much like a blooming flower. Meadows amorously says that “he loves the people he works with.” Graciously, he was joined by longtime friend and fellow saxophonist, Najee, Elan Trotman, Vincent Ingala, Juan Benevides, Phil MacArthur, Joey Sommerville, Kyle Turner, Ragan Whiteside, Toni Bias, and Lamar Gaines. Unwittingly, unknowingly, and with all of himself, Marion created a record that his fans will relish.
Listen as Marion and I talk all things “Soul Traveler”:
Saxophonist ShaShaty set to embark upon a “Dream Ride” leading to a “Brighter Day”
Saxophonist ShaShaty set to embark upon a “Dream Ride” leading to a “Brighter Day”
Vibrant radio single precedes the artist’s Steve Oliver-produced album, due March 3.
Los Angeles, California (28 January 2015): It’s a new dawn for veteran contemporary jazz saxophonist ShaShaty, who will release his sixth album entitled “Brighter Day,” on March 3 on the newly formed A.H.I. Records. His first collection comprised entirely of original songs in more than a decade, the set showcases the artist who had a hand in writing seven of the disc’s eleven songs that were produced by guitarist-vocalist Steve Oliver, writer or co-writer of ten songs for the record. The energizing excursion “Dream Ride” bodes to illuminate radio playlists ahead of the album’s street date when the single is serviced to stations for airplay early next month. The video for the single will premiere at Universal CityWalk in Universal City, California where ShaShaty has been a featured performer over the past decade.
Instead of limiting himself to a singular sax voice, ShaShaty’s dynamic multihued approach places him front and center on the melody-rich jazz, pop and R&B outing playing tenor, alto and soprano sax. Fellow sax player Will Donato bolsters the horn section parts on “Dream Ride” and Spyro Gyra drummer Bonny B dispenses deft beats on four cuts. Taiwanese vocalist Usay Chu makes her U.S. recording debut by gracing a pair of tunes – “Song Of Hope” and “A Million Miles” – with her ethereal wordless vocalizations. Making “Brighter Day” a standout session is the chemistry between ShaShaty and Oliver. The hornman’s impassioned and emotive play flourishes in the company of the guitarist who has a masterful command of buoyant harmony. Tracks have a robustly full sound from which potent hooks connect and enveloping melodies leave a lasting impression. The power-packed pop gems that comprise “Brighter Day” also have depth and provide a varied listening experience that audaciously ventures into funky trip hop territory (“Let’s Go!”), explores an off-kilter staccato rhythm (“Late On 91”), mines an Indian motif (“Mumbai”), serves a sublime sax and guitar call-and-response chorus (“August”), romances on amorous overtures (“My Heart Yours” and “I’m Always Near”), takes off on a whimsical flight of fancy (“Brighter Days”) and closes with a blissful meditation (“Float Away”).
“I haven’t recorded an original project in quite some time. My previous two projects consisted of classics from the past few decades. Those interpretations were part of a period of growth and self- discovery for me musically, especially when reimagining so many beloved works. I found myself in a new, fresh space and realized it was time to reach deep inside to see what would emerge creatively. Steve Oliver and his amazing production work provided the skilled hand to help me realize ‘Brighter Day.’ I’d love for this instrumental pop project to be the vehicle that opens new horizons for many new listeners – even from other genres and cultures – that may not have necessarily been contemporary jazz followers before, but now call themselves fans,” said ShaShaty, who will perform material from “Brighter Day” on Valentine’s Day at Rideau Vineyard in Solvang, California.
A Miami, Florida native who is a long-time Los Angeles resident, ShaShaty has vast stage experience performing on concert dates and festival bills with the likes of Carlos Santana, The Mavericks, The Bee Gees, Gloria Estefan, Michael McDonald, Peter Cetera, George Benson, Dave Koz, Kirk Whalum, Brian Culbertson and Boney James. In addition to garnering radio spins throughout the U.S., ShaShaty has played on national television on “Today with Kathie Lee & Hoda” and on a PBS special alongside GRAMMY® winner Al Jarreau. ShaShaty, who released his self-titled debut album in 1993, serves as host of “Vineyard Jazz,” a wine and music lifestyle program being developed by A.H.I. Records for syndication. Please visit http://shashatymusic.com/ for additional information.
“Brighter Day” contains the following songs:
“Dream Ride”
“Let’s Go!”
“Song Of Hope”
“Late On 91”
“My Heart Yours”
“Mumbai”
“A Million Miles”
“August”
“I’m Always Near”
“Brighter Days”
“Float Away”
“A BETTER MAN”……HE IS PHIL PERRY
With a career spanning 46 years, Phil Perry encapsulates what it is to be “A Better Man.” The vision for his latest album is simple yet powerful, and it stems from realizing that at this point in his life, he still has room to grow into more than he is. Perry says he wanted the album to “touch on different facets of relationships, from different perspectives, be informative, enlightening, but entertaining as well.” Having an understanding of the importance of being “audience inclusive,” he has always been able to capture and engage listeners. The romanticism heard throughout the entire album is sure to warm the hearts of fans old and new. Taking this journey with Phil is his longtime friend and colleague, Chris “Big Dog” Davis. Together, they created a collection of eight original songs, two covers, and sailed into romance paradise. Phil invited Kim Waters, Rick Braun, and Howard Hewett to collaborate on the project, as well. Collectively, the album is intimate and romantic with a twist of old school and infused with heartfelt sentiments.
Listen to the “hopeless romantic at heart” talk about how he believes in love:
Have guitar. will travel
Have guitar, will travel
Lawson Rollins is a virtuosic tour guide on a musical exploration around the globe on his fifth album, “Traveler,” which will be released February 17.
San Francisco, California (15 January 2015): Many people travel from an encapsulated distance, staying at posh brand name hotels and dining under the golden arches while others prefer to explore by blending amongst the natives for a more immersive and organic experience of the actual sights and sounds of a culture. Award-winning guitarist Lawson Rollins lives by the latter philosophy, taking his guitar with him to view and interpret his global journeys. Writing twelve expansive compositions that are wordless diary entries encapsulating his travels, Rollins’s virtuoso guitar parlance speaks a universal language on tales of exhilarating adventure, intriguing mystery and enticing romance on his fifth album, “Traveler,” which will be released by his Infinita Records label and distributed by Baja/TSR Records on February 17.
Rollins’s traveling companion once again is platinum-selling producer-engineer Dominic Camardella, who has shared the helm on each of the guitarist’s previous releases that, like “Traveler,” are audacious border-crossing quests of melodic and rhythmic jazz and world beat. Joining them to create the intricate aural backdrops upon which Rollins unfurls masterful and impassioned fretwork on intercontinental and coast-to-coast exchanges was a noted ensemble comprised of Grammy-winning violinists Mads Tolling and Charlie Bisharat, Randy Tico (bass), Dave Bryant (drums & percussion) and Cameron Stone (cello). On select tracks they were joined by a horn section in addition to contributions from Big Bad Voodoo Daddy members Scotty Morris, Joshua Levy and Karl Hunter. Both Rollins and Camardella added keyboards and piano to the earthy mix on “Traveler” that Rollins describes as “a gypsy jazz amalgamation of travels.”
A Billboard singles chart-topper (“Moonlight Samba”) who has hit both the contemporary jazz (Top 30) and world music (Top 10) albums charts while amassing nearly eight million YouTube views for videos showcasing the guitarist’s mesmerizing technique, Rollins says, “‘Traveler’ is a musical travelogue for me, chronicling some of my journeys in life and evoking some of the places I’ve lived, visited and returned to in my memory. The album starts with the African-flavored title track ‘Traveler’ and continues north to Spain (‘Barcelona Express’ and ‘Meeting in Madrid’), France (‘Cafe Paris’), Germany (‘Berlin Bossa’) and England (‘Across the Moors’), and then over the Atlantic to Louisiana (‘Beyond the Bayou’) where I lived for a time after college. Next, we head to California with ‘Marching West’ and ‘Journey Home.’ The album concludes with the modern, electronica-infused ‘Urban Trilogy’ that evokes my times spent in New York, London, Tokyo and San Francisco. On this journey, my guitar serves as a kind of filter through which my impressions of the world are processed and expressed in the language of music.”
Presaging the album release at radio is “City Electric,” a vibrant, pulsating EDM energizer unlike anything Rollins has ever recorded before. The single starts as one of the most added on this week’s charts.
In December, Rollins won the prestigious 2014 USA Songwriting Competition’s best instrumental song and was the first ever instrumentalist to place third overall in the 20th year of the international contest that attracts 25,000 submissions from 80 countries. The complex and emotional “Shifting Seasons” appears on the artist’s 2013 release, “Full Circle.” Rollins has topped the most-played chart on SiriusXM Radio’s Watercolors resulting in a guest DJ hosting gig. The San Francisco, California-based musician debuted as a solo artist on 2008’s “Infinita” offering an inventive fusion of Latin, Indian, Persian, Arabic, South American and Euro stylings along with a guest appearance by Brazilian jazz vocal legend Flora Purim. Earlier in his career, Rollins partnered with Daniel Young to form Young & Rollins, a duo that crafted an eclectic mélange on four albums of salsa, bossa nova, flamenco, Latin and jazz grooves, hitting the Billboard Top 25.
“Traveler” contains the following songs:
“Traveler”
“Barcelona Express”
”Café Paris”
“Berlin Bossa”
“Meeting in Madrid”
“Marching West”
“Journey Home”
“Beyond the Bayou”
“Across the Moors”
-The Urban Trilogy:
“Metropolis”
“Ancient City”
“City Electric”
For more information, please visit www.LawsonRollins.com.
New Yorkers come to Golub’s aid one final time
New Yorkers come to Golub’s aid one final time
January 21 all-star concert planned to memorialize the guitarist and benefit his family sells out.
New York City (13 January 2015): When the newly blind guitarist Jeff Golub stumbled and fell onto New York City subway tracks where he was clipped and dragged by a train in 2012, New Yorkers came to his aid. When word spread throughout the New York City music community last month that Golub was on his death bed, New Yorkers bought concert tickets to the January 21 all-star benefit concert put together by Marquee Concerts and Smooth Jazz New York in order to raise money for Golub’s family. Although Golub succumbed to complications from a rare degenerative brain disease on New Year’s Day turning next week’s event at B.B. King’s Blues Club & Grill in Times Square into a memorial show, New Yorkers scooped up the remaining tickets to make sure the concert that will feature performances by more than two dozen luminaries sold-out to provide maximum assistance to Golub’s family.
At the time of the subway scare, which was chronicled extensively in the New York media, Golub dismissed the incident that he was lucky to escape with only minor scrapes and bruises as “stupid blind guy stuff.” However, losing his vision the year before due to collapsed optic nerves turned out to be a harbinger of a far more serious problem for the Akron, Ohio-born musician who has called New York City home since the 1970s. Golub began struggling with his balance and speech during a 2013 national concert tour in support of his final album, the playfully titled “Train Keeps A Rolling,” that adversely impacted his ability to perform. It got to the point that management had to pull Golub off the road. The guitarist’s motor skills continued to deteriorate, but it wasn’t until last November that he was finally diagnosed with Progressive Supranuclear Palsy (PSP), an incurable and aggressive brain disease.
Known for playing with soulful intensity and a bluesy touch, Golub’s diverse resume boasts longtime stints as a sideman to Rod Stewart, Billy Squier, Peter Wolf and Tina Turner as well as a 20-year solo recording career as a chart-topping contemporary jazz artist thus the lineup for the memorial benefit concert will present a multi-genre lineup of Grammy winners, nominees and hit-makers. Slated to take the stage are (in alphabetical order) Mindi Abair, Rick Braun, Randy Brecker, Henry Butler, Christopher Cross, Mark Egan, Richard Elliot, Bill Evans, Steve Ferrone, Euge Groove, Dave Koz, Chuck Loeb, Chieli Minucci, Philippe Saisse, Kirk Whalum and over a dozen more musicians.
Last Thursday (January 8), Whalum presided over Golub’s funeral held at the New York Society for Ethical Culture where a throng of artists and the city’s busiest session players gathered to pay tribute to the late guitarist, his wife Audrey Stafford Golub, and sons Matthew (14) and Chris (12). Among the many performers filling the ceremony with heartfelt song were John Waite, Marc Cohn, Whalum and Cross.
Although tickets to the memorial concert are gone, those who wish to contribute to Golub’s family can by sending a check made out to Jeff Golub Medical Expenses and mailed to:
Judy Miller
PO Box 115
Boxford, MA 01921
For more information about the memorial concert produced by Marquee Concerts, please visit http://marqueeconcerts.com/events/jazz and for additional information about Golub, go to http://jeffgolub.com.
Culbertson celebrates a milestone anniversary “Live”
Culbertson celebrates a milestone anniversary “Live”
The first live recording from the multi-genre multi-instrumentalist aims to get radio to “Think Free”
Los Angeles, California (12 January 2015): Years ago, a young ambitious musician-songwriter-producer emerged from Chicago who went on to architect 27 No. 1 Billboard singles along with a half-dozen albums that debuted at No.1 that changed the status quo with a creative and fresh alchemy of astutely performed contemporary jazz, soulful R&B and horn-powered funk. Decades later, his ability to achieve and balance commercial success and the respect of his peers is perhaps as admirable as his hit-making consistency and the meticulous approach he uses to craft infectious melodies and compelling rhythms. The above description could easily apply to the works of his role models, Maurice White and Quincy Jones, but here we refer to Brian Culbertson.
From the 1994 debut of “Long Night Out,” released while the keyboardist-trombonist was a DePaul University music major recording demos in the bedroom of his crowded apartment that landed him a six-album record deal, right up through his 14th album, 2014’s “Another Long Night Out,” Culbertson has injected a much needed jolt of lyrical harmony and deft musicianship along with a flair for lively showmanship that meshes to form an aesthetic that raises the bar on a musical genre. To commemorate his 20th anniversary as a recording artist, Culbertson marched his well-drilled band out on a coast-to-coast concert mission last year that was preserved for posterity on his first live album recorded during a sold-out, eight-show stand at the famed Yoshi’s nightclub in Oakland, California last September. The resulting double CD set, “Live – 20th Anniversary Tour,” was released Monday – Culbertson’s 42nd birthday – on his own BCM Entertainment label.
Featuring a crack eight-piece band, many of whom are musicians out of Chicago and have been playing with Culbertson for years, “Live” is a spirited and at times sweaty celebration of jazz, fusion, R&B, romantic piano pop and deep funk grooves that barely let up for air bolstered by crisp horn section arrangements reminiscent of the mighty Earth, Wind & Fire and Tower of Power.
One could say that “Live” is a statement album. Forget what you thought you knew about so called “smooth jazz.” Seldom does a contemporary jazz artist dare to release a live record these days making it even more of a treat that Culbertson & Company was able to bottle the magic, charismatic energy and excitement of their live show on this recording. The 21-song session – 22 songs if you include the CD exclusive bonus track, “Forever” – rifles through Culbertson’s chart-topping original compositions and introduces a vibrant new number, “Think Free,” the album’s initial radio single written by Culbertson and Sheldon Reynolds especially for the occasion. Culbertson’s set list also pays tribute to his influences – White’s Earth, Wind & Fire (“Serpentine Fire”) and Jones (“Secret Garden”) – along with the rump-shaking party starter “Hollywood Swingin’,” a Kool & The Gang classic.
“I just wanted to capture the raw dynamic energy of our live show. My band members are each incredible talents in their own right and I’m happy to be able to showcase them, which in turn makes the entire project more exciting and daring,” said Culbertson, who is also a lifestyle curator who founded and serves as artistic director of the starry Napa Valley Jazz Getaway, the fourth annual wine and music festival presented by Lexus in the heart of California’s stunning wine country slated for June 10-14, 2015.
Culbertson’s touring band consists of Marqueal Jordan (vocals, tenor sax & percussion), Eddie Miller (keyboards, Hammond B3 organ & vocals), Michael Stever (trumpet & keyboards), Adam Hawley (guitar & background vocals), Rodney Jones Jr. (bass) and Chris Miskel (drums). For the “Live” recording, they were supplemented by the firepower of Doug Beavers (trombone & additional percussion) and Doug Rowan (Bari sax).
“Live” contains the following songs:
Disc 1
“City Lights Intro”
“Always Remember”
“Hollywood Swingin’”
“Do You Really Love Me”
“Come To Me”
“All About You”
“Let’s Get Started”
“Fullerton Ave.”
“Beautiful Liar”
“Get It On”
“Skies Wide Open”
“Another Love”
“Horizon”
Disc 2
“Think Free”
“Dreams”
“On My Mind”
“Secret Garden”
“Serpentine Fire”
“Funkin’ Like My Father”
“City Lights Outro”
“Our Love”
“Forever” (CD bonus track only)
For additional information, please visit www.BrianCulbertson.com.









